I Was an Adventuress

Writing a review is easy, but rating it isn't that easy. One way to rate a movie is to freeze the brain, and look whether the movie is enjoyable or boring, or could be seen, with portions skipped / fast-forwarded.

On this scale this movie is above average (my 7*, may be another half). The pace is good, the story, though quite predictable, has some fresh episodes, for example towards the end, the heroine conning her mentor, or even afterwards, the one upmanship of the same mentor on the heroine to carry out the jewel heist. Of course there is another 'ethical' angle of the heroine. She, though the honey-bait, of the racket, but legally, she did all her transactions purely above board, and in quite an ingenious way. When she sold the false-antique, she declared openly and vociferously that it was not real, but the greedy buyer though otherwise. And in addition to good performance by the heroine, Vera Zorina, and her ballet in the end, there was brilliant comedy by Peter Lorre, the second side-kick, the first being Zorina, of the mastermind, the sinister Stroheim. With above average performance by these three, around which the story revolved, the others didn't matter much, and Richard Greene, the love interest, didn't have much role, than being the eye-candy of the piece, and he didn't hurt.

The second way to look at the movie and rate them is through critical analysis, forgetting the enjoyable-ness of it. On this, this movie would be quite below average. It has quite a bit of large loop-holes and gaffs . For example, the society page, declaring the return of the new couple, was in English, in a french news paper, that would have been OK, had it been a notice. But it was the society tit-bits, not the notice put by the family.

Similarly, the great mastermind being unaware of his protege marrying, and that too one of the top ten richest men of the continent, in addition any one would have guessed her chances, was a blot on his intelligence, and mine, if I didn't notice it. Similarly, the sudden discovery of the fact too was a bit far-fetched. Which he should have in the beginning itself, when he traced her in the ballet, after all, being the wife of the big-man, she would have been well known. A few days search, and some chance encounter, it would have been alright, but then he would have missed the chance of heist, which was necessary to close the movie.

On this scale, naturally the movie, balancing for the plus (the intelligent heist plans, which are actually brilliant, and not fault-able) and the minus (the loopholes), probably it would fall in the 6* or a bit less category.

Close the logical portion of the brain, and enjoy, it is enjoyable. .

Vera Zorina was a professional dancer, practically born with her ballet shoes on, and she made a double career as both dancer and film star. Here she is teamed with a pair of matchless scoundrels, Erich von Stroheim and Peter Lorre, in the burglary and swindle business, making an art of their cheating, until she meets Richard Greene who sees her through but nevertheless falls in love with her. She is of the same kith as Carole Lombard, irresistible charming and beautiful and artful at the same time, and even if Richard Greene is totally honest and impossible to cheat, you must understand his falling under her spell irrevocably. The story is a great comedy with many farces and hilarious turns with many people involved, the comedians tending to constantly increase in numbers and attention, and there are some great ballet sequences as well. Concerning the finale of "Swan Lake", that is ballet that always is given a different end every time it is performed, and it would be nice to sometime learn how the story actually goes. Tchaikovsky's music is used of course, I don't think any great composer's music has been made more use of in films, which adds to the gilded performance. It's not a great film but a great comedy, on par with Ernst Lubitsch's best, and it is impossible not to enjoy it thoroughly.

"Lubitsch lite" might be the best description of this beguiling romantic comedy. Its charm relies to a surprising extent on the effervescent chemistry between its two male stars, Peter Lorre and Erich von Stroheim. These are not the most likely of sidekicks, but you'd be surprised how deftly these two play off one another, like a Mittel European Laurel and Hardy, as the cherubic kleptomaniac Polo (Lorre) and his sly con-artist buddy Andre (Stroheim). It's easy to imagine a series of comedy adventures based on Polo and Andre--actually, Stroheim and Lorre make a more entertaining duo than Lorre and Greenstreet. The lovely Zorina keeps up with them beautifully, as well as delivering a very photogenic performance in the "Swan Lake" ballet sequence (choreographed by her husband, George Balanchine) which anticipates "The Red Shoes" in its dynamically cinematic, semi-surreal style.

It's such a pity that this charming film is so difficult to find. It's one of the many wonderful classic films that should be available on video, but seems to have been regrettably tossed aside.

Funny and sophisticated, it never ceases to make me laugh. Peter Lorre and Erich von Stroheim are a perfect pairing. After seeing this, Stroheim became my other favorite actor, next to Peter Lorre. They're both such great actors (my two favorites, actually), and they work together splendidly and comically. Really, there should have been so many more movies starring this duo of striking, charming gentlemen.

Vera Zorina, as the female accomplice to the two crooks, and Richard Greene, as an upperclass man she falls in love with, are both quite good as well. I recommend it to anyone who's lucky enough to get a chance to see it.

It's one of the few times that Peter Lorre gets to play a character who is funny, cute, sweet - someone the audience, and the characters in the movie, are supposed to love. Sure, he's a kleptomaniac, but he can't really help it -- no one, besides the ill tempered Andre, can stay angry at him for long. (In one of the final scenes, Paul Vernay, Richard Greene's character, can't help but grin and laugh to himself as he realizes the charming kleptomaniac has acquired most of his possessions once again.)

I give this witty film a well-deserved 10/10.

Yet further evidence that early forties Hollywood was awash with talent courtesy of Hitler. Can there ever have been a more succulent pair of rogues than Erich von Stroheim and Peter Lorre?

Even Vera Zorina seems to have been enjoying herself as the 'I' of the title. Of the concluding travesty of 'Swan Lake' the less said the better; but fortunately the final shot goes to Lorre.