La foire aux illusions

I was in the 2nd grade at Lakewood Elementary and I can remember a man coming into our classroom and telling us he was going to make a movie at the State Fair and he needed kids to ride the merry-go-round, and who wanted to be in it? We all raised our hands. I ran all the way home from school and ran into the house shouting to my Mom that "I am going to be in a movie". And I was! Our job was to ride the merry-go-round and sing. We sat underneath a tent, while we were taught the words to the song (of course professional child singers were who you heard). I can name almost every one of the kids you see in the move, including me.

My Dad had to get me a social security number so I could get paid $25.00 per night for two nights. The cool thing is that my social security number is listed out of California. My Mom took me shopping and let me buy a doll with the money I made.

Oh, the memories! Our State Fair is a great State Fair, don't miss it, don't even be late. Its dollars to donuts that our State Fair is the best State Fair in our State! Vicki A.

I see the reviews, I see the number ratings, I don't understand.

In my opinion this is an excellent movie. I'm not a movie critic, I don't have a degree in film arts or even drama. I'm just a retired high school math teacher. That said, I find so many things about this film to be so positive and endearing.

Pat Boone is great, Ann Margaret is beautiful and the the rest of the actors were so enjoyable. The songs and music are outstanding and best of all you can understand every word of every song. Yep, you guessed it, I'm an old guy, I'm 63 and I had the pleasure of seeing this film on its first run in the theater in Nashville, Tennessee. I loved it then and I loved it tonight after watching it for the first time in 40 years on the new DVD widescreen Cinemascope release. I still have the LP vinyl 33 1/3 RPM original movie soundtrack. Love it too.

Some critics seem to feel that everything is too polite, too sweet, too clean to be realistic, but I'll tell you, that's the way it was where I grew up 40 years ago. I hope you enjoy it as much as we did tonight. 10/10

I liked it, although it is not up to par with it's 1945's predecessor. The 1945 film was absolutely charming, and this one does fall short in some areas. The romances do not seem quite as fulfilling as in the earlier version, yet the musical numbers are something to gawk at.

Ann-Margret is stunning at the beginning of her career and practically steals the show. Pamela Tiffin is charming and surprisingly manages a southern accent very well, while the hopelessly miscast Pat Boone is giving it his all to be a Texas farm boy and it just doesn't seem to work out. However Bobby Darin is darling as a self - centered reporter who falls for Tiffin without realizing it. The remake uses all of the songs from the original musical, minus "I Owe Iowa" which was replaced with "The Little Things in Texas" due to the change in setting. Its new songs are very good, and while Margret's jazzy remake of "Isn't it Kinda Fun?" raised a few eyebrows, the musical direction is very well done and fully satisfying.

Really the only drawback to this production is in comparison with its two earlier versions. The love stories in the 1945 version were more complete, the acting a little more sincere, and the story more innocent. This 1962 version obviously had a much bigger budget to work with and it comes across in the musical numbers. It is a worthwhile production and a good movie.

The third film version of 'State Fair' (and the second musical version) is only partly successful, although it is nowhere near as bad as reviews of the time would have you believe.

Margy Frake this time round is played by newcomer Pamela Tiffin, who is rather colourless (and has her voice dubbed as Jeanne Crain did 17 years earlier). Her squire at the fair this time round is called Jerry and works for that new-fangled media, the 'tube' or TV. He's played by Bobby Darin who looks far too old to be chasing Tiffin - perhaps that is why a couple of references were added in this version about her age.

Pat Boone, in one of his few film appearances, is really rather good as Wayne Frake, who is now a racing driver, and of course he does his own songs and rather well. As the show singer Emily, Ann-Margret is embarrassing and too trashy; I always find her a bit OTT, as she is here.

The Frake parents, Tom Ewell and Alice Faye are charming and both have songs created for this version which were not in the '45 film, including a charming duet when they are out on the midway.

The new songs, written by Rodgers alone as Hammerstein had died by the time the film was created, are a mixed bunch. 'Never Say No To A Man' is just plain odd, although is a nice number for Faye's voice. 'Sweet Hog of Mine' fits perfectly, although some of the others feel like padding. Now the Sate Fair has relocated to Texas, we have a new song to replace 'All I Owe Ioway', this time it is 'The Little Things In Texas I Love'.

Although watchable, the relationship between Jerry and Margy in particular does not have the easy romance we saw in previous versions; while Emily does not gain the audience sympathy her character should.

A misfire, then, but a fascinating companion piece to the earlier version and it is useful to see them released together on DVD.

I saw this film in the theater as a nine-year old and loved it. I saw the film again the other night on DVD and what do you know? I still loved it. The silliest criticism that I saw about this film concerned the location filming at a real Texas State Fair. This criticism offered the theory that the people at Fox couldn't afford to build proper sets for the film due to the financial drain of "Cleopatra", so they had to settle for cheaper location filming! The location filming and the wide-screen sweep of the fairgrounds are what add to the appeal of this film. Also, not one review that I read commented on the exciting auto racing sequences which were certainly well-staged. The five additional songs written by Richard Rodgers were lovely and in the tradition of Rodgers and Hammerstein. The performances were uniformly good, especially Ann-Margaret, whose first movie filmed this was. ("Pocket Full of Miracles" was released first but filmed second.)