Le cavalier électrique

I like Pollack. I'm not sure there's anything that I wouldn't at least give a chance, as long as he had an important part in the making of it. This is probably the most formulaic thing I've seen of his... which isn't to say that it's necessarily bad. It's just that, well, if you don't see the majority of what happens in this, coming, the likeliest explanation is that you haven't seen one of the many films that follow essentially the same plot. It's not exactly unpredictable. The points of it are also made in a pretty see-through manner, with poignant speeches and the like. But with those in mind, and the fact that this isn't necessarily meant to be taken too seriously, this isn't bad. The direction is effective. Its editing and cinematography are well-done. The acting leaves little to be desired. The writing is good. The characters are at least average. The music is very fitting. That would be the original version, with Willie Nelson performing it, not the other kind. There is a limited amount of language in it, of varying degree, not a lot of which is terribly harsh. The drug/alcohol material is vague, and the sexuality tends to be tastefully done(for being partially set in Las Vegas, this is mighty clean). I recommend this to any lovers of the four-legged animal, Redford, Fonda and/or anyone else who helped create this. 6/10

Sonny Steele (Robert Redford) was a rodeo star who signed an endorsement deal with a breakfast cereal company. His star has since faded. He drunkenly travels around the country pitching the cereal with Wendell (Willie Nelson), Leroy and his light up electric suit. They replace him with another rider and nobody cares. Hallie Martin (Jane Fonda) is looking to write a story but the company won't let her interview him. He arrives in Las Vegas to ride a race horse on stage but he finds the horse drugged and injured. Charlotta (Valerie Perrine) comes looking for a divorce from Steele. He decides to ride out with the horse and not look back.

I don't really get the Hallie Martin character. Was the rodeo ever that big? She's putting in a lot of effort to do a story about a washed-out cowboy. I don't know why that's a big story anywhere. Even if he's washed-out, why would that be news? It would make more sense for her to start looking for the story after he rides out with the horse. Robert Redford returns to the big screen after a hiatus. That may be the reason for its success. Willie Nelson has a couple of great songs. The actors keep the movie afloat despite the poor basic concept of the movie.

This movie stars Robert Redford as an five time rodeo champion who is now a has-been promoting a breakfast cereal. Jane Fonda is a reporter who wants to interview Redford, but he just blows her off. Redford is basically upset always being told what to do and he steals a 12 million dollar horse that they're mistreating and he's going to take it out and set it free. The company that owns the horse wants to keep it quiet and then wants to send in the police. Fonda tracks him down and joins up with him so she can get a bigger story and of course, they have to fall in love. This movie seems to be a cross between It Happened One Night and Lonely Are The Brave. This was directed by Sydney Pollock who has worked with Redford several times before and also with Fonda.

This film is not about the horse, is not about a romance.

The film portraits the unstoppable greed of a corporation confronted with the moral values of a true cowboy and how he realize he has lost that spirit that took him to became a cowboy.

This film is intended to show how we destroy everything we touch just to increase our profits.

So, you are right about the hairstyle, the wardrobe, everything is so 70's.

But the message is not old in fact is so XXI century as your brand new digital cameras.

This film made me understand my family, my past, present and future.

Now I see what my father tried to taught me, what my brothers understood years ago.

Being a great fan of the film's stars, Robert Redford and Jane Fonda, especially back when I first saw it, I found this an entertaining, if not memorable romance, western style.

The story revolves around a former rodeo star named Sonny Steele (Redford) who has been reduced to doing cereal commercials in Las Vegas, all the while lit up in a sort of electrified suit. When he discovers plans are afoot to drug his horse lest it become too adventurous, he rides off into the desert, followed closely by a reporter named Hallie Martin (Fonda). At first, Hallie is simply seeking an exclusive story, but as you can imagine, before too long, the sparks are flying. Meanwhile, other forces are also after the runaway horseman, who just wants to return the horse to nature and himself to a simpler life.

The chemistry here between Redford and Fonda is wonderful, as they share basically an outdoor camping trip. Apart from that, the movie is primarily imparting a message about commercialism in our modern society, especially the evils of using both people and animals for profit. I was interested to read that Robert Redford actually bought for himself the horse, Rising Star, that was used in this film. It isn't any masterpiece, but certainly an entertaining movie that points to the beauties of a simple country life.