Madame X

The old chestnut "Madame X" has had something like 9 screen versions, not to mention a play and the book. There's an occasional change here and there but the plot remains basically the same: A young woman is thrown out of her home and separated from her child. She hits the skids, and 20 years later, the child defends her on a murder charge.

So goes this version of "Madame X" as well, with a nice roster of stars: Lana Turner, Keir Dullea, John Forsythe, Ricardo Montalban, Constance Bennett, and Burgess Meredith. Turner is the unfortunate woman, happily married to Clayton Anderson (John Forsythe) a man with a good political future, and she's the mother of a young son. But the marriage becomes strained when Clayton is away too much, and Holly starts fooling around. When her husband comes home and she realizes how much she loves him, she tries to break it off with a roué (Ricardo Montalban). During an argument, he falls down the stairs to his death. Holly's mother-in-law, played by Constance Bennett, arranges for her to disappear with a new identity. In Europe, Holly meets a wealthy musician who falls in love with her, but she runs out on him - a big mistake - and ends up turning to alcohol and easy sex. When she murders a blackmailer (Meredith) who is going to tell her son who she is, she ends up on trial - defended by her son.

Well, the pot doesn't boil any better than this, and Hunter gives it a big, expensive production and sets Lana Turner loose in what is probably her best performance. Although the age/dissipation makeup is a little over the top, Turner gives the degenerate Holly a great, hard edge and a lot of frailty. It's a nice juxtaposition to the earlier sweetness and buoyancy of her character. Turner was one of those movie stars whose beauty, glamor, and private life often had critics not paying much attention to her performances, but she gave some good ones nonetheless. The other standout in the cast is Bennett, who's as slender as she was in the '30s and a lot tougher. Her voice has dropped a couple of octaves and her hair is a strange brown (this was perhaps in deference to the blond Lana). Toward the end of the film, she gets white hair softly styled and looks beautiful - even with the age makeup that needed to be added to the 60-year-old. The role of Forsythe's manipulative, protective mother is perfect for her -- a fitting last film for one of the great and prolific stars of the 1930s. She died before the film was released. Keir Dullea is appealing as the son, and Forsythe is pleasant though he doesn't have a huge role.

Try as they might, Madame X is from another time and by 1966 just wasn't great movie material. It is however, entertaining and engrossing. The most jaded person can't help but to be moved by the ending, though you may hate yourself for it.

Madame X is a film best enjoyed by baby boomers and for those who can understand a mother's sacrificial love for her child and family. I am a romantic at heart and I always cry when I see this movie. This movie is not intended for children. I truly love this film. It is much, much better than the 1937 version of Madame X. The movie took a few minutes to draw me in. But I was hooked once bad things started to happen. I love the last scenes in the movie. This is where I always cry. Lana Turner was perfect in this role. Lana Turner's transformation was incredible. Beauty becomes a beast with a deep love hidden in her heart and then transforms into a paragon of motherhood. The director used his camera and lighting well. The musical background is perfect. This is a late night film or a rainy day film where you can blame your wet eyes at the end on the rain. No popcorn here. Just a glass of wine to enjoy this movie with.

"Madame X" is one of the best movies I have ever seen. I would recommend it to every movie goer, not just Lana's fans. She manages to portray to perfection a very, very complex character, and she certainly deserved an Oscar. I liked in particular her scenes with another fine actor, John Van Dreelen, who shared with Lana some very nice, romantic moments. The actor actually said in an interview that his chemistry with Lana was as good on-screen as it was off-screen, and this does a lot of good to the film. I also bought the magnificent book "Madame X", by Michael Avallone, which was published in 1966. I recommend it to everyone, because it was adapted after the original screenplay of Jean Holloway. Thanks to the book, I managed to discover the scenes that were cut from the film, such as the scene where Holly is trying to get a job at an expensive French shop, and also a scene where Christian, the pianist (Van Dreelen), is giving her a hint that they should marry, because the whole press was discussing about them during his concert tour. So, in order to avoid gossip and scandal, he thought they ought to marry. This was his first proposal to her, while they were driving an automobile - and that is why in one of the sequences with them in the car, Lana's character seems preoccupied about something. The novel reveals that she was very much in love with this artist, who became her God or guardian angel, but whom she had to leave, so that neither he, nor her first husband (played by John Forsythe) would find out who and where she really is. A great book and a great film! I bought the original DVD from France and it was an excellent purchase. The music is also superb, and the soundtrack was released separately in 1967. I only wish there were kept more scenes from "Madame X", because the film is much too short to understand the complexity of the plot. Still, I highly recommend it, even if it is a very sad film, a real tear-jerker.

I admit that the first time I saw this film, I had gone through a box of Kleenex by the end. The second time around, it was a full-length soap opera, but a really good one. And the third time, I thought how silly it was. But all in all, I have to admit that Ms. Turner gave a beautiful and moving performance, and worked well with Ricardo Montalban. In fact, I would have liked to see them work together more.

As one reviewer said, Ms. Turner is supposed to be of the lower class, but that is hard to imagine. Perhaps if Shelly Winters played the role, yes. But Ms. Turner to me, rather then being of lower class, gives the impression of being too beautiful, too playful and too liberal to be part of what appears to be a powerfully conservative and old money family. And realizing this, she descends into that lower class,not because she is, but because her broken self-esteem tells her that is where she aught to be. This self-destruction is more of what makes this film interesting, and to me makes her reuniting with her son almost irrelevant. Overall, when I think of how unimportant this film is, there are certain moments that are hard to forget, and for this reason I give it a 6+.

Yes, this film is the "queen of all soap operas," but it has one thing going for it. And that's the acting of Lana Turner, who gives the performance of her career. If you don't shed a tear at the end of this film, you are made of stone!