Roxie Hart

Wow this was one funny lady of her day. Can you imagine transforming yourself from a dancer into a physical comedienne? She did it and did it well.

Basically what we get is a murder committed by Roxie's husband out of jealousy but a ruthless promoter tells her if she confesses to it she can't possibly go to jail or get convicted cause she's a woman and she's in Chicago and no woman ever gets convicted in Chicago. Plus, it'll help her dancing career.

From here on it's just fun hi-jinx and a really spiffy dance number in the jail with the whole cast getting involved.

Your gonna get some quick wit, a cool dance number and Ginger Rogers. That's enough for me...should be enough for you.

It's a wonderful irony that the non-singing original Roxie Hart, so familiar from the stage show and movie of 'Chicago' was played by one of the top musical stars of the '30s - Ginger Rogers.

And how she sells it - she could so have topped Renee, good as she is, had the musical have been available then.

But the 'straight' play is well worth a look. Adolphe Menjou never disappoints, and gives the tastier Richard Gere a lesson in character acting.

Another in the wonderful, scathing films of my Hollywood at its best, satirising itself and the media, along with 'His Girl Friday', 'The Stand-in', and, in more serious vein, 'Citizen Kane'.

I just purchased the DVD of "Roxie Hart"- In my opinion it is not a classic film. The direction seems a bit clunky, and it takes a bit to get a feel for the movie.

Once that has been conquered, it is really a great ride, particularly for Ginger Rogers fans. It really is a tour-Der-force for her, and she's able to demonstrate her comic ability. She also has a couple of dance numbers, one of which is a tap piece that would make anyone appreciate her talent. It may be short, but it's great to watch.

Time and countless remakes have taken the bite out of the satire part of the film. The best way to approach it is as a straight comedy.

As such, it works very well. In fact, I was reminded of the "To War" segment of the Marx Brother's Duck Soup when the press corp broke into dancing the Black Bottom (don't get me wrong -- no comedy can cast a shadow on that classic) If you don't like Ginger Rogers, this won't change your mind. But even a casual fan should enjoy this.

The DVD picture and sound are really pristine, with rich black and white and clear audio.

This very entertaining movie goes a long way to show that Ginger Rogers was much more than a dancing partner for Fred Astaire. She displays wonderful comedic timing and delivery and shines in every scene. And, yes, she does do a little dancing. Adolph Menjou again displays his considerable talent and range as her attorney, though at times he is a bit over the top. George Montgomery was quite a pleasant surprise. The supporting cast is superb. Any viewer who has seen 'Chicago' must see this version of the Roxie Hart story. Granted it is shorter, but this film seems to move at a smarter pace. The dialogue was funnier and, to me, there were fewer slow spots than this century's version. Enjoy!

Here is a fast paced and sassy treatment of the same true story that inspired the recent movie musical "Chicago" with Zeta-Jones and Zellweger. I have great admiration for Ginger Rogers, so when I saw Chicago I went straight to the library and borrowed this one.

The remarkable thing is that the makers of Chicago clearly studied this film in great detail. Both movies come from the same book and stage play, so the commonality in dialogue is easily explained, but the sets and costumes and camera angles are virtually identical.

With the exception of one song and dance number in Roxie Hart (which incidentally is NOT in Chicago), and a quick tap dance later on, this is NOT a musical. It stays in the real world and does not constantly segue to fantasy musical versions of the events in Roxie's mind, as Chicago does. Accordingly, it has more straight dialogue, and what witty dialogue it is! Had me laughing start to finish.

This is also a good chance to see some old character actors in their prime, doing what they do best.