L'homme de six millions

This is one of the ways you can tell you're getting old: when someone says the name "Steve Austin." Do you think of a bald wrestler rolling around on the mat groping other guys, or Lee Majors moving in slow motion and squinting? I think of the latter.

"The Six Million Dollar Man" is one of the first shows I remember watching as a child. I watched the shows, I played with the toys, I wanted to BE Steve Austin. Lee Majors (along with Clint Eastwood) proved that some people look so cool when they squint. I look like I need my prescription checked when I do it, but I'm not Lee Majors. Steve Austin could handle anything they threw at him, not just because of his bionics, but because he was smart, he never gave up and always kept his cool. I still want to be like him when I grow up.

Recently, I've seen some episodes on the Sci-Fi Channel. Sure, the 1970s fashions are a little jarring (polyester rules!), and sometimes the plots are juvenile, but overall the show holds up pretty well. It could be very intelligent when it wanted to be, funny when it was called for, and always exciting and fun. It reminds me of a time when six million dollars was a lot of money, and American technology could produce wonders like a functional cyborg.

Yeah, I'll take Lee Majors over the bald wrestling guy any day. After all, how many wrestlers could take on spies, terrorists, aliens, Bigfoot, a killer Venus probe and Sonny Bono and live to tell the tale?

To understand the genesis of the show, watch first Harve Bennett's "The Astronaut" (1972) ---with the music of Gil Mellé-- and "Texas, We've Got a Problem" (1974). With a good, solid, realistic in treatment (psychologically and artistically), 1973 pilot produced and directed by David Irving and starring Martin Balsam as Dr. Rudy Wells (see H. G. Wells?) and Darren McGavin as the crippled cynical and manipulator Intelligent head Oliver Spencer who is also known as newspaper "Kolchak, The Night Stalker"; the show starts very well with Gil Mellé's electronic and jazzy score a la Miles Davis' "Bitches Brew", then comes a terrible second pilot "Wine, Woman and War", produced by Michael Gleason and written by Glen A. Larson with a dreadful main title and a horrible song by Dusty Springfield in which Steve Austin is a kind of reluctant second-rate James Bond whose mission ends with an atomic explosion. The series really finds its format with the third pilot: "The Solid Gold Kidnapping" with Jack Cole's famous techno medical main title (made with footages from the two pilots, video effects and body animations). During the middle of season 1, the music department decided to add sound effects from Universal's stock music library to highlight the bionic motions (some were already used in a previous series like the 1972 E.S.P. series "The Sixth Sense"---oddly enough, you can hear a noise from a missile when Austin launches an object into the air). The series had three Dr. Rudy Wells: one played by Martin Balsam (first pilot), by Alan Oppenheimer (pilot 2 & 3 and season 1 & 2) and by Martin E. Brooks (season 3, 4 & 5). The first two seasons ---produced by Sam Strangis/Donald R. Boyle and Lionel E. Siegel/Joe L. Cramer--- were in the line of the pilots and then occurs the transitory season 3 ---in 1975, the main composer Oliver Nelson and the music supervisor Hal Mooney left---, a season 4 with some drastic changes (bad writers and producers, the lead wears a ridiculous thin moustache, Goldman has a new office's decoration and the music is composed and renewed by J. J. Johnson) and therefore an un-inspired season 5 ---without Harve Bennett--- in which the protagonist wears a pre-"Fall Guy" haircut. TSMDM is basically an espionage series with a shallow sci-fi canvas (everybody remember the zoom shot bionic left eye with the frames or the infrared vision); notice the various martial music themes to grasp the concept of this pro-gov/militaryNASA/technology drama. The first pilot shows an offhand and rebel Steve Austin who refuses his injured disabled condition (even try to commit suicide) and his involvement in the scientifical department of the C.I.A. (here, O.S.O.: Office of Strategic Operation, and, later O.S.I.: Office of Scientifical Intelligence): official Oliver Spencer (later Richard Anderson as Oscar Goldman) even receivs a cold slap. From season 2, we are introduced to another bionic man: paranoid auto racing Barney Miller (with a season 3 sequel) in "The Seven Million Dollar Man", and a woman: tennis champ Jaimie Sommers, in a two-parter (with a season 3 sequel too) in "The Bionic Woman". From that point, the show slips into cheap bionic new products (Bigfoot, boy, dog) with a comic book leaning. The best episodes are those which deal with the space program/Austin's background ("The Rescue of Athena One", "Burning Bright", "The Pioneers", "The Deadly Replay": where we learn about Austin's near fatal plane accident) and the dangers of technology in the hands of America's inner enemies ("Population Zero", "Day of the Robot", "Run, Steve, Run").

The Six Million Dollar Man was a show that was entertaining and it actually taught me about romance. I was about six when I first started watching it. I was enthralled by the action and the feats that this man could perform. He had a bionic right arm, two bionic legs, and a bionic eye that could enable him to see great distances. His strength was more than that of ten men. He could run faster than a car and he was a super intelligence agent. Along the way he meets a variety of interesting characters and ones that I have never forgotten about. There was Barney, the seven million dollar man who lets his bionics take over his mind and he uses them for his own benefits instead of that of his agency. Then there was the probe. The probe was a machine that was designed to go to space but never made it there. On Earth, it wreaks havoc and Steve has his hands full with it. Then of course there was Jamie Summers. She was Steve's girlfriend that has a tragic parachuting accident. Steve, blinded by love demands that she is given bionics. She receives them but she has amnesia. There love is tragically put on hold and it is this plot line that for the first time in my young life, I was taught about the power and tragedy of love.

But the best of all the episodes of Steve Austin was the one's centering around Bigfoot. This also introduced the world to Andre The Giant. The Bigfoot episodes were scary. Here is this huge creature that is also bionic and he is a little stronger, a little faster and a little more vicious than Steve Austin. It is some of the best T.V. I've ever seen and it is one that will have a lasting impression on me for the rest of my life.

I remember that I asked my mom how they did all those things. How a man could jump that high, how he could lift a car and such. It was then that my parents explained to me that this was all make believe. That this is what is known as magic. Well it was from that moment on that the movies and TV captured my imagination. And for that I will be eternally greatful to The Six Million Dollar Man.

I loved The Six Million Dollar Man, I watched it every week if possible and actually wanted to be Bionic when I grew up! I even had Steve Austin Action figures including Oscar Goldman with his exploding Briefcase and Maskatron too. I was a big fan and still have a soft spot for the show and would happily watch it if it is being re-run on TV. It has dated badly in some ways, especially the clothes and hairstyles, but most shows from the 70's have anyway.

It was corny in places too and I wonder why objects such as rocks and steel bars made a whistling noise when Steve threw them! Also the androids were bad especially when their face came off and an actor had a mask with wires and lights on it over his/her face which meant realistically they would have had a side profile like E.T.!

But on the whole I loved it and have fond memories of watching it! It is a classic 70's show!

Well, it holds up to the test of time in SOME ways. This show was one of my favorites as a child and if re-made today with state of the art special effects could still be a top rrated TV show or blockbuster film. It wasn't camp, but it didn't take itself too seriously either. It had action and adventure, romance and espionage intrigue. This is the role Lee Majors was born to play, and he plays it to perfection. To most of us, he will always be the hero called Steve Austin. Other than the sometime wince-inducing special effects, this show is just as enjoyable if you catch it in re-runs today as it was during its original airing.