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3,2/10
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MA NOTE
Hercule doit sauver son amour d'une reine maléfique.Hercule doit sauver son amour d'une reine maléfique.Hercule doit sauver son amour d'une reine maléfique.
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"The Loves of Hercules" was one of two peplum films featuring Hercules (the other being "Goliath and the Dragon") released in 1960, following the success of "Hercules" and its sequel both starring Steve Reeves. This marks American sex-symbol/actress Jayne Mansfield's only peplum entry, because, I guess, what to do when you have a hunky slab of bodybuilder beef lying around the house but cast him as the legendary strongman and play his main squeeze? It's a good idea on paper.
Mansfield and Hungarian bodybuilder Mickey Hargitay married in 1956 and this was the second film they made together. Both have been better elsewhere, but let's face it, their most enduring and worthwhile contribution to the performing arts was producing daughter Mariska. It certainly isn't this turkey, which sees Herc buffeted by a succession of women who do him wrong. Indeed, the theme here seems to be that musclemen should stick to slaying monsters and performing heroic feats because women will just mess with you. Hargitay, despite his build, is not very convincing in the role -- he has a round, boyish face that in this context makes him look more like a lost and confused lad than a god among men. Mansfield's performance is too self-absorbed and anachronistic to be anything but distracting. She has a dual role as the good Queen Deianira and the evil Queen Hippolyta and neither Hercules nor viewers can tell them apart. (Hint: her hair color changes.) Oddly, the two real life partners have no on-screen chemistry here.
None of the rest of the cast are particularly interesting, the set pieces are unremarkable, as are the set design and costumes. The tree-monsters the Amazons transform men into are a little spooky, and the large cast of extras look like they are having fun. Despite being filmed at Cinecitta, this looks as cheap as it probably was -- especially the monsters Hercules battles, which includes the paperiest of paper mache Hydras and an emaciated looking gorilla suit. The only energetic fight sequence is when Hargitay dispatches Mansfield's blowhard fiancé by picking him up, spinning him around a bit and throwing him across the room. This is the only moment the film manages to sell the idea that you shouldn't tangle with Hercules. This is only for Hercules and/or Mansfield or Hargitay completists -- everyone else can skip it.
Mansfield and Hungarian bodybuilder Mickey Hargitay married in 1956 and this was the second film they made together. Both have been better elsewhere, but let's face it, their most enduring and worthwhile contribution to the performing arts was producing daughter Mariska. It certainly isn't this turkey, which sees Herc buffeted by a succession of women who do him wrong. Indeed, the theme here seems to be that musclemen should stick to slaying monsters and performing heroic feats because women will just mess with you. Hargitay, despite his build, is not very convincing in the role -- he has a round, boyish face that in this context makes him look more like a lost and confused lad than a god among men. Mansfield's performance is too self-absorbed and anachronistic to be anything but distracting. She has a dual role as the good Queen Deianira and the evil Queen Hippolyta and neither Hercules nor viewers can tell them apart. (Hint: her hair color changes.) Oddly, the two real life partners have no on-screen chemistry here.
None of the rest of the cast are particularly interesting, the set pieces are unremarkable, as are the set design and costumes. The tree-monsters the Amazons transform men into are a little spooky, and the large cast of extras look like they are having fun. Despite being filmed at Cinecitta, this looks as cheap as it probably was -- especially the monsters Hercules battles, which includes the paperiest of paper mache Hydras and an emaciated looking gorilla suit. The only energetic fight sequence is when Hargitay dispatches Mansfield's blowhard fiancé by picking him up, spinning him around a bit and throwing him across the room. This is the only moment the film manages to sell the idea that you shouldn't tangle with Hercules. This is only for Hercules and/or Mansfield or Hargitay completists -- everyone else can skip it.
The film begins with Hercules returning home after some time--only to discover that his lady love is dead as are just about everyone! It seems that the evil King of Ecalia and his armies are responsible and it's up to our hero to kick butt and right wrongs.
The fact that "The Loves of Hercules" was a terrible film should have come as no major surprise for me, as every Hercules/Maciste film I have ever seen from Italy have been rather bad. In the late 50s to about the mid-1960s, the Italian film industry produced a ton of these films. Most starred some foreigner (such as Steve Reeves, though there were GOBS of others, such as Peter Lupus and Mark Forest) and had otherwise all-Italian casts--with generally lousy dubbing in the English language versions I've seen. So why did I watch this bad film? Well, curiosity. I was curious to see the stars--Mickey Hargitay and his then wife, Jayne Mansfield. Mansfield plays two characters and Hargitay plays Hercules.
So what did I like about the film? Well, Miss Mansfield looked nice. I particularly liked seeing her in a brown wig for a change of pace. Now you know it's bad when this is the only thing I really liked! The acting was stilted, the plot was quite boring and for an epic, it sure was amazingly small and non-epic! Overall, it's no better or worse than any of the other films of the genre--which isn't saying much. My advice is see a couple, then you've pretty much seen them all. And, if you want to see the most enjoyable of these, see the much later film "Hercules in New York" (with Arnold Schwarzenegger). It is so incredibly bad that it's actually a lot of fun to watch! As for "The Loves of Hercules", it's forgettable and dumb--no more, no less.
The fact that "The Loves of Hercules" was a terrible film should have come as no major surprise for me, as every Hercules/Maciste film I have ever seen from Italy have been rather bad. In the late 50s to about the mid-1960s, the Italian film industry produced a ton of these films. Most starred some foreigner (such as Steve Reeves, though there were GOBS of others, such as Peter Lupus and Mark Forest) and had otherwise all-Italian casts--with generally lousy dubbing in the English language versions I've seen. So why did I watch this bad film? Well, curiosity. I was curious to see the stars--Mickey Hargitay and his then wife, Jayne Mansfield. Mansfield plays two characters and Hargitay plays Hercules.
So what did I like about the film? Well, Miss Mansfield looked nice. I particularly liked seeing her in a brown wig for a change of pace. Now you know it's bad when this is the only thing I really liked! The acting was stilted, the plot was quite boring and for an epic, it sure was amazingly small and non-epic! Overall, it's no better or worse than any of the other films of the genre--which isn't saying much. My advice is see a couple, then you've pretty much seen them all. And, if you want to see the most enjoyable of these, see the much later film "Hercules in New York" (with Arnold Schwarzenegger). It is so incredibly bad that it's actually a lot of fun to watch! As for "The Loves of Hercules", it's forgettable and dumb--no more, no less.
The monsters and effects are laughably ridiculous, which is actually a positive that makes this worth watching. Probably the best effect are the tree men. The funniest scene is the Hydra. Other than that, the plot isn't very interesting, just a bunch of convoluted Hercules mythology thrown together. At least the actors were trying. Mostly. Recommended for Jayne Mansfield and the aforementioned silly monsters, if you want to kill some time.
Hercules (Mickey Hargitay) must save his true love (Jayne Mansfield) from an evil queen.
First of all, that plot really has very little to do with the film. More or less nothing. Hercules is distracted from his love by the queen of the Amazons... but this is really just a subplot. But anyway, the hydra is awesome in its own silly way and these are awesome costumes. Everything about this film is awesome. Awesome. Awesome. I am using that word repeatedly on purpose, because no other word sums this up.
Yeah, it may be more than a bit cheesy, but the Italians had a way of taking the Hercules story and running with it. Mario Bava did, I think even Lucio Fulci did it. Why not Bragaglia? Luca Palmieri is my go-to source for Italian film reviews. All he has to say about this one is that Mansfield is "super-shapely". Great analysis, Luca.
(Upon my second viewing of the film, the cheesiness sort of outweighed the awesome. But it would not be prudent to change the review now just because my opinion changed somewhat, would it?)
First of all, that plot really has very little to do with the film. More or less nothing. Hercules is distracted from his love by the queen of the Amazons... but this is really just a subplot. But anyway, the hydra is awesome in its own silly way and these are awesome costumes. Everything about this film is awesome. Awesome. Awesome. I am using that word repeatedly on purpose, because no other word sums this up.
Yeah, it may be more than a bit cheesy, but the Italians had a way of taking the Hercules story and running with it. Mario Bava did, I think even Lucio Fulci did it. Why not Bragaglia? Luca Palmieri is my go-to source for Italian film reviews. All he has to say about this one is that Mansfield is "super-shapely". Great analysis, Luca.
(Upon my second viewing of the film, the cheesiness sort of outweighed the awesome. But it would not be prudent to change the review now just because my opinion changed somewhat, would it?)
In THE LOVES OF HERCULES, the titular titan (Mickey Hargitay) is vengeful after his wife is murdered. Herc goes on a quest that includes great tests of strength and feats of derring-do, complete with his toting of an enormous tree as if it was a toothpick, as well as senseless cattle slaughter.
Soon, Queen Deianira (Jayne Mansfield!) falls hopelessly in love with the big lug. A lot of time passes with no real action, though the mighty, shirtless one does glisten like a rotisserie chicken in the sun!
Then, Big H gets a chance to battle the hydra, which looks like a Rose Bowl parade float. He also gets captured by amazons, who look even better in mini-skirts than he does, though their cockatoo headdresses remain a mystery.
This isn't one of the more dynamic of its sub-genre. It mostly exists as an excuse to show off the physical attributes of Hunkules and Ms. Mansfield. So, don't expect a scintillating story line...
Soon, Queen Deianira (Jayne Mansfield!) falls hopelessly in love with the big lug. A lot of time passes with no real action, though the mighty, shirtless one does glisten like a rotisserie chicken in the sun!
Then, Big H gets a chance to battle the hydra, which looks like a Rose Bowl parade float. He also gets captured by amazons, who look even better in mini-skirts than he does, though their cockatoo headdresses remain a mystery.
This isn't one of the more dynamic of its sub-genre. It mostly exists as an excuse to show off the physical attributes of Hunkules and Ms. Mansfield. So, don't expect a scintillating story line...
Le saviez-vous
- AnecdotesJayne Mansfield was pregnant during filming. She dieted to keep her pregnancy from showing.
- GaffesHercules prays to his father Zeus (Greek) during the ax-throwing trial. Everyone else refers to him as the son of Jupiter (Roman), even though they're all Greek as well.
- Citations
Licos: [interrupting High Priest who's counselling Dyanara] That's enough! Do not torment her any longer!
High Priest: I was only endeavoring to tell Dyanara to try and pull herself together.
- ConnexionsEdited into The Wild Wild World of Jayne Mansfield (1968)
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- The Loves of Hercules
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- Durée1 heure 42 minutes
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- 2.35 : 1
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