The Wild Wild West

They say time can play tricks, but I would bet that if some cable channel started to show "The Wild Wild West" again it would work its magic on me the same way it did when I watched it as a youngster in Barbados in the 1980s. Just the animated opening titles were spellbinding; this may sound weird, but I always thought it was a plus when the last panel to be filled in was one of the lower two (especially the one with the lady on the ground). It had action, it had mystery, it had everything.

It also had a theme tune that was a helluva lot better than anything in that dispiriting 1999 movie (if Warner Bros thought no one would remember it, they were wrong). Robert Conrad, Ross Martin (RIP), and creator Michael Garrison, we salute you.

At the peak of the 007 craze (1965), television was virtually inundated with 'secret agent' series, some clever ("The Man from U.N.C.L.E."), some dazzling ("The Avengers"), some novel ("I Spy"), and more than a few just bad ("Amos Burke, Secret Agent"). Yet the most unabashedly entertaining series of the genre was also the most far-fetched, set in the 1870s, with two Secret Service agents operating out of a private train. "The Wild Wild West" lived up to it's title, and had more imagination, action, and romance than any other series of it's time.

The brainchild of producer Michael Garrison, the Sci Fi/Western starred 30-year old TV veteran Robert Conrad ("Hawaiian Eye") as James West, an impossibly handsome, yet dedicated secret agent. While Conrad's acting skills were no threat to Olivier, as an ex-boxer, he was in superb physical condition, and performed nearly all of his own stunts, throughout the series' run. Dressed in a waist coat and tight toreador pants ("If I turned the wrong way, they'd split", he joked), he exuded a sex appeal that no other TV star of the sixties could match.

His partner, Artemus Gordon, was portrayed by respected character actor Ross Martin, a 45-year old with impeccable credentials ("Mr. Lucky", "The Twilight Zone") over a twenty-year career. He had begun acting on radio in the forties, playing a wide variety of characters, and his role as Gordon gave him a similar opportunity, as a master of disguise. Witty, and with a childlike thirst for knowledge, Martin and 'Gordon' had much in common, and he and Conrad quickly developed a friendship that would continue until his death, in 1981. The loyalty between the pair was so strong, in fact, that when Martin suffered a mild heart attack, during the series' run, the star and producers refused to write his character out of the show, but filled his 'position' with 'guest stars', until he was healthy enough to resume the role.

The premise of the show was simple; each week, in episodes always entitled "The Night of...", a megalomaniac would come up with a nefarious scheme, involving prototype weapons way ahead of their time, and West and Gordon would have to defeat him and his gang (a group of stuntmen who would reappear, every episode, in a variety of guises), while West would seduce the inevitably beautiful girl involved with the bad guys. Each episode would feature two spectacular brawls between West and the henchmen, one or two disguises for Gordon, and a climax where the heroes, held prisoner, would have to find a clever means to escape, and destroy the weapon. Many of Hollywood's legendary actors would guest as the villain, but the most popular, by far, who would reappear the most frequently, was the brilliantly funny, yet evil dwarf, Dr. Miguelito Loveless, portrayed by gifted actor Michael Dunn. A 31-year old best remembered for his work in the film, SHIP OF FOOLS, Dunn's 'Loveless' was as popular as Conrad and Martin, and his episodes were always the most stylish and entertaining.

Unlike the rest of television's 'spy genre', the cancellation of "The Wild Wild West" was not due to declining ratings, but to CBS' knee-jerk reaction to protests that the program was excessively violent. The network constantly badgered the producers to 'tone down' the show, and they finally refused to 'soften' the program any further, preferring to end the series 'on top' rather than see it lose the qualities that made it work.

Two high-rated TV 'reunion' movies were made, in 1979 and 1980, featuring the original stars, and more were planned, but, with the death of Ross Martin, Robert Conrad decided to 'retire' the franchise, out of respect to his friend.

The legendary status of the show led to an inevitable big screen adaptation, in 1999. While Conrad was invited to make a cameo, after reading the script, he publicly ridiculed it, saying it demeaned the memory of both Martin and Michael Dunn. George Clooney, who had signed to play Artemus Gordon, felt he had a point, and left the project, his role then filled by Kevin Kline. The resulting film, starring Will Smith as 'Jim' West, Kline, and Kenneth Branagh as a crippled Dr. 'Arliss' Loveless, was everything Conrad had said; tasteless, and totally lacking the chemistry and magic of the series. It quickly bombed at the box office, ending Smith's string of hit films.

"The Wild Wild West" maintains a unique position among 'spy' shows, and television in the 1960s, with a fan base that is extremely loyal, to this day. It is STILL one of the most entertaining series in syndication, and a tribute to Michael Garrison's vision, and Robert Conrad and Ross Martin's terrific chemistry together.

Accept no substitutes!

I've just read the comments posted here and agree with almost everything positive said. I don't think Ross Martin received enough praise at the time for the work he did. Nor do I think the show receive the respect it deserved.

It was riveting when it first aired, and had the feel of a really good mystery show, with many excellent twists and turns of plot.

But, I can't believe no one mentioned that this show had the greatest theme song of all time! If you can find it do hear it. It has both a "western" sound to it, as well as a really great theme and arrangement. Warning: there were two versions produced. The original is better, but both are excellent.

This was the coolest series of its time. Yes, you can argue that the Man from UNCLE, Mission Impossible, and the Avengers were also good, but this show was so unique. Take a western, mix with the spy genre, add a dash of steampunk (i.e. Jules Verne, H.G. Wells), a teaspoon of comedy, and 1 3/4 cups of stunts and you have a show unlike any other.

Robert Conrad and Ross Martin were unparalleled as Secret Service agents Jim West and Artemis Gordon, operating from their gadget-laden private train. They had tremendous chemistry and handled all aspects (comedy, drama, action) with equal skill. Michael Dunn was inspired as the diabolical genius Dr. Miguelito Loveless, whose genius far outreaches his stature. Dunn was a fantastic performer who could both sing and act beautifully.

The stories were inventive; mixing madmen, crooks, and murderers with science-fiction elements and cool gadgets. Who can forget the sleeve gun, the boot knife, the pool cue swords, etc. We had ironclads, submarines, super cannons, flying saucers and other futuristic devices.

The various elements that make up a tv show all had a unique spin here. We had the animated title sequence which gave way to the chapter breaks, as the story progressed. There was the wonderful theme song, the costumes, the make up, and the great stunt work. Everything about this show was quality.

I greatly miss this show and if there was ever a show deserving a dvd release, this is the one. The less said about that abomination of a film, the better.

I have loved this show since I was a child and I still do. The chemistry between the two partners & friends is impeccable (not like the movie in which they were always at odds). And as a young girl, I was totally swept away with the James West character as played by Robert Conrad. There will never be another TV character or series to compare.