Ajouter une intrigue dans votre langueA prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by havi... Tout lireA prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tr... Tout lireA prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tries to "cure" homosexual men by having nude women dance for them. This is only some of the... Tout lire
- Jewish Prisoner
- (as Marina D'Aunia)
- Kapo
- (as Gotha Koppert)
- Maria Black
- (as Lorraine De Salle)
Avis en vedette
Italian leading lady Lorraine De Selle co-stars as the captive medical doctor forced to collaborate on the inhumane experiments, all the while trying to avoid the threat of the crematorium and the unwanted attentions of crazy Kurt (Attansio) a giggling, slobbering apparently brain-damaged servant used to sexually abuse the captives (and who also likes to indulge on the side, for which he's notorious).
Staccioli leads the cast playing a stern, malicious and especially sadistic commandant unwavering in his commitment to the perverse experiments even as it becomes clear that the Russian front will be overcome. Unlike his nazisploitation contemporaries, Staccioli's character is a lot less sympathetic even by their collectively low standards, and so whilst abhorrent, his character is consistent and believable.
The experiments are outrageous as intended, the overall film rather grim, Mattei exploits most of the typical genre themes from lesbian officers and girl-on-girl fights, to S&M and growling mutts (in this case German Shepherds) as he creates a vaguely watchable entry with better plot structure than most of its ilk, and a fitting conclusion that shouldn't disappoint. Definitely one of the better exponents of the genre.
Bits of the movie are exploitative, but they (medical tests) are all based on Nazi records, so they are realistic.
The cast is actually very well acted, and the script is brilliant, other parts of the movie, belong in schindlers list, as they are so real in their depitction of the holocaust, such as gassing, shot with poison bullets and and the kind doctors getting hung while inmates sing Israel much to the annoyance of the Commandant.
The sets are all very good, the concentration camp looks like an old industrial factory and the guards all wear proper uniforms, as well as the inmates, and the special effects are not bad either.
For the Exploiation fans, there are rapes, whippings, hangings, uterus transplants, vivisection, and shootings, and gang rapes etc.
For the historical fans out there, there are very depressing moments which show the holocaust for what is was, horrible.
The film is no doubt Bruno Mattei's best film, as it contains a good cast, no stock footage and none of the plot is borrowed from any other film.
I seriously suggest you check it out-
beatings, shootings, cat-fights, drowning, hanging, torture, rape, full frontal nudity (male and female), prison camp, Nazis, forced lesbianism and a threadbare plot are what to expect from this movie. if you are searching for something out of the ordinary, give this a try. just remember to check your good taste at the door.
This is his second attempt at Nazi camp films, and it is poorly made. The lighting is absolutely atrocious and that is better than the acting.
The effects are non-existent, so the experimentation they were doing has no effect. It is just an interesting look at the sickness the Nazi's were working on, like transplanting a uterus, or reviving frozen pilots with women's bodies, or poison bullets to make people suffer more.
Naturally, since this is an exploitation film, you see a whole lot of full frontal nudity, degenerate monsters who rape, and some really creepy Nazi commandants and wardens.
It is funny in that I have seen a lot of girl fights in movies, but in this film, they always manage to get totally naked when they fight.
Le saviez-vous
- ConnexionsReferenced in L'éventreur de New York (1982)
Meilleurs choix
- How long is Women's Camp 119?Propulsé par Alexa
Détails
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 1.85 : 1