Il terrore dei barbari

It's easy to get these Italian sandal-and-spear movies mixed up, but clearly the best "hero" to emerge from the genre was Steve Reeves. His mere presence elevates a movie from the "also-ran" to the "must-see" status. Reeves looks great in this predictable but lively outing which has him tied between two horses charging in opposite directions. Rather than being pulled apart like a wishbone, Reeves manages to rein them in, and you know something? His powerful physique and straining muscles almost make this seem plausible. The dubbing, as usual, is sloppy, but hey, who's looking at the lips?

In 1960 I was a 13-year-old boy, undergoing the initial fires of puberty, pimply and awkward and ugly (well, STILL ugly), when I saw this movie. BONG!! Immediately wanted to BE Steve Reeves. Thought if I saw the movie enough times, I might metamorphose. Sigh. For me, this was THE Steve Reeves movie - didn't see "Hercules" till much later. Thrilled with the music, too, I wrote a letter to the studio (amateurishly addressed to "Hollywood") asking if an album was available. A few weeks later, a copy of the soundtrack album arrived, gratis! That album was damaged in a house fire, but the cover, a photo of the lead actress in arms-raised dancing pose (underarm hair!?!) is still largely intact. I dream of seeing this movie again before I die!!!! Pleeeeese, powers that be, DVD it for me!!

You have to wonder how smart or stupid the Hollywood movie studios in the late 1950 were....first of all they all passed on a cheaply made Italian muscleman movie named "Hercules" with Steve Reeves and then passed again on "Hercules Unchained" with Reeves again in the title role....independent producer Joseph E. Levine picked up the options on both of these films and waged a massive advertising campaign in newspapers and television and those two "Hercules" films became monster hits at the box office. Not to learn from their previous mistakes, Reeves then made a muscleman "epic" called "Goliath and the Barbarians".....independent American International picked up the option on the film and it made a monster amount of money for them. Go figure out Hollywood....In "Goliath and the Barbarians" Reeves is the leader of a band of Italian villagers hell bent on revenge against a massive horde of barbarian huns led by a maniac named Igor. After a massacre of his village including the murder of his father Reeves decides enough is enough. He secretly starts to wipe out the barbarian horde one by one until his methods are found out by Igor. Along the way the beautiful Chelo Alonso, a barbarian queen becomes his love interest. Talk about a beauty.....she is a dancer and a romancer. Reeves tries not to get too involved with her but that is a lost cause. Check out the scene with Reeves in a test of strength pulls two horses with his hands tied to a pair of ropes....then he pulls down a slew of barbarians trying to pull him into a sword pit on a wall.....great stuff for the kids and the Saturday afternoon matinée crowd. Reeves ripling, bulging muscles are shown to the max in those scenes. By the end of the film Reeves and his men wipe out the barbarians including their leader and all is well. Final scene shows Reeves riding off into the sunset with Alonso sitting on his saddle.....at that time Reeves was the king of the muscleman movies with three blockbusters to his credit. All the muscleman actors that followed were no match for the physique and looks of Mr. Reeves. He certainly was the king of the Italian muscleman flicks.

I was 11yrs. old when I saw this movie for the first time. I was immediately "hooked" on Steve Reeves. This is still the only movie 45 years later that I get excited talking about. Reeves had an on-screen presence that was mesmerizing. The scene in which he is strapped to two horses that are pulling in opposite directions designed to split him apart is breath taking. And this is one of many scenes that exploits the magnificence of Steve's fantastic physique. Along with Reeves is the beautiful actress, Chelo Alonso who plays Reeves' love interest. They are truly electrifying on screen.(If you can call anything filmed in 1959 "electric"). I've seen about every movie that Steve Reeves made...from HERCULES to LONG RIDE FROM HELL. Even though HERCULES is the movie Steve will most be remembered for, GOLIATH & THE BARBARIANS will always be a top 10 favorite of mine!!!

This is probably the guiltiest pleasure of any of the late 50's, early 60's European peplum movies. Released in the US by American International Pictures (under the supervision of Arkoff and Nicholson), this picture was an amazing box-office coup for that studio and one of the most memorable exploitation pics of it's day. Though this film is less famous than his star-making vehicle, HERCULES, Mr. Universe Steve Reeves is on display to much better advantage here, and thanks to the extraordinary participation of the fabulous Cuban beauty, Chelo Alonso, more memorable, too. These two superstructures were, and probably still are, the stuff of adolescent daydreams and adult fetishes. This sword-and-sandal flick is pure sexist fun and exemplifies an era in films when marketing a movie was practically an art form in itself, instead of the crass, big-business system it is today. Hopefully someone can bring this potboiler to DVD in a widescreen version that does it some justice. Aside from Steve and Chelo, there's a memorable music score by AIP's lead music director, Les Baxter, which was used to perk up a lot of the muscleman epics of the time. I think the title card for this picture, paraphrased, says it all: "569 A.D. A TIME, WHEN, IF YOU DIDN'T FIGHT OR LOVE, LIFE WAS A VERY SHORT AND DULL AFFAIR." Stop the presses! You gotta love that! Enjoy.