Golden Salamander

Trevor Howard plays David Redfern, an archaeologist sent to Tunis to recover artifacts belonging to his English employer. However, he runs across a gun running operation headed up by Serafis (Walter Rilla). The suspense builds and a murder only adds to the danger for Redfern.

Herbert Lom is absolutely wonderful as the evil, dangerous henchman, Rankl, and Anouk Aimee is beautiful as Anna. A good movie is always characterised by the strength of its supporting cast and even those people with minor parts (such as Wilfrid Hyde-White) add depth and colour to the film.

The only negative for me was the fact that Trevor Howard and Anouk Aimee make an extremely unlikely romantic couple. In the scenes with Aimee, Howard, who was a very good actor, seems to play the part like a man with too much starch in his collar.

Leaving that minor detail aside, this is a good, suspenseful movie and well worth watching.

Rating: 7/10

This is a slightly confused smuggling mystery with an oddly cast Trevor Howard as "David", a British archaeologist sent to Tunisia to supervise the removal of some artefacts. He arrives at the inn run by "Anna" (Anouk Aimée) and a slightly sinister pianist Wilfred Hyde-White ("Anjo"). Next thing, he is involved in a gun-smuggling racket with local hoodlum Herbert Lom ("Rankl") and his lobster fisherman pal "Max" (Jacques Sernas) whilst slowly falling in love with the much younger "Anna". It's a good looking film, but the story has more holes than a Dutch cheese with just way too many co-incidences. Howard is fine, but Lom features all too rarely to build any sense of suspense. Sernas is positively smouldering so why Anouk would prefer the older man is slightly bewildering; and the casting of Miles Malleson - ordinarily the archetypical British vicar/train enthusiast as "Douvet" - the local policeman, is just a bit too baffling to make much sense of the really thinly spread story.

In a movie that suffers from to many unanswered questions, too many loose ends, and far too much coincidence, there is one constant which merits mention: the acting of Anouk Aimee. From the moment she enters the as a bar maid she becomes a force in the film, since she is simply a more dominant presence on the screen. The other roles are pretty much clichés. In fact so much so that one expects Howard to really be a secret British agent. And the piano player in the bar drinks as much as he plays. The villains seem much too superficial. The problem stems from a seeming attempt to reproduce World War Two Bogart films, an attempt which is historically out of step with he Cold War of 1950. Does anyone really care about gun running in Tunisia?

To me, Anouk Aimee gives a more convincing performance than does Bergman in CASABLANCA or Bacall in TO HAVE OR HAVE NOT. Bergman seems out of place in Rick's, and Bacall's quips appear contrived. Aimee seems natural throughout, and her lines are appropriate. Her performance is reason enough to see this film.

While the poor casting in "Golden Salamander" might surprise you, it it STILL worth seeing. It begins with a British man, David (Trevor Howard), driving along some very, very wet roads at night in Tunisia. Eventually, he pulls off the road--and stumbles on some guns that have fallen out of a crate. Soon, some folks return to retrieve the guns--and David runs, as he's pretty sure these are smugglers. However, he does NOT report this to the authorities.

His job in the town is to pack some antiquities for transport to a British museum. During the time he's in the town, he falls for Anna (Anouk Aimée). He also soon realizes that Anna's brother is one of the smugglers. What's he to do? And, just how deep does this conspiracy go?

This is a nice action-romance. As I mentioned above, the casting was odd, as Howard was almost two decades older than his love interest. I also was dumbfounded when there was the HUGE fight near the end...and Anna just stood there watching (even though if the wrong man wins, she will die!). Despite these problems, the film is exciting and has a very good plot...and it's well acted as well.

When I saw the cast for this, I figured the movie would either be very good or awful. Luckily, it was the former. Good acting, great cinematography, editing and a convincing character path make this movie a real classic. Of course there are the "exotic" Arabs, but their depiction is not as offensive as in most films of its era. The somewhat dazed performance by Anouk Aimee leads one to believe that she either had a lot of trouble with the English language, or overplayed her depressive qualities. The boar hunt sequence brings to mind the conclusion of the book "The Alexandria Quartet." Aside from these minor quibbles, I recommend The Golden Salamander to anyone with an interest in character development, intrigue, and film noir that isn't about people unjustly accused of criminal action, innocent people led into same, and heists gone wrong.