The Man from Morocco

1945
Approved
1h 56m

ÉVALUATION IMDb

MA NOTE

Ajouter une intrigue dans votre langueA story of war, mystery, love and adventure following a group of members of the International Brigade and their artist captain fighting in the Spanish Civil War who undergo internment in a F... Tout lireA story of war, mystery, love and adventure following a group of members of the International Brigade and their artist captain fighting in the Spanish Civil War who undergo internment in a French camp, forced work in the Sahara, carrying vital information to England and fighting ... Tout lireA story of war, mystery, love and adventure following a group of members of the International Brigade and their artist captain fighting in the Spanish Civil War who undergo internment in a French camp, forced work in the Sahara, carrying vital information to England and fighting a Nazi espionage web which will eventually take the captain back to Morocco, while searchi... Tout lire

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

5,6/10

MA NOTE

Voir l’information sur la production à IMDbPro

Photos

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Anecdotes
Screen debut of Harold Lang, as an uncredited extra.

Gaffes
In constructing a railway line across a desert a supply engine pulling two trucks arrives at the head of the line. It leaves on the return journey without the trucks. It's not only got round them without the use of points and a second line but has been turned round.

Bandes originales
Marching on for Freedom
Music by Mischa Spoliansky
Lyrics by Phil Park

Commentaires des utilisateurs4

Commentaire

Commentaire en vedette

7/10

Morocco Bound

To adapt the venerable football cliche, this might be described as a film of two halves. It starts as a sober anti-fascist story of a group of defeated International Brigade troops fleeing Spain only to end up in an internment camp in Vichy France, leavened with comic relief from jovial professional Scotsman, Peter Sinclair (billed on the Variety circuit as The Cock O' The North). In the latter stages it turns into a more familiar melodramatic thriller, losing in credibility while gaining in pace. Stars Anton Walbrook and Margaretta Scott are sympathetic and convincing, while veteran Reginald Tate is inclined to chew the scenery as a villain tending to pop up in the unlikeliest of places. A relatively high rating for period interest and entertainment value.