The Gal Who Took the West

The film starts well as it is told in a Rashomon-style flashback, with three local old-timers in the town recounting slightly different versions of the events surrounding the female protagonist's [Lily's], arrival and her manipulation in the feud between two cousins, for her own gain.

De Carlo, Coburn. Brady, Bevans, Stevenson, Simpson, and, Litel are excellent actors. However, the film's theme ruins their performance as this is a feminist-based western which achieves its goal of emasculating the three male protagonists.

Conclusively, the film is a lightweight, campy Western comedy. The plot is not particularly deep or coherent. The resolution left too many plot holes. Don't waste your time on this one.

Yvonne De Carlo (Lillian) rides into town and becomes the focus of attention for two cousins - Scott Brady (Lee) and John Russell (Grant) - who really don't like each other. They are both super powerful and run half of Arizona each. They are just waiting for old-timer Charles Coburn (General O'Hara) to pop his clogs and then they can battle it out to take complete control of the state.

The story is told in flashback as three old-timers relate their viewpoint of how De Carlo interacted with the two cousins and we learn what happened in the gaps between the stories. The film is basically about the rivalry between the two cousins with the added interest of who De Carlo will ultimately choose to procreate with. That's what we watch for - who will she choose?

The cast are pretty unpleasant - including De Carlo - apart from Coburn who is the funniest as is to be expected. He shines whilst the others don't in this completely unrealistic story. Throw in some terrible songs as well. Not a particularly good film.

When Charles Coburn builds an opera house, vaudeville singer Yvonne De Carlo grabs the gig, so she can sing "Frankie and Johnny". Meanwhile, Coburn's grandsons -- Scott Brady and John Russell -- wrangle over her in this silly but entertaining Technicolor western from Universal.

I first encountered Miss De Carlo in TV's THE MUNSTERS. She was born Margaret Yvonne Middleton in British Columbia in 1922. She first appeared in the movies in tiny unbilled roles like "Showgirl" or "Handmaiden", occasionally arising to the dignity of being credited as "Princess Wah-Tah". She shot to stardom in ens of SALOME, WHERE SHE DANCED. She spent the next decade playing the mildly astonished vamp in dozens of B pictures. She died in 2007.

Wonderful Yvonne De Carlo! This story of two cousins,vying with each others for a valuable property ,waiting for the ancestor's death (but it seems he is not about to kick the bucket) is a comedy where nobody seems to take things seriously ;there's a very long fight between the two heirs towards the end and Yvonne's choice does not seem to be the wisest,if we consider the very last picture of the movie.

But it does not matter;the only thing that matters is miss De Carlo:when she appears ,we only have eyes for her;her two songs are a true delight (the second one is witty,funny and infectious);generally I do not go much for those saloon ballads but those are the highlights of the movie.

The story is told by three old "witnesses";thus the arrival of the lady is filmed three times,each one giving his own version of the facts.

Other than THE MAN WHO SHOT LIBERTY VALANCE, I do not know of another Western that as accurately captures the true nature of the West - and the men and women who settled it. The plot is that of a romantic comedy, but the characters are wonderfully written and acted - far better than in most 'serious' films.

The two brothers battling each other for the affection of one women is both funny - and dramatically believable. And the telling of the story from three different points of view is superbly done.

In my opinion, this is one of the most under-rated films ever made in Hollywood.

Don't miss it!