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6,2/10
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Ajouter une intrigue dans votre langueAn outrageous, affectionate look at coming of age in Eisenhower-era Brooklyn.An outrageous, affectionate look at coming of age in Eisenhower-era Brooklyn.An outrageous, affectionate look at coming of age in Eisenhower-era Brooklyn.
Richard Romanus
- Vinnie
- (voice)
David Proval
- Crazy Shapiro
- (voice)
Jesse Welles
- Eva
- (voice)
Tina Romanus
- Rozzie
- (voice)
- (as Tina Bowman)
Danny Wells
- Stomper
- (voice)
Larry Bishop
- Stomper
- (voice)
Tabi Cooper
- Stomper
- (voice)
Juno Dawson
- Waitress
- (voice)
Shirley Jo Finney
- Chaplin
- (voice)
Martin Garner
- Yonkel
- (voice)
Terry Haven
- Alice
- (voice)
Allen Joseph
- Max
- (voice)
Bernie Massa
- Stomper
- (voice)
Gelsa Palao
- Stomper
- (voice)
Paul Roman
- Stomper
- (voice)
Philip Michael Thomas
- Chaplin
- (voice)
- (as Philip M. Thomas)
Frank DeKova
- Old Vinnie
- (voice)
Angelo Grisanti
- Solly
- (voice)
Avis en vedette
When "Coonskin/Streetfight" caused a load of controversy and the technical specs caused difficulty, this one sat on a shelf for WAY too long.
And it may be Bakshi's best.
This was like "Heavy Traffic" but two decades earlier. Take away the 70's lingo and bring in the greasers. Ralph seems to be exorcising a rough past with his father here. Not for the first time either.
The best part of this film is the wrecking of the 50's myth. It wasn't all great economy and capitalism. The poor existed. Gangs ran rampant. And the races were at odds. This film points that out. And points again...
The autobiographical angle shows too. Both this and "Traffic" have the struggling artist character getting heat from all around him.
This was like a JD flick but VERY serious. Getting lost in that shuffle was the worst thing that could happen to it.
Go see it.
And it may be Bakshi's best.
This was like "Heavy Traffic" but two decades earlier. Take away the 70's lingo and bring in the greasers. Ralph seems to be exorcising a rough past with his father here. Not for the first time either.
The best part of this film is the wrecking of the 50's myth. It wasn't all great economy and capitalism. The poor existed. Gangs ran rampant. And the races were at odds. This film points that out. And points again...
The autobiographical angle shows too. Both this and "Traffic" have the struggling artist character getting heat from all around him.
This was like a JD flick but VERY serious. Getting lost in that shuffle was the worst thing that could happen to it.
Go see it.
This movie has some of the best dialogue I've seen in an animated movie in a long time. It feels very natural and the terrible mic quality actually adds a special feel to the movie. Both the main two voice actors do such a good job at voicing a couple friends that I am convinced they shot their lines together in a studio
The animation and tone of the film is very dirty, like most 70s/80s adult animated films so that's to be expected. But this really works on the darker aspects of the grease style film. There are many aspects of Italian/black gang life strewn in an the characters that would be associated and I really think it pulled together a lot of the 50s new york scene in an intersecting way
I personally think it does a great job at romanticizing and vilifying the era.
The animation and tone of the film is very dirty, like most 70s/80s adult animated films so that's to be expected. But this really works on the darker aspects of the grease style film. There are many aspects of Italian/black gang life strewn in an the characters that would be associated and I really think it pulled together a lot of the 50s new york scene in an intersecting way
I personally think it does a great job at romanticizing and vilifying the era.
O.K. I am a big fan of cartoon movies. with live footage. This one gets goofy in some spots but very watchable.. get it on video, and give it a good chance.
The first time I saw this film was at 3am after returning home from a bar. I had only caught the end at the time but was greatly impressed. In fact the movie had left such an impression on me that I spent a month trying to locate a copy on video cassette. This video is now among one of my most prized tapes.
The story is based around two good friends, Crazy Shapiro and Vinnie. Vinnie is the leader of a gang known as the 'Stompers'. Vinnie isn't much of a leader, and Crazy is a loose canon. The story takes us on a journey of how Vinnie dealt with his cowardly ways and how Crazy took a leap to insanity.
One of the reasons this movie has made it into my all time favorites is due to how the movie ends.
This movie like most Psychedelic cartoons is not for everybody. You will either love it or hate it.
The story is based around two good friends, Crazy Shapiro and Vinnie. Vinnie is the leader of a gang known as the 'Stompers'. Vinnie isn't much of a leader, and Crazy is a loose canon. The story takes us on a journey of how Vinnie dealt with his cowardly ways and how Crazy took a leap to insanity.
One of the reasons this movie has made it into my all time favorites is due to how the movie ends.
This movie like most Psychedelic cartoons is not for everybody. You will either love it or hate it.
You either love, loathe or simply don't understand Bakshi's films. I personally fall into the first category and this was the film that started it all for me at the tender age of 12. It still remains my favourite 15 years later. Me and a friend of mine were obsessed with it and would quote it to each other (and others who must have wondered what the hell we were on about) constantly.
I love Bakshi's animation, it maybe rough and sketchy at times but this is part of the appeal. It's far more organic than some pristine computer generated Disney schmaltz or his rotoscoped films. He has a wonderfully unique way of capturing characters in his art. 98% of people in his world are ugly. Though usually with a couple of exceptions. The love interest Rozzie, for example may well be the very ideal of a red blooded males fantasy, forget Jessica Rabbit! The dialogue (as in all his earlier pics) is wonderfully un-coached and at times sounds very improvised. It's drops a lot of the psycadelic and pseudo 60's philosophy that inhabited "Fritz the cat" and "Heavy traffic". There is also less of his trademark mixing of animation over live action backgrounds although it's still present to good effect in certain scenes. In a sense, it's perhaps more streamlined and consequently more accessible to new comers to the world of Bakshi than his previous works. What really makes the film for me though is Ric Sandlers superb soundtrack which (probably due to the films lack of anything beyond extreme cult success) has never been released. I implore those of you who feel the same to email him and tell so because I personally know (from experience) this music does still exist. And with enough interest it could see a release.
Playin' To Win
9 Out of 10
I love Bakshi's animation, it maybe rough and sketchy at times but this is part of the appeal. It's far more organic than some pristine computer generated Disney schmaltz or his rotoscoped films. He has a wonderfully unique way of capturing characters in his art. 98% of people in his world are ugly. Though usually with a couple of exceptions. The love interest Rozzie, for example may well be the very ideal of a red blooded males fantasy, forget Jessica Rabbit! The dialogue (as in all his earlier pics) is wonderfully un-coached and at times sounds very improvised. It's drops a lot of the psycadelic and pseudo 60's philosophy that inhabited "Fritz the cat" and "Heavy traffic". There is also less of his trademark mixing of animation over live action backgrounds although it's still present to good effect in certain scenes. In a sense, it's perhaps more streamlined and consequently more accessible to new comers to the world of Bakshi than his previous works. What really makes the film for me though is Ric Sandlers superb soundtrack which (probably due to the films lack of anything beyond extreme cult success) has never been released. I implore those of you who feel the same to email him and tell so because I personally know (from experience) this music does still exist. And with enough interest it could see a release.
Playin' To Win
9 Out of 10
Le saviez-vous
- AnecdotesLive-action footage was shot as part of Ralph Bakshi's original vision to have the film be a combination of live-action and animated characters (like Qui veut la peau de Roger Rabbit? (1988)). The only animated characters were Vinnie, Rozzi, Crazy, and Eva. The rest of the cast were live action characters shot on live action sets. This version was finished in the late 1970s. When it was initially shown to Warner Brothers executives, they told Bakshi that they loved it. A week later, they told Bakshi that the idea of having live-action and animated characters in the same frame would never work, as it was too unbelievable. Warner executives also referenced the controversy from Bakshi's film "Coonskin" (1975). He was forced to throw out all the live action footage and reanimate it. Bakshi, having to pay himself, took five more years to complete it around other projects before its official release in 1982.
- GaffesAt 52m 44s (on the DVD) Rozzie's left breast's nipple & areola are noticeably out of her shirt; only the areola and nipple are her base skin color instead. Just a few seconds earlier, she had completely tucked her chest into her shirt.
- Citations
Crazy Shapiro: Well, sometimes I wanna draw a picture of it.
Vinnie: A picture? Hey, Hey.. Norman Rockwell, draw me a picture here. Come on, come on. Draw me a picture.
Crazy Shapiro: I can't draw. It's just, like, I "feel like it" sometimes.
Vinnie: Hey listen to me, will ya? There's two-million faggots in Greenwich Village that "feel like it?" You know what I mean? You wanna be two-million and one, huh?
Crazy Shapiro: Your mother!
- ConnexionsReferenced in Cool and the Crazy (1994)
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- Durée1 heure 16 minutes
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