ÉVALUATION IMDb
7,5/10
168 k
MA NOTE
Aidé de la Fée Bleue, Gepetto parvient à insuffler la vie à sa dernière marionnette qu'il nomme Pinocchio.Aidé de la Fée Bleue, Gepetto parvient à insuffler la vie à sa dernière marionnette qu'il nomme Pinocchio.Aidé de la Fée Bleue, Gepetto parvient à insuffler la vie à sa dernière marionnette qu'il nomme Pinocchio.
- A remporté 2 oscars
- 9 victoires au total
Dickie Jones
- Pinocchio
- (voice)
- (uncredited)
- …
Christian Rub
- Geppetto
- (voice)
- (uncredited)
Mel Blanc
- Gideon (hiccoughs)
- (voice)
- (uncredited)
Don Brodie
- Carnival Barker
- (voice)
- (uncredited)
Stuart Buchanan
- Carnival Barker
- (voice)
- (uncredited)
Walter Catlett
- J. Worthington Foulfellow
- (voice)
- (uncredited)
Marion Darlington
- Birds
- (voice)
- (uncredited)
Frankie Darro
- Lampwick
- (voice)
- (uncredited)
Virginia Davis
- Children
- (voice)
- (uncredited)
Cliff Edwards
- Jiminy Cricket
- (voice)
- (uncredited)
Mino Ghona
- Baby Fish
- (uncredited)
Charles Judels
- Stromboli
- (voice)
- (uncredited)
- …
George Magrill
- Donkeys
- (uncredited)
Dal McKennon
- Donkeys
- (uncredited)
John McLeish
- Carnival Barker
- (voice)
- (uncredited)
Clarence Nash
- Figaro
- (voice)
- (uncredited)
- …
Patricia Page
- Marionettes
- (voice)
- (uncredited)
Purv Pullen
- Whistling Saw
- (uncredited)
Avis en vedette
10frankebe
It certainly is interesting reading other viewers comments. I can't imagine anyone being "bored" with this film. But then, I don't even go to movies anymore, because I find those made today to be either horrific and traumatizing, or brain-numbingly stoopid and poorly made. Pinocchio, on the other hand, is the ultimate in everything that is "movie" : camera-work, special effects, background music, musical numbers, characterization, story development with narrative sweep, high-drama and low-comedy (but never Lockerroom-low), color, motion, editing, use of sound, artwork, audience manipulation... and in the end, life-affirming! I cannot possibly recommend this movie too highly. In my opinion, considering cinematic effectiveness, Pinocchio rates way up with Citizen Kane, Sherlock Jr., and Battleship Potemkin.
My Rating : 9/10
This is a very complete movie. The artwork is perfect and colorful, everything is carefully drawn and painted. The film is a clever combination of some of the funniest moments in cinema history and some of the darkest and most sinister ever. Animation is terrific. The soundtrack is excellent, with lots of musical pieces to enjoy.
This is an Italian tale, so it takes place in Italy, which is great, for it benefits from a certain Italian touch of film-making and Italian charm.
This is a very complete movie. The artwork is perfect and colorful, everything is carefully drawn and painted. The film is a clever combination of some of the funniest moments in cinema history and some of the darkest and most sinister ever. Animation is terrific. The soundtrack is excellent, with lots of musical pieces to enjoy.
This is an Italian tale, so it takes place in Italy, which is great, for it benefits from a certain Italian touch of film-making and Italian charm.
Darker in tone than most Disney animated features (except for 'Hunchback of Notre Dame'), 'Pinocchio' came shortly after 'Snow White' and showed marked improvement in the art of animation technology to produce startling special effects.
The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.
Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.
Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.
Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.
The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.
Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.
Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.
Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.
For it's second full length animated feature, Walt Disney Studios picked the Carlo Collodi children's classic Pinocchio. The wooden puppet boy who turns into flesh and blood because of a heroic deed has been done a few times on screen, but the Disney version remains the standard.
In some of the animated features of recent years we've come full circle in the fact that a lot of well known Hollywood figures have sought to lend their voices to animated productions. Coming to mind immediately are Mel Gibson as Captain John Smith and Eddie Murphy as the donkey in the Shrek movies. It wasn't as chic a thing to do back in Disney's day, still Walt came up with several good ones like young Dickie Jones as Pinocchio, Walter Catlett as J. Worthington Foulfellow, Frankie Darro as Lampwick, and most important Cliff Edwards as Jiminy Cricket.
These folks lend their voices to one of Disney's best musical scores with Catlett making immortal the thespians ballad An Actor's Life For Me, Jones celebrating the fact he's been liberated from all manner of restraint with I've Got No Strings and Cliff Edwards talking about his new responsibilities as the puppet boy's conscience in Give A Little Whistle.
Most important though is the Academy Award given to that most plaintive song of yearning When You Wish Upon A Star as introduced by Cliff Edwards. Edwards was a major performer in the Twenties and early Thirties with his ukulele Ike character and introduced many popular songs like It's Only A Paper Moon and Singing In The Rain. But he had come up on hard times with a lot of substance abuse problems when Walt Disney offered him the part of Jiminy Cricket's voice. The movie Pinocchio and the songs he sang there resurrected his career and even when down and out, Edwards could always get work at the Disney Studio because of Jiminy Cricket's enduring popularity.
Animation never really dates and the best animation in the world was pioneered at Disney Studio. People can see Pinocchio on the same bill as Shrek even today and I daresay the audience would be equally responsive.
And you can appreciate Pinocchio today as much as your grandparents and great grandparents did through the magic of YouTube or Amazon. If not wish upon a star and fate will step in and see you through.
In some of the animated features of recent years we've come full circle in the fact that a lot of well known Hollywood figures have sought to lend their voices to animated productions. Coming to mind immediately are Mel Gibson as Captain John Smith and Eddie Murphy as the donkey in the Shrek movies. It wasn't as chic a thing to do back in Disney's day, still Walt came up with several good ones like young Dickie Jones as Pinocchio, Walter Catlett as J. Worthington Foulfellow, Frankie Darro as Lampwick, and most important Cliff Edwards as Jiminy Cricket.
These folks lend their voices to one of Disney's best musical scores with Catlett making immortal the thespians ballad An Actor's Life For Me, Jones celebrating the fact he's been liberated from all manner of restraint with I've Got No Strings and Cliff Edwards talking about his new responsibilities as the puppet boy's conscience in Give A Little Whistle.
Most important though is the Academy Award given to that most plaintive song of yearning When You Wish Upon A Star as introduced by Cliff Edwards. Edwards was a major performer in the Twenties and early Thirties with his ukulele Ike character and introduced many popular songs like It's Only A Paper Moon and Singing In The Rain. But he had come up on hard times with a lot of substance abuse problems when Walt Disney offered him the part of Jiminy Cricket's voice. The movie Pinocchio and the songs he sang there resurrected his career and even when down and out, Edwards could always get work at the Disney Studio because of Jiminy Cricket's enduring popularity.
Animation never really dates and the best animation in the world was pioneered at Disney Studio. People can see Pinocchio on the same bill as Shrek even today and I daresay the audience would be equally responsive.
And you can appreciate Pinocchio today as much as your grandparents and great grandparents did through the magic of YouTube or Amazon. If not wish upon a star and fate will step in and see you through.
This is absolutely, without a doubt one of the best movies ever made. Keep in mind, this movie is only the second feature length animated movie. This is Walt Disney's masterpiece. It's filled with vibrancy and charm. It goes to dark places, and takes so many risks. For me though, every single one of them pay off. Pinocchio is so gullible and charming, and Jiminy Cricket is one of the best mentor characters ever put to film. I love this movie, because I actually care about these characters. They're written in a way that is unbelievably amazing, the script is phenomenal, and the incredible performances, help too. The musical numbers are fun and beautiful. This movie can shift emotions so easily, it goes from heartwarming, to heartbreaking. I remember as a young kid, I really didn't like this movie. It wasn't until I was age thirteen, that I recognized how beautiful this movie was. Everything about this movie is outstanding. If I were to recommend only five films, this would be one of them. Sheer cinematic bliss.
Le saviez-vous
- AnecdotesFigaro was Walt Disney's favorite character. Disney pushed for the kitten to appear in the film as much as possible. After the film, Disney swapped Minnie Mouse's pekingese Fifi with Figaro, starting with First Aiders (1944). Figaro also got his own series of cartoons, beginning with Figaro and Cleo (1943). He would have four cartoons of his own, two appearances in the "Pluto" cartoon series, and appear in the promotional animated wartime short All Together (1942).
- GaffesWhen Pinocchio plays with the candle he burns his left hand, but Geppetto puts Pinocchio's right hand into the water.
- Citations
The Blue Fairy: A lie keeps growing and growing until it's as plain as the nose on your face.
- Générique farfeluNone of the actors in this film are credited.
- Autres versionsThe 1954 re-release marked the last time the film was distributed by RKO. After that, it was replaced by the logo for Buena Vista Distribution Co. (Disney's in-house distribution arm). The original 1985/1986 home video release hides the original RKO logo. The 1993 VHS release and 1999 DVD features the Buena Vista logo. Its original RKO logo's fanfare was restored in the 1993/1999/2000 home video releases. However, the 2003 UK DVD release, the 2009 Platinum Edition and current releases restored the original RKO logo, but they include reissue credits, as reference to Technicolor should have read "in Technicolor" but not just "Technicolor", and the current 2006 Walt Disney Pictures logo only appears at the end of the film.
- ConnexionsEdited into Bambi (1942)
- Bandes originalesWhen You Wish Upon A Star
(1939) (uncredited)
Music by Leigh Harline
Lyrics by Ned Washington
Performed by Cliff Edwards and Chorus during the opening and end credits
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Pinocho
- Lieux de tournage
- Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, Californie, États-Unis(Walt Disney Productions)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 600 000 $ US (estimation)
- Brut – États-Unis et Canada
- 84 254 167 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 769 251 $ US
- 25 déc. 1984
- Brut – à l'échelle mondiale
- 121 892 045 $ US
- Durée1 heure 28 minutes
- Rapport de forme
- 1.37 : 1
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