Fais ta prière, Tom Dooley

After a lot of tv works, Ted Post directed a first western (The Peacemaker) and then this "Legend of Tom Dooley", who looks like tv movie with same kind of light, casting and settings. But the hit song "Tom Dooley" by the Kingston Trio is here to serve the story (I have heard this song since the 60's when my father brought it back from Usa). The action is non stop, every scene is important. The main attraction of this movie is Richard Rust, he's so precise and threatening in all his main scenes (his arrest, his escape,...)(remember him as gus in "Underworld Usa"). The best scene of the movie is the violent fight between Tom Dooley (played by Michael Landon who can move fast, but with no charisma) and Grayson, in a Phil Karlson style.

It's to appalled the opening song already suggest a final destiny of the main character Tom Dooley (Michael Landon), in other hand when the confederate soldiers surrender the union soldiers they must to telling them that war is over, instead the first shooting coming from the wagon by a civilian I suppose, then they aren't the guilty as such, in fact they shot back, keeping aside this early inconsistence, all upcoming events implied they as true assassins, Landon on leading role is good enough, however I rather the Country Boy (Jack Hogan) who steal the show, a persuasive Mississippi's accent, also the most relevant acting coming from him, the dreadful final expose a dysfunctional and so implausible plot, sorry for the bad screenplay!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD-R / Rating: 6.25

The Legend of Tom Dooley is based on the old folk song, Tom Dooley, which itself was inspired by a real life case about Tom Dula, who was convicted of the murder of Laura Foster in 1866. The films story pretty much follows the song, performed by The Kingston Trio as the title song and as part of the soundtrack - cum - screenplay!

Photographed nicely out of Chatsworth and Thousand Oaks, California, by Gilbert Warrenton, it stars Michael Landon, Jo Morrow, Jack Hogan, Richard Rust and Dee Pollock. The narrative and various character actions hit all the right emotional beats. A series of events, where circumstance dictates, puts Dooley and his two pals on the run, which with the Civil War literally only just over, makes for a powder-keg like backdrop. Things are further compounded by the fact that Dooley wants to go to his home town and get Laura, to elope to Tennessee, only he has a major love rival, the bitter and vengeful Charlie Grayson.

There's nary a dull moment in the 80 minute runtime, no pointless exposition or scene fillers of no consequence. Action junkies are catered for, with the usual Western staples adhered - though the speeding up of one round of knuckles is more chucklesome than exciting, but a shoot-out (actually a hold-out is a more appropriate terminology) part of the play is splendidly executed. Cast are dandy, doing what is needed to make it all work on an emotional level, with the stand out being Rust as Country Boy. He's a sort of John Ireland/Kevin Bacon hybrid, a very good character actor who deserves to be better known, even if he thankfully carved out a good career in film and TV.

It's no hidden gem of the Western genre sphere, and it doesn't break any new ground, but it's admirably constructed and keeps those wagon wheels turning. 7/10

Now in endless reruns on the Western Channel, the movie's not half-bad for a quickie production intended to exploit the booming popularity of the folk song. Landon and Rust are quite good as returning rebs caught behind Union lines at Civil War's end. Their chemistry is more like that of brothers than comrades-in-arms. The production appears to have piggy-backed on the "Gunsmoke" series, using many of the same sets and locations, along with veteran Gunsmoke director Ted Post. Maybe that's why the fist-fight at the gutted cabin is so well executed-- the boys really give the slick choreographing their all. Then too, I wouldn't be surprised that this performance won Landon the career role of Little Joe on Bonanza; it's certainly good enough. Anyway, the film shows how even a cheap quickie with no pedigree can exceed expectations.

A real bow-wow, as are most Civil War westerns (surprising how many have been churned out, though apparently nobody has compiled a list). Both the Confederate gang and the townspeople manage to acquire guns that weren't thought of yet. They include the Colt Peacemaker of 1873 and the Winchester Model 1892 (and maybe a 94 for good measure) plus double-action, cartridge conversions of cap and ball revolvers!

Also, you have to wonder why the producers took a popular folk song and set it in another era. The similarity with "Burning Bridges," the "Kelly's Heroes" theme by the Mike Curb Congregation, comes to mind. Absolutely no connection between score and plot.