Les ambitieux

The wealthy family saga has always been an audience's favorite:think "giant" (1956) or "written on the wind"(same year) or "home from the hill"(1960,which featured George Peppard too).The genre became essentially a TV show afterwards,the likes of "Dallas" and "Dynasty".Today,it has almost died down.

"The carpetbaggers" is very unlikely story of a tycoon who pushes the others out of his way and whose heart of stone nobody can break.Add the de rigueur childhood trauma -which,as anyone past infancy should know,explains everything!Around him , a bevy of beautiful women :Caroll Baker,as his attractive mother-in-law(!)Martha Hyer as a would be actress,and Elizabeth Ashley as his deceived wife .Alan Ladd plays a movie star down on his luck ,because of the coming of the talkies.It's his swansong and his last scene with Peppard is impressive.So impressive we could do without the implausible mushy epilogue which follows.

George Peppard is extremely good and it's his performance that saves the movie from tediousness.As for Edward Dmytryk,his best works("the Caine mutiny" "the young lions") were behind him and what came next would be disastrous(notably the western "Shalako" with Brigitte Bardot and Sean Connery)

On one of the Star Trek feature films Spock refers to Jacqueline Susann and Harold Robbins from his vantage point in the future as the 'old masters' of 20th century earth literature. Is that a frightening prospect or what?

One of the earliest of master Robbins works to get to the silver screen was The Carpetbaggers. It's a novel about a young industrialist whose like a tornado in his business and personal life, destroying everything in the path of Jonas Cord, Jr.

George Peppard is the younger Cord, based on Howard Hughes as you will know within the first 15 minutes of the film. Peppard is singlemindedly determined to outdo his father, Leif Erickson in every way conceivable. Erickson dies at the beginning of the film leaving an industrial empire to Peppard who rules it 24/7.

There's also a young wife Erickson left, Rina Marlowe played by Carroll Baker. Think of Baby Doll grown up a bit and you have Carroll as Rina.

The novel was an immense bestseller in its day and had a pre-existing audience so there was no way it was going to flop commercially. Knowing that is what attracted a very good cast of players to support Peppard and Baker who give some really good performances. My favorite is Robert Cummings as the sly actor's agent who doublebangs Peppard in a business deal and then attempts some blackmail. He is truly a slimeball.

Of course you can't talk about The Carpetbaggers without talking about Alan Ladd. He plays Peppard's friend and confidante Nevada Smith, a cowboy who Erickson takes on to mentor young Peppard. And he does very well in the part.

Alan Ladd's wife Sue Carol was his agent and managed his career. Or mismanaged it in one sense. She never let him gracefully transition into good character parts like Nevada Smith as so many of his contemporaries did. She insisted that he had to be the leading man as he was in his big box office days at Paramount. It's too bad Ladd didn't live to see the good reviews he got even from critics who trashed The Carpetbaggers.

How good was it? Well if it was bad, I doubt a Nevada Smith movie would have ever been made.

Ironically Ladd was also in a cast with Robert Cummings and Lew Ayres both of whom transitioned into character roles and got work the rest of their lives.

The Carpetbaggers is trashy, no doubt about it. But it gets a good production from a good cast, a mixture of old and new Hollywood of the period.

Howard Hughes? Not really. George Peppard sketches a character without ever inhabit him. It's all effect. Carroll Baker, the brilliant Baby Doll, surrenders to the marketing demands and she revisits her aggressively sexual creature with more sparkle but less depth. Alan Ladd is the one that touches personal buttons and he is wonderful. Edward Dmytryck doesn't find a real center to Harold Robbins melodrama. Elizabeth Ashley's character exemplifies what I'm trying to say. Her journey is quite simply, absurd. She loves him and she hates him in a surprisingly unpredictable pattern. Absurd to such point that's not even entertaining but irritating. - As a side note, I had the experience to watch this movie on TCM with 5 twentysomethings - They laughed and laughed as if it was a hysterical comedy - I asked them what was so funny and their replay was, everything.

I'd heard of this movie, but had never gotten around to watching it... I was impressed by the quality of the script in some scenes and then let down in others... Interesting characters, though stereotypical. The pretty blonds, the cowboy, the drunks, the agents but one character stands out, and that is the wife of power hungry industrialist, Monica Wintrop. You think she'll flake but she keeps on going and in the end well... I won't spoil it for you! I think she has the best line in the movie. Here it goes: When her husband asks if she's pregnant: "It happens, you know, look at all the people in China!... Besides, accidents happen mostly in the home."

Based on the best seller by Harold Robbins, this tale of ruthless tycoon Jonas Cord Jr. is no doubt the apparent life story of Howard Hughes. Though the raunchy sexual escapades in the novel have been all but dropped, this was considered very adult and daring at the time of its initial release in 1964. George Peppard plays Jonas Cord Jr. In the first opening scenes, we're treated to a young carefree Jonas with little on his mind except sex and thrills. This soon changes when his father dies of a sudden heart attack and leaves Jr. his vast holdings. Jonas takes dad's ample assets and sets his sights on multiplying everything in as quickly and as calculatingly a manner as possible. He also thinks nothing of toying with his late father's sexy young widow, Rina played by Carroll Baker. He buys her out and sends her packing. Alan Ladd is longtime mentor & friend Nevada who watches these shenanigans from the sidelines and cleans up the mess. Elizabeth Ashley is wonderful as Monica, whom Jonas marries, only to neglect when he tires of her desire to become a mother. Robert Cummings is very effective as a slimy agent, and the always outstanding Martin Balsam is equally as good as a Harry Cohn like studio head. Martha Hyer, who usually plays cool well bred blondes, is surprisingly convincing as call girl Jennie Denton. Small parts are very well played by Leif Erickson, Audrey Totter, and Lew Ayres. Great musical score by Elmer Bernstein, and terrific photography by Joseph MacDonald. This movie is like having a television mini series rolled into a 2& half hour movie.