The Spell

The Spell (1977)

** (out of 4)

This made-for-TV horror film was shown just three months after the release of CARRIE so it's easy to see why it's been forgotten over the years. Lee Grant plays a mother who starts to get worried when her overweight daughter (Susan Myers) begins to act strange against those picking on her. Soon it appears the girl has supernatural powers that she's using against those who pick on her. THE SPELL is obviously a cheap rip-off of the Brian DePalma classic and I think what really kills this film is the screenplay. It's hard to feel sorry for the young girl played by Myers because she's really just an all around ugly person. In CARRIE we at least cared about the girl and even in the end when we might not agree with what she was doing. In this film there's never a single scene where we feel for the girl and this is really what causes the film to fall apart. Each time we see her she's being rude, ugly or trying to kill somewhat. This here isn't the best way to fall for any character. It's also rather annoying watching the mother walking around so stupid and never really being able to see what's going on. The film is basically told through the eyes of the mother and she goes back and forth so many times that it's hard to relate to her as well. Grant, for the most part, deliver a good performance as the mother and I was also impressed with Myers. A very young Helen Hunt plays the sister and does a nice job with it and we also have James Olson turning in a good performance. The direction is okay but I think a faster pace would have helped things. THE SPELL really doesn't come anywhere close to CARRIE but it's probably best that one doesn't try to compare the two films. Even on its own, this here is pretty weak and is only for those who need to see every film of its type.

Every teenager has dreamt of having the mental power to smite their enemies. In the late 1970's, Hollywood gave that power to a select few. The made for TV production `The Spell' (1977) was a well done version of the theme, and fell between `Carrie' (1976) and `The Fury' (1978) in both chronology and style. `The Spell' came closest to the altered reality that most of us envisioned when running this scenario in our own teenage mental movie house. No ultra-evil-parents or goody-two-shoes types (Carrie) and no spies and secret organizations (The Fury).

Instead, `The Spell' presents the story of a regular out of place teenager in a regular unfair world. She finds that she suddenly has telekinetic powers, and the revenge that most of us dreamed about becomes a reality for her. The pacing is a little choppy, but the heart of the story unfolds nicely. The world is still unfair, she just doesn't realize that it is now HER that is being unfair to those who don't have her secret power. The result is a ‘teenage telekinesis' movie that actually relies on character rather than special effects for its most important moments. While the parents in the other two movies were either nuts (Carrie) or non-existent (The Fury) the parents in this movie are loving people who are trying to provide some proper guidance to a daughter who just seems to be changing from a timid young girl into a smart-ass teenager. Hallmark moments were never like this

This is similiar to Carrie but I actually thought it was better. It's tough for me to remember because I saw it when I was so young.

The premise is similar to Carrie, high school girl develops powers and uses thos powers to make things happen. That said, it varies from Carrie a little though I don't want to say to much or I'll give it away.

This is sort of "Carrie" meets "The Craft". The people who like that type of movie will like this. I don't know how one canm even see this, it is from quite awhile ago and I have been eager to find info on it for years-thanks IMBD!!

But if you like movies like this and can find it-watch it. It's less brutal then Carrie(if I;m remembering right-it HAS been awhile!). And I think some may like it just as much as Carrie.

Teenager Rita is harassed by her classmates for being withdrawn and overweight. At home, her father and younger sister treat her like utter garbage; her mother seems to understand her to some extent, though not entirely. But Rita is, unbeknownst to them all, honing her own supernatural skills that jeopardizes anyone who comes in her path.

This made-for-television romp from the golden age for TV horror films riffs on "Carrie" in multiple ways, even imitating key moments from the 1976 film. Yes, so "The Spell" is a cash-in. But what else is there to say about it? More than one may think. It is not exactly a well-made film: It's choppily-edited and the narrative is a bit heavy-handed. The bulk of the film is really made up of twisted family melodrama, which would be rather boring if it weren't the most utterly bizarre family dynamic ever filmed.

I honestly did not realize until about thirty minutes in that the protagonist, Rita, was a blood relative of the family; not only does she look nothing like her on screen parents and sibling, but she is treated by virtually every member of her family like an unwelcome cousin, twice removed—maybe even worse—and for no immediately decipherable reason. They just simply despise her, and her resentment continues to grow (and with frankly good reason). The relationships on which the film is predicated are utterly strange and do leave the audience somewhat adrift, as there is virtually no likable character from beginning to end.

The performances here are memorable, with Lee Grant playing the stern but sometimes-empathetic mother; a young Helen Hunt plays Rita's perfect little sister, and Susan Myers (who, for the record, is not at all overweight) is memorable in the lead role, delivering some surprisingly chilling scenes; her performance at times reminded me of Tina Romero's in "Alucarda," mixed with a bit of Linda Blair from "The Exorcist." There are a handful of scare scenes here that are dated by contemporary standards, though one is so bizarre and unexpected it's almost disturbing. The twist ending is mildly clever, though fairly perceptible by the time the film has rolled into its final act, and the whole thing ends rather abruptly (not uncommon for television films of this era).

Overall, "The Spell" is an amusing film that I personally found utterly absorbing, largely because its core melodrama was so perplexing. It's a fun, frivolous viewing experience for fans of seventies television horror as it does capture the era effectively, and there is a handful of sideshow attractions to be had. Perhaps the most memorable element of it all though is the fact that most of its runtime consists of an introverted teenage girl being groundlessly flanked by not only her peers, but her entire family. The seventies were a strange time, I guess. 7/10.

Middling TV movie about a slightly chubby teen (Susan Myers) who is constantly teased by her sister and classmates. Even her own father treats her like garbage. She begins getting even when she is taught how to be a witch by her gym teacher. Her sympathetic mother (Lee Grant) does not approve.

This was obviously inspired by 'Carrie', though this one under-develops the high school turmoil in favor of the girl's miserable family life. There is nary a likable character present here. In fact, I haven't disliked characters this much since Mario Azzopardi's 'Deadline', a film where I literally wanted to jump on screen and strangle the wife with my bare hands. The girl's father is a dick, plain and simple. I was hoping for his gruesome demise the entire time. Her sister (played by a young Helen Hunt) isn't much better. I hated these people so much that I was longing for the film to focus more on the school as opposed to the family. I did like Lelia Goldoni as the gym teacher, but she has about three scenes total.

Characters aside, there are a few good moments. The opening with the popular girl pulling off circus style tricks on the gym rope was fun. We also get a bizarre death scene where a woman's skin starts smoldering, and the confrontation between student and teacher is well done.

Really though, this film is far from special. Along with what's already been mentioned, we also have to deal with one of those horrid TV scores and there's a twist at the end that's pretty weak. The characters, though, are what make it a real struggle to get through.