Nancy Peterson et ses amis veulent obtenir une place dans l'émission de télévision de Bob Crosby.Nancy Peterson et ses amis veulent obtenir une place dans l'émission de télévision de Bob Crosby.Nancy Peterson et ses amis veulent obtenir une place dans l'émission de télévision de Bob Crosby.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 1 nomination au total
Gloria DeHaven
- Hannah Holbrook
- (as Gloria De Haven)
Fred Aldrich
- Man in Bus Terminal
- (uncredited)
Marie Allison
- Showgirl
- (uncredited)
Charlotte Alpert
- Showgirl
- (uncredited)
Suzanne Ames
- Showgirl
- (uncredited)
Joan Arnold
- Secretary
- (uncredited)
Walter Bacon
- Townsman
- (uncredited)
Avis en vedette
Old-fashioned without being embarrassing, "Broadway" features Janet Leigh as a sparkling small town lass who moves to the Big Apple to work in theater, falling in league with other young hopefuls and staging their own revue. Not too far-fetched(Carol Burnett did the same thing in real-life)and Janet bounces happily throughout. Not really remarkable, but a nice time-filler. Bob Crosby pokes fun at older brother Bing in the film's most self-conscious moment. **1/2 from ****
I found this movie quite enjoyable and entertaining. Janet Leigh and Ann Miller don't disappoint and neither do the rest of the cast. Basically this movie is about trying to break into show business after vaudeville. There's plenty of singing and dancing. There's one number that includes them portraying American Indians. If you're "offended" because it's considered politically incorrect now, then don't watch! Please save your criticisms and just don't watch so you won't be "offended" ! If you just want to be entertained and even laugh at a couple of parts, the do watch. This movie was made to entertain, and it does.
The initial commenter wondered if Janet Leigh was dubbed in this film since he couldn't remember her singing in any of her other pictures. Well, she did sing in other films, most notably in "Bye Bye Birdie", and "My Sister Eileen", and while she was not known as an accomplished singer or dancer, she managed to give fairly good performances in both films and to demonstrate a competent ability in numerous guest appearances on variety television programs of the '50's and the '60's. I hope this will help to answer your questions. You might also look at her work in "Rogue Cop", where she plays a singer, and "Walking my Baby Back Home", a musical she made with Donald O'Connor, as well as "Fearless Fagan" where again, she is a singer/entertainer. She speaks at length about her musical experiences in her autobiography, "There really was a Hollywood", and gives a great accounting of her early career.
I'm not a big fan of musicals in general, so I tend to like only the really good ones (Guys and Dolls, Anchors Aweigh, Singing in the Rain, American in Paris, etc.). I thought I'd give this a try because I usually love Janet Leigh movies. However, I found this film to be rather mediocre.
First what Iiked. Janet Leigh and the supporting cast did well with their roles. Some of the songs were kinda catchy and I enjoyed several of the performances. Tony Martin really sings well, and Eddie Bracken is his usual dopey self.
Now what I didn't like. Tony Martin can't act. Or at least he couldn't in this movie. Plus I didn't like his character at all. He seemed way too old for this role. He looked old enough to be Janet Leigh's father - and he acted like it too. It was very creepy and I didn't care for it at all.
I didn't like the deli owners, either. I found them to be annoying and I was tempted to fast-forward all of their scenes. The movie plot was rather weak, as is usual in musicals. But this one especially seemed like a disjointed collection of song and dance routines. For me, a good musical is one that can weave songs and dances into the narrative more organically. This didn't do it for me.
I thought Bob Crosby's number making fun of his more famous brother Bing was amusing, but honestly I thought it detracted from the flimsy storyline in the first place. I probably would have left it out of the movie entirely.
And near the end of the film, there's a rather insensitive (if not offensive) routine when the main characters dress up like Native Americans and portray them in a stereotypical manner. I didn't care for this at all, and I'm sure there will be many people who would find it to be offensive. True, this was made in 1951 when such portrayals were not seen negatively, but I still didn't like it. If you are offended by such content, you shouldn't see this movie - or you should at least fast-forward the film through this part.
Overall, I give this a 5/10, though I think it's probably closer to a 4.
First what Iiked. Janet Leigh and the supporting cast did well with their roles. Some of the songs were kinda catchy and I enjoyed several of the performances. Tony Martin really sings well, and Eddie Bracken is his usual dopey self.
Now what I didn't like. Tony Martin can't act. Or at least he couldn't in this movie. Plus I didn't like his character at all. He seemed way too old for this role. He looked old enough to be Janet Leigh's father - and he acted like it too. It was very creepy and I didn't care for it at all.
I didn't like the deli owners, either. I found them to be annoying and I was tempted to fast-forward all of their scenes. The movie plot was rather weak, as is usual in musicals. But this one especially seemed like a disjointed collection of song and dance routines. For me, a good musical is one that can weave songs and dances into the narrative more organically. This didn't do it for me.
I thought Bob Crosby's number making fun of his more famous brother Bing was amusing, but honestly I thought it detracted from the flimsy storyline in the first place. I probably would have left it out of the movie entirely.
And near the end of the film, there's a rather insensitive (if not offensive) routine when the main characters dress up like Native Americans and portray them in a stereotypical manner. I didn't care for this at all, and I'm sure there will be many people who would find it to be offensive. True, this was made in 1951 when such portrayals were not seen negatively, but I still didn't like it. If you are offended by such content, you shouldn't see this movie - or you should at least fast-forward the film through this part.
Overall, I give this a 5/10, though I think it's probably closer to a 4.
First of all, to those upset about the Indian number - get a life. This was '51. Don't take it so seriously - and keep away from pictures with Mantan Moreland, etc.
Then there are the criticisms about Tony Martin. He has the dark look, so some people automatically assume he should portray gangsters. Prejudice, prejudice against dark-haired people. Tsk.
Martin sang grand opera in this movie, pop songs, novelties and did beautifully with all of them. Not all of the music was memorable, but even the songs that might be described as mediocre were beautifully presented. The girls were attractive and personable. Miss Leigh was a doll and, yes, she did her own singing and dancing.
No one can knock Ann Miller. What a great talent. Speaking of talent, The Charlivels were outstanding as a high wire act, and as dancers.
Interesting casting was Max Baer's bro, Buddy, also a boxer, as a tough swabbie.
The Bob Crosby number, where he compares himself with brother Bing was very well done - real life situation. The one thing I missed - I wish his band had played some of its trademark Dixieland. OOoops - is that word offensive to northern ears? The plot was ancient but, who cares. Howard Hughes put this together and came up with a fun, pleasant movies.
Then there are the criticisms about Tony Martin. He has the dark look, so some people automatically assume he should portray gangsters. Prejudice, prejudice against dark-haired people. Tsk.
Martin sang grand opera in this movie, pop songs, novelties and did beautifully with all of them. Not all of the music was memorable, but even the songs that might be described as mediocre were beautifully presented. The girls were attractive and personable. Miss Leigh was a doll and, yes, she did her own singing and dancing.
No one can knock Ann Miller. What a great talent. Speaking of talent, The Charlivels were outstanding as a high wire act, and as dancers.
Interesting casting was Max Baer's bro, Buddy, also a boxer, as a tough swabbie.
The Bob Crosby number, where he compares himself with brother Bing was very well done - real life situation. The one thing I missed - I wish his band had played some of its trademark Dixieland. OOoops - is that word offensive to northern ears? The plot was ancient but, who cares. Howard Hughes put this together and came up with a fun, pleasant movies.
Le saviez-vous
- AnecdotesThe roles played by Charles Dale and Joe Smith were orginally intended for Stan Laurel and Oliver Hardy, who had to drop out of the film due to an illness contracted by Laurel while filming Atoll K (1951).
- GaffesWhen Janet Leigh takes the newspaper clipping from her mirror (after seeing Bob Crosby), you can see that the back of the clipping is unprinted.
- Citations
Lew Conway: I admit I told a few little white lies...
Nancy Peterson: Little white lies?
Lew Conway: All right then, great big purple ones.
- ConnexionsFeatured in Histoire(s) du cinéma: Toutes les histoires (1988)
- Bandes originalesAre You a Beautiful Dream?
by Jule Styne and Leo Robin
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Drei Frauen erobern New York
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 46 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Two Tickets to Broadway (1951) officially released in India in English?
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