Karen, en galère sentimentale et matérielle, est employée d'une centrale nucléaire qui fuit de partout. Malgré les intimidations de sa hiérarchie, et à l'étonnement de ses proches, Karen déc... Tout lireKaren, en galère sentimentale et matérielle, est employée d'une centrale nucléaire qui fuit de partout. Malgré les intimidations de sa hiérarchie, et à l'étonnement de ses proches, Karen décide d'implanter le syndicat. Elle aura finalement un accident (?) [en 255 car. pour champ ... Tout lireKaren, en galère sentimentale et matérielle, est employée d'une centrale nucléaire qui fuit de partout. Malgré les intimidations de sa hiérarchie, et à l'étonnement de ses proches, Karen décide d'implanter le syndicat. Elle aura finalement un accident (?) [en 255 car. pour champ texte]
- Nommé pour 5 oscars
- 2 victoires et 19 nominations au total
Avis en vedette
How do you judge people ?
When should you let go ? And when should you stick around ?
With "amazing grace", the beautiful Meryl Streep and Karen Silkwood have both tried to answer our questions. This wonderful movie wasn't about Silkwood's bravery in demanding people's absolutely basic rights only.
Most of people judge others by their own definition of "honour". You tell a friend about how this woman sleeps with everyone and the word goes on about how this promiscuous woman is a devil. This portrayal of Karen Silkwood will definitely conquer your image and your ways of judgment. As you can see her life ends, you'll know what really matters in life and what real honour looks like. You'll know that each one of us has their own demons, and some more than others, maybe for the bigger part, because they've witnessed what the rest didn't in their lives. You can never judge this woman saying she left her children when she's fighting for the framed pictures they're taking from her as they've found her house's contaminated, you can never judge her emotional and sexual behaviour when you see the look - to Drew- in her eyes before she dies and you can never judge the quality of her life given her psychological disturbance. This beautiful woman fought for what really matters in this life: end of fear .. end of blackmail for money and food. She's a hero by all means, defying all sorts of authorities with absolutely no support most of the time. You can see the struggles of being with someone who wouldn't save the world like you're trying to, but turns out to love you as you are with all your demons.
The real lesson for most people in this movie was about bravery and courage, but for me, it was mostly about acceptance, judgment and what really matters in this life.I can't thank Meryl Streep, Cher, Kurt Russel and Director Mike Nichols enough for this masterpiece, especially the ever-amazing and graceful, Mrs Streep .. You've taught me more than I've ever learnt from anybody in my own life.
When Harvey Milk went out and became a gay activist he reflected that in the 40 years he'd been living on planet earth he hadn't really left much of a mark up to that time. Karen Silkwood didn't even have that much time left to her. The last couple of years of her life were devoted to union activism and it was that activism that indirectly or directly led to her death depending on your point of view.
As an a union leader she even faced the criticisms of her own rank and file for not working as they felt for more traditional issues like a pay raise, less hours etc. Her concentration was the plant safety at Kerr- McGee where she and others worked making plutonium pellets for nuclear fuel rods. As such she and her co-workers were exposed to radiation, exposed a lot more she feared than her employers let on. That's fairly well proved in the film and in life.
As to her death the speculation is that it was not just an automobile accident, but something that was arranged by Kerr-McGee as she was on her way to meet a New York Times reporter with documentation of Kerr- McGee's failings on the issue of safety. That's the part that has left her story a mystery until this day, a mystery that the film Silkwood takes no real position.
But despite that the film got five Oscar nominations for Meryl Streep one of her collection of Best Actress nominations for the title role. Mike Nichols got one for Best Director and there were nominations in the writing and editing categories.
Cher spread her thespian wings in Silkwood playing Streep's best friend and lesbian roommate and fellow worker. She got some deserved rave reviews and this led to a second career as actress. In her whole career Cher has never really mixed her singing and her acting. Thirty years ago she probably would have been Hollywood musicals of mixed quality so she's eschewed musical films. I think that's conscious decision she's made and it's worked out well for her.
Sadly being ignored by the Academy was Kurt Russell playing Streep's live in boyfriend. From child actor to Disney bubble gum star to action adventure films, Russell finally got a real acting role he could create a character with and did so. Mostly his career has been action/adventure stuff, but here and in other films like Unlawful Entry and the Mean Season he's shown some acting chops without shooting people or breaking heads.
The film Silkwood as a totality is not as good as the outstanding performances these three players give in it. But it still remains a testament to the life and example of Karen Silkwood.
With CSI on TV today it would be nice to have a spin off with details of Karen's head x-rays and auto damage in order to get closer to the truth. A modern day story called 'Wounded Bear' depicts a very similar story. This story has CT's and would bring you to the truth of both stories. I have Silkwood
on tape because I feel it is an important part of history.
For instance, in the scene where the characters are looking at the slides of the trip to Washington: towards the end are two photos with Streep and Ron Silver's character. In the second photo, she leans into him a little bit. That tiny bit of body language makes us wonder - and Kurt Russell's character too. He suddenly moves his arm from around Streep's and suddenly she's aware that something's wrong. It's all in the unspoken. There isn't a preceding scene where she picks up the other guy, or goes to bed with him or even lies to Kurt Russell. It just cuts to this scene, and we the viewer learn along with Kurt that she's been unfaithful - which also reveals a little more about this person Karen Silkwood.
She's not a perfect hero - she's flighty, irresponsible, impulsive and non-committal - so the question becomes, why did she change? Why did she risk her life when she finally truly understood the risks? And how does Kurt Russell come to terms with this changed person he is in love with, given that he is just a guy who knows how to fix a car not save the world?
Watch Mike Nichols' inspired direction; he rarely cuts away in the middle of a scene. A lot of Kurt, Cher and Meryl's acting happens all in one take. *That's* truly good acting and directing.
Good dialogue in a film is in knowing what's happening without it being said. Don't fast forward the first hour - really pay attention and see how much you learn from the small details that will enrich your viewing of this film.
Le saviez-vous
- AnecdotesThe scene where Karen sets off the radiation alarms actually happened. Her level of contamination was forty times the safe limit.
- GaffesAfter Karen's first contamination, she and Drew are at home, and Drew is laid out on the bed playing his banjo, and black (X) marks can be seen on the quilt.
These are not actor position marks, but (repeating) parts of the quilt pattern. Drew's body lining up on the marks is just chance.
- Citations
Karen Silkwood: You think I contaminated myself, you think I did that?
Mace Hurley: I think you'd do just about anything to shut down this plant.
- ConnexionsEdited into The Clock (2010)
- Bandes originalesSilkwood Main Titles
Written and Performed by Georges Delerue Et Son Orchestre
Meilleurs choix
- How long is Silkwood?Propulsé par Alexa
Détails
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 615 609 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 218 322 $ US
- 18 déc. 1983
- Brut – à l'échelle mondiale
- 35 616 970 $ US
- Durée2 heures 11 minutes
- Mixage
- Rapport de forme
- 1.85 : 1