Ajouter une intrigue dans votre langueDagwood loses his job on the eve of his and Blondie's fifth wedding anniversary.Dagwood loses his job on the eve of his and Blondie's fifth wedding anniversary.Dagwood loses his job on the eve of his and Blondie's fifth wedding anniversary.
Hal K. Dawson
- Eddie
- (scenes deleted)
Chuck Hamilton
- Policeman
- (scenes deleted)
Eugene Anderson Jr.
- Newsboy
- (uncredited)
Stanley Andrews
- Mr. Hicks
- (uncredited)
Hooper Atchley
- Man on Bus
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe first of twenty-eight Blondie movies, all starring Penny Singleton as Blondie Bumstead, Arthur Lake as Dagwood Bumstead and Larry Simms as Alexander "Baby Dumpling" Bumstead released by Columbia Pictures from 1938 to 1950.
- GaffesThe paper boy's bag reads the "New York World", yet the newspaper shown is clearly the Hollywood Citizen-News.
- ConnexionsFeatured in L'apprentissage de Duddy Kravitz (1974)
Commentaire en vedette
Singleton and Lake-- a marriage made in comedy heaven. Here they get the movie series off to a rollicking start. Poor Dagwood. He needs a raise from tight-fisted boss Dithers or the Bumstead livingroom will turn into an empty container. Worse, Blondie thinks he's having an affair when all the evidence conspires against innocent hubby. Good thing for Dagwood there's a broken down vacuum cleaner that cleans up the mess. Meanwhile, Baby Dumpling tries to stay out of punishment corner, while four-leg Daisy grabs all the food. Just another week in 1930's white-collar suburbia.
First-rate pacing from director Strayer. The threads never sag, while mild gags combine effortlessly with snappy dialog. It's a delightfully addled Dagwood and a humorously patient Blondie. Amazing how a studio cheapo like this so delightfully out-performs bigger budget comedies of then and now. I guess my only misgiving is with the rather dramatic upshot, but that's just a minor matter of taste. Anyway, kudos all around to a charming 70-minute Columbia production that you might think came out of the 1950's. Uh oh! I better stop now and take out the trash or the wife will have me joining Dumpling in the corner.
First-rate pacing from director Strayer. The threads never sag, while mild gags combine effortlessly with snappy dialog. It's a delightfully addled Dagwood and a humorously patient Blondie. Amazing how a studio cheapo like this so delightfully out-performs bigger budget comedies of then and now. I guess my only misgiving is with the rather dramatic upshot, but that's just a minor matter of taste. Anyway, kudos all around to a charming 70-minute Columbia production that you might think came out of the 1950's. Uh oh! I better stop now and take out the trash or the wife will have me joining Dumpling in the corner.
- dougdoepke
- 22 juin 2018
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Détails
- Durée1 heure 10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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