Ajouter une intrigue dans votre langueIn early 19th century France, an ex-convict who failed to report for parole is relentlessly pursued over a 20-year period by an obsessive police inspector.In early 19th century France, an ex-convict who failed to report for parole is relentlessly pursued over a 20-year period by an obsessive police inspector.In early 19th century France, an ex-convict who failed to report for parole is relentlessly pursued over a 20-year period by an obsessive police inspector.
- Nommé pour 4 oscars
- 1 victoire et 4 nominations au total
- Bishop Bienvenue
- (as Sir Cedric Hardwicke)
- Little Cosette
- (as Marilynne Knowlden)
Histoire
Le saviez-vous
- AnecdotesFlorence Eldridge, who plays Fantine, was Fredric March's wife in real life. They were married from 1927 until March's death in 1975.
- GaffesValjean's coat and cloak have dirt on them while he's drenching his horse at the White Sergeant, but are clean before and after that.
- Citations
Jean Valjean: How do you know I won't murder you in the night?
Bishop Bienvenu: [remains calm] Well, how do you know I won't murder you?
Jean Valjean: Nah...
Bishop Bienvenu: You have faith in me it seems. And I must have faith in you, musn't I? Good night.
- Générique farfeluPrologue: "So long as there exists in this world that we call civilized, a system whereby men and women, even after they have paid the penalty of the law and expiated their offences in full, are hounded and persecuted wherever they go - this story will not have been told in vain." Victor Hugo
- ConnexionsFeatured in Minute Movie Masterpieces (1989)
Fredric March and Charles Laughton work very well as the leads. March seems well-cast as Jean Valjean. He's a character that's very hard to do justice to, but March does about as well as anyone could in bringing out some of the thoughts and anxieties inside him. As Javert, Laughton is a less obvious choice for the role, but he shows enough restraint to do a good job in communicating the inspector's intransigent devotion to a narrow set of beliefs. While you could hardly expect the complexity of the novel, the scenes with the two of them work well in bringing out the basic contrasts in their personalities and perspectives.
The other characters are pushed more into the background, and many of their stories are only partially developed. Accordingly, they are portrayed by a solid but generally unremarkable supporting cast. The screenplay focuses on Valjean and Javert, with the other characters usually coming into play only insofar as they relate to the stories of the other two. No doubt that is a disappointment to those who admire the interesting lives and well-developed personalities that Hugo wrote for them, but it seems hardly avoidable in a regular-length film feature.
For an attempt to convey the central characters and themes of the story, this works pretty well, and it is a classic worth seeing. Those familiar with the novel should at least be able to appreciate March and Laughton for bringing their characters to life, and those who have not read the novel should find it a worthwhile introduction to the story.
- Snow Leopard
- 15 nov. 2004
- Lien permanent
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Détails
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 1.37 : 1