About Mrs. Leslie

This is a silly, tear-jerker of a story, but interesting in spite of itself, the kind to help you pass a rainy day when you're feeling kind of blue.

However . . . . if anyone wants to know who was one of America's greatest actresses, they have only to watch Shirley Booth in this film. She was a very low-key, actually kind of dumpy-looking woman, with a not very pretty speaking voice, but she will keep your attention, amaze you, and break your heart. Even though she looks sort of like she could be Robert Ryan's mother, or at least his older sister, you don't have a moment's doubt that this tall, handsome leading man could fall for her and maintain a long-term relationship with her. She is luminous in her quiet way.

Booth did many stage plays, and to give you an idea of the heft of her acting abilities, several of the parts she played on the stage were subsequently played on screen by Katharine Hepburn. Booth unfortunately lacked what Hollywood considered glamor, but she was chock full of talent and charisma. If you know her only from re-runs of the sitcom "Hazel," you are in for a big surprise if you see her in this film, or in the even better "Come Back Little Sheba."

Daniel Mann, a master director of dramas, reunites with leading lady Shirley Booth after their successful collaboration in Come Back, Little Sheba to create the wonderfully romantic drama About Mrs. Leslie. If you like these two of their films, be sure to check out their third film together, Hot Spell!

Told in flashbacks, Shirley starts the film off as the owner of a boarding house. Her tenants and neighbors often come to her with their problems, since she's such a sympathetic mother type, and while she deals with their trifles, she remembers her earlier years, before she was Mrs. Leslie. Back then, she was a nightclub singer who fell in love with the handsome, charming, enigmatic Robert Ryan. Their slow-burning love affair is fascinating to watch, and while both actors are naturally likable anyway, they'll instantly win a place in your heart.

As you might expect, since this is a Shirley Booth movie-her movies are much different than Hazel-you might want to keep your Kleenexes handy. Her darling wobbly voice and her terribly sad face makes me cry every time.

I'd seen this years ago on AMC and remembered little about it, but a revisiting on TCM reveals it to be a surprisingly solid, moving, adult romance. Sure, it's soap opera, and disconcertingly close to "Back Street" (or Capra's "Back Street" ripoff, "Forbidden"), and it's not helped by unexciting cinematography or a soupy, repetitive Victor Young score, like he's trying to be Max Steiner. What lifts it well out of the ordinary are the screenplay and the leads. Ketti Frings was a frequent adapter of literary works (she did the stage drama of "Look Homeward, Angel") who could plumb expertly beneath the surface; her co-screenwriter, Hal Kanter, was more of a sitcom specialist. Together, they probe with remarkable depth this illicit affair between a married industrialist and an unmarried chanteuse. These two behave like grownups, have real conversations on a variety of topics, with a surprising amount of Civil War history, of all things, mixed in, and say unexpected, witty things to each other. Shirley, who's superb, may not be a glamour gal, but it's entirely credible that the handsome Ryan, who underplays effectively, would fall for this intelligent, generous, questioning woman. There's a second couple, Marjie Millar and a not-very-good Alex Nicol, and you may wonder why so much time is being spent on them, but their narrative does complement the first couple nicely, and the other residents of Mrs. Leslie's boarding house provide color and contrast. Soap opera, yes, but I was moved, and ready for a second viewing not long after the first. Too bad Hollywood couldn't find more for the prodigiously gifted Ms. Booth to do, but this is one of her best roles, and you'll long remember her reactions, her delivery, and the way Daniel Mann lovingly lingers on her face.

First, it must be mentioned that Shirley Booth was a fantastic actress in both film and stage, the latter being her forte. Here was an actress who, despite the fact that she was not Hollywood model material by any means, could run rings around scores of her drop-dead gorgeous contemporaries in the acting department! It's really a pity that she became typecast as "Hazel" in her popular television series, because she could, and did, offer so much more.

That said, now comes the plot of this particular film. A fairly good looking, well to do up and comer in politics, albeit married to someone else, falls in love with Ms. Booth's somewhat frumpy character. Highly unlikely, some people would say, but it happens in this film, and it happens in real life, no matter what the media would have you believe. Robert Ryan rendered a fine performance, and both of them generated the right chemistry. This is where it gets really good. The love that's shared between these two comes across as quite genuine. In fact, it blossoms throughout the film by way of a good plot! No spoiler here! You must see the film in its entirety to understand this.

Yes, the film plays out like a soap opera for the most part, but the idea behind it, the love between these two people, no matter the odds, is very real. There are lots of sub-plots going on throughout, but they all seem to come together perfectly and sensibly in the end. Many facets and foibles of human nature are addressed quite well in the process.

This is a must see, as are all of Shirley Booth's movies, at least in my opinion. It's too bad she didn't make more of them.

About Mrs Leslie,in less credible hands,would have been just another average 1950's tearjerker,but in the hands of (Oscar) winning actress "Shirley Booth" the film crosses the boundary, from maudlin to interesting. Anyone familiar with Booth's acting genius, knows that the actress could have made a film about the invention of the "pencil sharpener" worth watching. It could be said, and rightfully so that 'Robert Ryan" was miscast, as Mr. Leslie, but if given a chance, I believe you'll gladly overlook Paramount's little casting error. All in all, About Mrs Leslie, isn't "Shirley Booth's" greatest moment, but she still had reason to crow! I highly reccomend this dramatization of "Vina Delmars" best selling novel of the same name.