Man's Favorite Sport?

Howard Hawks did of course create the classic _Bringing Up Baby_ and some comparison between _Favorite_ as a 26-year update of the former is inevitable. Hawks did plenty of screwball comedies, but above all, Hawks was a director who made GUY films; _Red River_ may be the ultimate man's man film of all time. And to some extent, this film is about Willoughby's (Hudson's) fraudulent expertise in "manly" activities such as camping, outdoor activities and--most critical to the plot--fishing.

Life is good for Hudson as the expert fisherman who is big man at Abercrombie and Fitch, until brash Abby Page (Prentiss) destroys his serene existence with a publicity stunt of having Hudson enter an annual fishing contest.

After resisting the idea, Hudson is soon forced to confess he's never fished in his life--that his reputation is a hoax. Rather than sensibly abandon the scheme, Prentiss decides she can teach Hudson how to fish in 3 days. This inevitably leads to all sorts of misadventures as Hudson is so inept he can't even swim! Some of the more amusing sequences are Hudson's inflatable waders exploding underwater, having a bear steal his trail-bike, or literally running across the surface of the lake to escape another bear. Some of the gags work better than others; the gags range from leisurely to elaborate, but all in good fun.

The fast-talking overlapping dialog is pure Hawks and (the uncredited) Brackett, and is wonderful.

Hudson has been criticized for not being Cary Grant (how could anyone be?) but he actually develops his own persona, different from both Grant and his own Hudson-Day characterizations. In this film, he is partially browbeaten by Prentiss and her sidekick Perschy, but ultimately, he voluntarily suffers through his ordeals as a matter of penance.

Paula on the other hand is a complete success: perky, beautiful, brash, and unpredictable--she gives a spectacularly energetic performance. This is the sole film is where Prentiss has the script and the screen time to refine her comic persona. While Perschy and Holt exist to create a triangle and fuel the high-jinx, they also define the limits of the Prentiss character; she is neither exotic like Perschy nor sultry like Holt. In comparison, she is pleasantly and very prettily tomboyish, often wearing outdoor sporting wear, and thoroughly competent at all things in which Hudson had professed expertise.

When compared with _Baby_, _Favorite_ perhaps begins with a potentially even richer premise, and is less fanciful, disposing of rich Connecticut dowagers and University endowments. But it never quite builds to the same frenetic pace and lacks the absurdity of the situations Grant finds himself in: remember "Mr. Bone?" Hawks does lift sequences right out of _Baby_ when Hudson shadows Perschy because the back of her dress is open, the "Love impulse in men manifests itself in conflict" from Dr. Lehman is used by Easy, the fish in the pants comes out of _Monkey Business_.

Yet the films are quite different. Grant's character is entirely asocial while Hudson's is the leader of the Hawksian male group. Furthermore, Hepburn is quickly determined to snare Grant, while Prentiss is to the end ambivalent or in self-denial.

I've seen it commented (including by the Voice film critic Molly Haskell) that the film is more satisfying when seen for the second time, and I wholeheartedly agree with this. This review replaces one which was not quite so laudatory. Three times is even better. Familiarity, in the case of this film, breeds endearment.

The sad part is that Paula Prentiss is so lovely and talented to watch in this film, and clearly the critics had huge expectations of her career, yet the next year she would do only three small parts in ensemble casts before withdrawing from films entirely for the next five years. These years, from when she was 26 through 31, were those where she certainly would have become a huge star.

I'm not a film critic, just a 56 year old viewer; call me the common man that's not too common. I'll just use words that everyone understands, since I don't know all the others. What this film did for me is it brought back the feel of the late 50s / early 60s, you know, when there used to be a few morals left. Some of you may remember those days. You could see this throughout the whole movie, the way they talked, dressed and acted toward each other. Even the city and the cars and the mailboxes on the corner (remember those?) in the opening scene, everything was bright, clean and wholesome. The atmosphere at Lake Wakapougie(?) was clear and made you wish you were there too. Even in the lodge: No one had tattoos, no men were wearing earrings. Can you imagine that?! No men with long hair? No Mohawks? Is this legal?! No one weighed 350 pounds and looked like a World War 3 surviving shopper in Walmart. Just a nice, easy to follow, fun and relaxing movie complete with great background music that fit it perfectly, sweet and calm. What a contrast to what we have now. If the film were to be made now, Rock would probably have been a drug smuggler and would have had a long bedroom scene with everyone of the stars in the opening scene, complete with as much swearing as they could possibly have stuck in there just to make sure the movie would go over. I mean, they do have to sell movies, right?! Do I exaggerate? What do you think? This is the main reason I like this film so much. It's just a nice, sweet and wholesome film about a guy and girl who accidentally fall in love through a great setup. Yet the people aren't perfect, neither is the film. I haven't found a perfect one yet. The only semi-negatives I could find, were the obvious tie-attached-to-Easy scene, yet it was funny.(I missed how that happened until I backed up and watched it again...if you recall, people in the movies back then couldn't do that) also, there is a time sequence I didn't get. Abigail calls Roger at, I think, 2 in the morning, yet everyone is still up like it's 10PM at night! ... The guys at the bar who also have to be up in 3 hours for the competition, John Screaming Eagle... everybody except Roger. That's another thing I thought was a little strange although it added comedy to the film. John Screaming Eagle is always keeping an eye on Roger's 'happenings'. Even at 2AM? and no one is even yawning, they're raring to go like they all just got up! ha ha. I sure can't do that. Not at 2 in the morning. All in all though, what a great film. and yeah, I saw the other films the were mentioned, like "Bringing Up Baby". I'll take this one over that one, although I liked "Bringing Up Baby" as well. What made a lot of the older films great was great dialog, great direction, great story lines. grate acting and fresh ideas. This has almost entirely been replaced in today's movies with massive swearing, constant drugs, rotten personalities, sex, sex, sex. Yes, today's films are truly designed for today's people. I guess the studios still know what they're doing after all!

In one of the funniest screwball comedies of the pre-World War II studio era, William Powell has a celebrated experience with a fish while he pretended to be a fishing expert. It was the highlight of Libeled Lady and I'm sure Howard Hawks thought that we could get a whole comedy out of that situation.

In Man's Favorite Sport he succeeds admirably. If the film had been done 20 years earlier, Cary Grant would definitely have been in the lead. The part of Roger Willoughby, who wrote a book on fishing based on hearsay from the various customers he's dealt with at Abercrombie&Fitch, would have been ideal for Cary Grant as it has just the kind of physical comedy that Grant was so adept at.

However Rock Hudson steps into the role admirably and for once he's the pursued and not the pursuer. Pursuing Hudson every step of the way is the kookie Paula Prentiss who seemed to study at the Carol Burnett school of zaniness for this part.

On a bit of advice from public relations expert Prentiss, Hudson's boss at Abercrombie&Fitch, John McGiver, has him enter a fishing tournament. When Hudson confesses he's never fished and hates the slimy things, Prentiss decides to help fake it through.

There are a lot of really great laughs in this film, but the best scene is Hudson trying out this inflatable suit for those who are fishing and fall in the water. He does and the results are hilarious.

Don't miss this film if it is ever broadcast.

Some reviewers have criticized the studio-bound look (Bringing Up Baby wasn't???), flat, high- key photography, the fact Rock Hudson isn't Cary Grant, that much of the comedy is slapstick (which, I guess, means physical and visual), that gags are recycled from older films......I mean, who cares? This is a total delight, probably the best comic roles Prentiss and Hudson ever had, and one of the funniest post World War 2 movies of all. Today, the 6th or 7th time I've seen it, I found when it was over I wanted to go out and buy a DVD of it.

Hawks' films may not have the pictorial qualities that Ford's, Welles', and Hitchcock's had, but when it came to involving you in a group of characters and their silly, yet somehow believable, antics, he had no superiors. It's not surprising it took the French New Wave, with their impatience for tired and predictable dramatic conventions, to finally recognize and rank Hawks at the very highest level of film artists.

Howard Hawks may not have invented the war between the sexes; but where comedic film-making is concerned, he was the Napoleon of the sub-genre. In such features as "I Was a Male War Bride" and "Man's Favorite Sport", he gave each side in the conflict its turn, always from the male point of view however; and in the process, as Alfred Hitchcock did with staging scenes where something was occurring other than the dialogue's exact subject, he brought a new intensity to developing and ongoing relationships, so vital to the creation of character. In "Man's Favorite Sport", a story about a man who has never fished in his life having to try to win a fishing tournament in order to save his job, he saw a fine opportunity for physical "lazzi" and active scenes; in between the three active scenes of angling and several hilarious misadventures with physical equipment including chairs, inflatable waders and a car-park locale misunderstanding, he also found time to have his writers write some equally memorable dialogue confrontations of many sorts. The cast in this well-liked and well-remembered comedy include veterans John Mcgyver as the boss, Roscoe Karnes and others as grizzled veteran anglers, Pretty Maria Perschy, Charlene Holt and Paula Prentiss as the women in the hero's life, talented Norma Alden as a hip, wisecracking but lovable Indian, and Rock Hudson as Roger Willoughby, the beleaguered junior exec. In the film's storyline, however, Hawks faced one impossibility: Roger Willoughby by never fishing had separated his scheme for making clients happy--by using consultants at various sites and departmental experts to supply information and teaching expertise--from his job, being the man who made the entire scheme work. Strictly speaking, as Paula Prentiss says, Roger is a phony; but this does no alter the workability of the scheme; and the climax--the fishing tournament's outcome, Roger's confessing to his boss and what happens afterward form an exciting, dialogue-rich and memorable conclusion to the side-splitting goings on. The problem Hudson faces--the distinction between theory and practice of the theory--is a bedeviling one in a nation many of whose academic tsars are heavy with inadequate theories and whose practitioners are light on results themselves. I highly recommend this classic for a study of Hawks' techniques as well as for anyone wanting a loud laugh of fifty any time. Add flashy titles, low- key music and crisp, clean sets and a knockout comedy performance by all concerned, especially Paula Prentiss, and this film becomes an instant US classic satire.