Shoulder Arms

One of Charlie Chaplin's very best shorter features, "Shoulder Arms" is a wonderful combination of comedy, commentary, and adventure. Charlie plays a soldier who heads off to World War I, and in the course of 40 minutes or so, it provides a light-hearted but in many respects believable portrayal of what life was like in the trenches. The story also combines some fine slapstick with some exciting adventures.

In this movie, Chaplin hits the perfect balance between humor and substance, helping us to sympathize with those who bore the burdens of the war, without ever becoming sentimental. The other characters are nicely conceived and acted, with the engaging Edna Purviance, the versatile Syd Chaplin, and other talented supporting players pitching in.

The story has many creative turns, plus a couple of good surprises. It's great entertainment, and thoughtful as well. Make sure to take a look if you enjoy Chaplin or silent comedies in general.

In these modern times (as subject known quite well to the director of the short film that this German count is going to talk about…), politically correct films are the "leitmotiv" of the modern young filmmakers' projects. "Shoulder Arms" directed by Herr Charlie Chaplin during WWI (the film was released only a few weeks before the armistice) is an obvious example of why the early cinema pioneers were a very bold people, certainly! To direct a humorous film inspired in the terrible, bloody First World War was a complicated matter that only few directors with those dangerous and daring ideas could be allowed to do… to venture upon such delicate enterprise and with success was reserved only to geniuses.

As this German count said, "Shoulder Arms" was made during WWI, that time in where definitely the whole world lost its innocence (fortunately not the German fat heiresses of this aristocrat…) and it is a hilarious, inventive social satire about that and any war. The film it is full of great gags and entertaining film continuity for a story in where that tramp will live though risky and courageous adventures in the front …whether a hero for the allies… or not.

To mock the war trenches, the unhealthiness, the frontal attacks and the Germans (how you dare!!... by the way, there are a lot of inaccuracies in the film … the German soldiers by that time had moustaches and longer beards not to mention that the Kaiser lacks many medals in his uniform…) in an elegant, funny and delicate way it is even today a film miracle impossible of being surpassed. Keeping in mind those terrible wartime circumstances, the difficult task is only possible thanks to a lot of creativity and talent. Obviously Herr Charlie Chaplin had very much of it.

And now, if you'll allow me, I must temporarily take my leave because this German Count must go back to the Schloss trenches.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.

"Shoulder Arms" proved to be Chaplin's most popular film, critically and commercially, up to that point. This is understandable given the interesting themes and visual gags. The tree is pretty funny, and the underwater sleeping arrangements are amusing.

What I find particularly interesting about this film's success is how it seems to be now more or less forgotten. I mean, of course any Chaplin film or silent comedy fan will know it. But compared to "The Kid" or "Modern Times" or "City Lights", it is far removed... is this now even one of the top ten most popular Chaplin films?

One of the prices of superstardom is that you have to become adaptable. When the US joined the World War in 1917 Charlie Chaplin was at the height of his popularity. Naturally, he was expected to make some sort of contribution. Chaplin had already set his short films in all sorts of locations, even at different time periods, and had given his little tramp all manner of occupations, so soldiering in the trenches shouldn't have been too big a step. However, Shoulder Arms is, if not a propaganda piece (it was released a bit late for that), at least one that had to have a certain outlook. As a result Chaplin was constrained somewhat, and it shows.

The first half of the picture, which is set during Charlie's training and among his comrades in the trench seems a little muted compared to other Chaplin pictures of this period. The reason for this is clear – it wouldn't have had the right effect if there were seen to be too much antagonism between soldiers. Characters like the burly drill sergeant or Charlie's buddy (played his brother Syd) would make ideal bugbears in any other picture, but here all we get is a bit of appropriately brotherly tussling between Charlie and Syd. When you see how weak these opening ten minutes are you realise how much of Chaplin's comedy depended upon playing off others and pricking pomposity.

Fortunately, Chaplin gets to make up for all this when his little tramp goes out to face the German foe. Here he can go all out with making his enemies look ridiculous, getting the most out of his varyingly-sized supporting players. We have Henry Bergman as a roly-poly German, Albert Austin as a gangly one, and best of all Loyal Underwood as a short but self-important German officer. This is Underwood's finest moment, and he really puts a lot of energy and spirit into the part. And Chaplin gets to set up some great routines, with some ingenious ways of defeating foes, not to mention one of his best ever entrances when he appears out of the landscape in his tree disguise.

And Chaplin was clearly savvy enough to realise that the beginning of the picture contained some fairly poor material. Consequently he edits in a handful of shots of antics in the German trench (with Underwood at his most animated), which serve as nothing more than a little touch of uproar, and a promise of things to come.

And now we must have that all-important statistic – Number of kicks up the arse: 7 (1 for, 0 against, 6 other)

It's a comedy about the trench warfare just as WWI is about to come to an end. Charlie Chaplin is a doughboy in boot camp. In a series of scenes, he defeats many Germans. Then he wakes up.

It's a pretty long film at 45 minutes. There are some pretty funny scenes. The limburger cheese gag is somewhat weak. Capturing the 13 Germans could have used more slapstick. I do love the part where he's in enemy territories disguised as a tree. The Germans try to chop him down for firewood. That is by far my favorite part. The movie's success probably had a lot to do with the timing and the subject. However I can see the immense risk Chaplin was taking by making a comedy about trench warfare.