Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur.Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur.Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur.
- A remporté 1 oscar
- 1 victoire et 1 nomination au total
Bob Barran
- Eloi Man
- (uncredited)
Paul Frees
- Talking Rings
- (voice)
- (uncredited)
Mike Hitlner
- Eloi Man
- (uncredited)
Josephine Powell
- Eloi Girl
- (uncredited)
James Skelly
- Second Eloi Man
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesYvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
- GaffesIn the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
- ConnexionsEdited into The Man from U.N.C.L.E.: The Project Deephole Affair (1966)
Commentaire en vedette
One of my favorite films back when I was a lad was George Pal's production of the H.G. Wells novel, The Time Machine. As I've gotten a lot older since the 13 I was when it came out, I can more appreciate the meticulous care that went into the making of this film.
Considering that we didn't have computer generated images back in the day, the special effects hold up remarkably well. The make up and costumes for the villainous Morlocks still have the power to frighten.
What I look at now though was the United Kingdom of the turn of the last century in which Wells wrote his book. As much as George Pal was able to capture the future, he did as well with the past, the recreation of the Victorian/Edwardian era from which our time traveler Rod Taylor goes to the future and back.
A lot of that has to do with the casting of the four men who are Taylor's friends and looked like they stepped from that era. Tom Helmore, Sebastian Cabot, Whit Bissell, and Alan Young all comport themselves as proper English gentlemen who are concerned and support their friend anyway in his theories and experiments.
Especially Alan Young's performance, it's my favorite in the film. Young plays a dual role as Taylor's friend and as his own son over several generations of the 20th century. He's the kind of true friend we should all in life be fortunate to have.
Also note that the mechanics of the Time Machine itself are never explained, just how the thing works and what powers it. It was probably beyond even the fertile imagination of H.G. Wells to conceive, our own best minds of science now debate whether it is even theoretically possible.
Rod Taylor after playing several good supporting roles in many films since arriving in America from his native Australia, got his first lead and real big break in The Time Machine. He's excellent as the time traveler who essentially saves the future for mankind and rescues it from the world that has developed.
The Time Machine was also ahead of it's time. no pun intended, in its depiction of the peaceful Eloi. During the sixties age of flower power, the gentle Eloi are like a bunch of hippies who seemingly have attained their version of paradise. No one is old and they live in a garden of Eden. Little do they know what the underground Morlocks are using them for.
Yvette Mimieux who as Weena of the Eloi got her break out role her. She's the quintessence of the flower power generation soon to come.
Even though new versions have been done, this version of The Time Machine still stirs the imagination and appeals to the scientifically curious in all of us.
Considering that we didn't have computer generated images back in the day, the special effects hold up remarkably well. The make up and costumes for the villainous Morlocks still have the power to frighten.
What I look at now though was the United Kingdom of the turn of the last century in which Wells wrote his book. As much as George Pal was able to capture the future, he did as well with the past, the recreation of the Victorian/Edwardian era from which our time traveler Rod Taylor goes to the future and back.
A lot of that has to do with the casting of the four men who are Taylor's friends and looked like they stepped from that era. Tom Helmore, Sebastian Cabot, Whit Bissell, and Alan Young all comport themselves as proper English gentlemen who are concerned and support their friend anyway in his theories and experiments.
Especially Alan Young's performance, it's my favorite in the film. Young plays a dual role as Taylor's friend and as his own son over several generations of the 20th century. He's the kind of true friend we should all in life be fortunate to have.
Also note that the mechanics of the Time Machine itself are never explained, just how the thing works and what powers it. It was probably beyond even the fertile imagination of H.G. Wells to conceive, our own best minds of science now debate whether it is even theoretically possible.
Rod Taylor after playing several good supporting roles in many films since arriving in America from his native Australia, got his first lead and real big break in The Time Machine. He's excellent as the time traveler who essentially saves the future for mankind and rescues it from the world that has developed.
The Time Machine was also ahead of it's time. no pun intended, in its depiction of the peaceful Eloi. During the sixties age of flower power, the gentle Eloi are like a bunch of hippies who seemingly have attained their version of paradise. No one is old and they live in a garden of Eden. Little do they know what the underground Morlocks are using them for.
Yvette Mimieux who as Weena of the Eloi got her break out role her. She's the quintessence of the flower power generation soon to come.
Even though new versions have been done, this version of The Time Machine still stirs the imagination and appeals to the scientifically curious in all of us.
- bkoganbing
- 19 avr. 2007
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
Box-office
- Budget
- 750 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 5 902 $ US
- Durée1 heure 43 minutes
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Japanese language plot outline for La machine à explorer le temps (1960)?
Répondre