Jack le tueur de géants

Jack The Giant Killer is a unique film in its own right. Personally, I think it is a far nicer film than The Seventh Voyage of Sinbad (although I still have fond memories of that film, rest assured)and its one that I enjoy watching again and again and again. All the cast (Kerwin Matthews, Judi Meredith, Torin Thatcher, Anna-Lee, Walter Burke, Don Beddoes, et al) give fine performances and the special effects (most notably, the stop-motion animation, the cartoon-style animation) stand up well to the test of time. The story is nice and straight forward and easy to understand.

However, for me it is Judi Meredith who really made the film. The scenes where Pendragon (Torin Thatcher) uses that jewelled staff to turn her from a beautiful, kind princess into a beautiful, cold and icy witch had a real effect on me when I saw the film for the first time on BBC1 in the summer of 1976. Even more effective was when she showed Jack (Kerwin Matthews) her reflection as a wicked witch in the mirror and said "Gaze upon my true form. Am I not beautiful?" then she laughed an evil laugh! It was good that Jack managed to break the spell afterwards. On the other hand, I wish I could have seen a little more of Elaine as a witch, in this film.

I had no idea that this film was released as a musical until a few years ago. I haven't seen the musical so I cannot really comment on it. However, perhaps it's just as well as I have heard that the musical numbers are lousy. I saw the film again on Channel Four at Christmas 1997 and it was wonderful to see it again.

Jack The Giant Killer offers an enjoyable story, great action scenes, competent direction, great special effects and a professional cast. Its a must for anybody who likes fantasy films.

MATTHEW HYATT

Recently reminded of this little gem after visiting its origins in St Michael's Mount, Cornwall. Loved this film as a kid. The attack on the ship was especially effective (I recall it being quite scary when I first saw it). The fact that there were 'scary' elements probably set it apart from the likes of the Sinbad and Jason films, and I guess this is this reason why its my favourite film of its genre and age. Admittedly the effects may look a little ropey nowadays but that doesn't get in the way of a very entertaining film. As much as I enjoyed it though, I can't help but admit that I wouldn't mind someone having a stab at a remake (this version will always be there if it goes pear shaped)

On the birthday of Princess Elaine (Judi Meredith), the evil warlock Pendragon (Torin Thatcher), who is exiled from the Kingdom of Cornwall, and his minion Garna (Walter Burke) come disguised to the court and he gives a gift to Elaine. During the night, his gift becomes a giant that abducts the princess. However the farmer Jack (Kerwin Mathews) vanquishes the giant and rescues Elaine. Jack becomes a knight and Elaine and he fall in love with each other. King Mark (Dayton Lummis) assigns Jack to protect Elaine and to travel by ship with his daughter posing of peasants to a distant convent where she would be safe. However Pendragon's spy Lady Constance (Anna Lee) warns the sorcerer and he sends witches to bring Elaine to his castle. They kill the captain of the ship and the crew throws Jack overboard that is left behind with the captain's son Peter (Roger Mobley) in the sea. However they are rescued by the Viking Sigurd (Barry Kelley) that shows the Leprechaun Imp (Don Beddoe) to Jack. The Imp grants three wishes to Jack and together with Jack, Peter and Sigurd, they head to the island where the castle of Pendragon is to save the princess. Will they succeed in their mission?

"Jack the Giant Killer" is one of those naive adventures that are delightful matinée. The entertaining story is full of action, magic and evil creatures. Princess Elaine is gorgeous and the hero Jack is a farmer capable of fight like the most skilled swordsman. The special affects are dated in the present days but part this is one important component of these wonderful movies from the 60's. My vote is seven.

Title (Brazil): "Jack, O Matador de Gigantes" ("Jack, The Giant Killer")

Kerwin Matthews and Torin Thatcher virtually repeat their roles in Jack the Giant Killer that they had previously done for Columbia's 7th Voyage of Sinbad four years earlier. It was no wonder that Columbia sued United Artists and producer Edward Small over this.

Even without special effects master Ray Harryhausen, the film is not bad in that department at all. For the juvenile viewers even today, they will have goosebumps over the witches, monsters, and giants that our intrepid hero Jack has to overcome.

I do like the fact that Kerwin Matthews, Torin Thatcher, and the rest of the cast play their roles with absolute sincerity. It would not have been appropriate to do it otherwise in a film meant for kids of all ages.

The plot is simple, evil prince Torin Thatcher has designs on young princess Judi Meredith and tries one scheme with a giant to capture her and spirit her away to his evil enchanted island. He and confederate Walter Burke are foiled by a brave peasant lad named Jack who slays the giant.

King Dayton Lummis makes Kerwin Matthews as Jack his daughter's protector and they have quite a few adventures before the happily ever after ending the fairy tale requires.

It's still a pretty good family film and a nice bit of nostalgia for folks like me who were kids when it did come out.

The story line is familiar and, yes, it does seem to be a hodge-podge of a variety of legends and myths, but what's to complain about? Many films borrow from a host of differing source material, often with surprisingly good results.

One very important comment about the animation-- If you're the type that poo-poo's anything less than 21st century computer generated effects, then stick to films made after 2000 and stop knocking 40-year old films because their special effects aren't the same as you saw in "Independence Day". That's like knocking a '63 Corvette because it won't take you to the Moon.

Frankly, I thought the fiery and colorful animation sequences were sort of pre-psychedelic-era psychedelia (if I may coin a phrase). I was pleasantly surprised by the almost bizarre look of it all, and felt a keen sense of having 'discovered' a lost treasure. As an avid film buff, with thousands of titles in my film library (both VHS & DVD), I'm quite aware that there are always new (to me) films to be discovered, regardless of how long ago they were made.

And-- yes, after seeing this film on cable a few months ago, I purchased the DVD for my collection. I rated this film 9- almost entirely for it's visual impact.

Highly recommended viewing.