Ship Ahoy

I just love this movie! Red Skelton has always been one of my favorites, and Miss Powell's dancing is fabulous. My family's favorite part of this movie, however, is VIRGINIA O'BRIEN! Known for her deadpan facial expressions, she outdoes herself while singing the song Poor You. (Pay attention to the lyrics - so funny!) We have to rewind this part of the movie several times just because she is so ADORABLE! And the reactions by Bert Lahr are priceless. The music is good, the plot okay, but who cares? Miss Powell is gorgeous and the love story is cute. And it's a treat to see a young Frank Sinatra. One of my favorites.

ELEANOR POWELL was in top tap-dancing form when she made SHIP AHOY! with RED SKELTON as her bumbling co-star and BERT LAHR for some added laughs, along with VIRGINIA O'BRIEN.

It's a daffy story about a gal asked to transport a magnetic mine aboard a ship to San Juan, Puerto Rico during World War II when Nazi spies were rampant in films of this sort. Her mission is soon in peril and the rest of the plot has her managing to stave off the bad guys with the help of Skelton and Lahr.

Worthwhile really only for the dancing talents of ELEANOR POWELL, who does a specialty number involving Buddy Rich on the drums that has to be seen to be believed. And watch for the young FRANK SINATRA singing with Tommy Dorsey and his Orchestra.

It's a minor MGM musical comedy that deserves at least one watch.

"Ship Ahoy" is one of MGM's minor musical comedies of the early 40s with a simple plot, great dance numbers by Eleanor Powell and comedy antics by Red Skelton supplemented by the music of Tommy Dorsey's orchestra which includes Buddy Rich and a young Frank Sinatra. Fun added by Bert Lahr and Smile-less Virginia O'Brien. This film is fun to watch!

As the story in my family goes, my dad, Milton Raskin, played the piano for the Dorsey band. After Sinatra joined the band, my dad practiced with him for hours on end. Then, at a point in time, my dad told Sinatra that he was actually to good to be tied up with such a small group (band), and that he should venture off on his own. By that time Sinatra had enough credits 'under his belt' to do just that! Dorsey never forgave my dad, and the rest, as they say, is history.

I have some pictures and records to that effect, and so does Berkley University in California.

I have seen just about every Sinatra movie more times than I wish to say, and his movies never get old . . . Thank you Frank

As with most of Eleanor Powell's films, this one plays out along the flimsiest of plots. For some reason -- oh it is explained! -- she's selected to transport a magnetic mine to Cuba. Good guys and bad guys compete for the mine and who is who gets confusing. But, as always, Powell's dancing is superb and worth the price of admission. And in this one Lahr plays his cowardly lion, evoking warm memories of that Technicolor film of 1939. A fringe benefit is hearing a young Frank, with that wonderful voice and skinny vulnerability that he abandoned for his wise-guy persona later on. In addition, the great drummer, Buddy Rich, has a wonderful time displaying his virtuosity. Watch particularly for his unique duet with Dorsey's trumpet man, Ziggy Elman. I say "unique" perhaps in ignorance, but I know of no other drum/trumpet sequence like this one on film or records. This film is fun. Even Skelton's goofy persona is relatively restrained. Powell shows again that she is the greatest film dancer ever.