L'histoire de Fred Hampton, président de l'Illinois Black Panther Party, et sa trahison par l'informateur William O'Neal.L'histoire de Fred Hampton, président de l'Illinois Black Panther Party, et sa trahison par l'informateur William O'Neal.L'histoire de Fred Hampton, président de l'Illinois Black Panther Party, et sa trahison par l'informateur William O'Neal.
- A remporté 2 oscars
- 45 victoires et 85 nominations au total
Avis en vedette
Back to a time where The FBI, led by J Edgar Hoover is more concerned with The Black Panthers, than the Russians and Chinese. A car thief is corrected into infiltrating The Organisation and reporting back.
This is an incredibly powerful story, a fascinating point in America's history. This film is not afraid to show the violence, racism and prejudice that was very real. It doesn't shy away from showing the brutality, the misery faced by people of colour.
Uncomfortable at times, but it's a gripping watch, this film will hold your attention throughout, it's one of those that passes by, without you questioning the running time.
Shaka King's direction is spot on, this film moves by at a real pace. The cinematography and music are phenomenal, especially the latter.
Daniel Kaluuya, he's one of those people I'm convinced will one day own a string of Oscars, an awe inspiring actor, and naturally he does it again here with a spellbinding performance. Huge credit also to LaKeith Stanfield, marvellous also.
I figure this film may not be to everyone's taste, but I'd certainly recommend it, it really does tell a powerful story. It's inspired me to do a little research and reading of my own.
9/10.
This is an incredibly powerful story, a fascinating point in America's history. This film is not afraid to show the violence, racism and prejudice that was very real. It doesn't shy away from showing the brutality, the misery faced by people of colour.
Uncomfortable at times, but it's a gripping watch, this film will hold your attention throughout, it's one of those that passes by, without you questioning the running time.
Shaka King's direction is spot on, this film moves by at a real pace. The cinematography and music are phenomenal, especially the latter.
Daniel Kaluuya, he's one of those people I'm convinced will one day own a string of Oscars, an awe inspiring actor, and naturally he does it again here with a spellbinding performance. Huge credit also to LaKeith Stanfield, marvellous also.
I figure this film may not be to everyone's taste, but I'd certainly recommend it, it really does tell a powerful story. It's inspired me to do a little research and reading of my own.
9/10.
When I saw "The Trial of the Chicago 7" less than a year ago, I commented that there was likely a more interesting movie to be made about Fred Hampton. Well, here it is! This film avoids all the traps of traditional biopics. Its tight timeline and electric performances distinguished it from similar stories that wind up feeling like nothing more than historical dramatization. I knew how this movie would end. I knew the basic story of the main character. And yet I hung on every moment. Kaluuya is that good, and Stanfield is that good. More importantly, the filmmakers are smart enough to figure out that this could be a story of betrayal, advocacy, loyalty, and fear...something that transcended one person's story. What results is something both universal and uniquely relevant to the present day. This movie deserves whatever awards it wins.
The FBI, led by J. Edgar Hoover, is focused on taking down the Black Panther Party and other leftist movements. Agent Roy Mitchell (Jesse Plemons) pushes car thief Bill O'Neal (LaKeith Stanfield) to be his informant and to infiltrate the Illinois chapter of the Black Panther Party. It is led by charismatic Chairman Fred Hampton (Daniel Kaluuya) who is trying to improve Chicago and battle the racist police force.
There is an obvious connection to today's events. It's of its time and the present-day time. It's definitely taking a point of view but one can't really argue against it. For sure, it's slanted. Roy Mitchell is the key to finding balance but Jesse Plemons doesn't give him enough depth. He has one fascinating talk about Emmett Till. That's an interesting road to go for that character but it feels like he stops short. He turns into just another callous racist cop when he could be deeper. As for the other characters, Stanfield is the standout and Kaluuya is the saint. Both are great in their roles. This is a very compelling story and its relevance makes it more powerful.
There is an obvious connection to today's events. It's of its time and the present-day time. It's definitely taking a point of view but one can't really argue against it. For sure, it's slanted. Roy Mitchell is the key to finding balance but Jesse Plemons doesn't give him enough depth. He has one fascinating talk about Emmett Till. That's an interesting road to go for that character but it feels like he stops short. He turns into just another callous racist cop when he could be deeper. As for the other characters, Stanfield is the standout and Kaluuya is the saint. Both are great in their roles. This is a very compelling story and its relevance makes it more powerful.
Amazing acting n top notch cinematography.
From the beginning and as the synopsis suggest, we as audiences are already informed about the ending but the real deal is the way it happened in reality, that really shook me up man.
This movie aint par with The Trial of the Chicago 7 as far as entertainment is concerned but it is definitely very informative and made me read about the trials n tribulations the African Americans faced. These fellas are the true champions of everything in life.
From the beginning and as the synopsis suggest, we as audiences are already informed about the ending but the real deal is the way it happened in reality, that really shook me up man.
This movie aint par with The Trial of the Chicago 7 as far as entertainment is concerned but it is definitely very informative and made me read about the trials n tribulations the African Americans faced. These fellas are the true champions of everything in life.
So let's start with the good. The cinematography and period setting is top notch and really puts you in the era. The acting is very good and helps with holding together a porous story.
Now for the bad. I really really wanted to love this movie. But...If you're looking for a biopic of Fred Hampton, this ain't it. Plain and simple. If you're looking for a movie that tells you more than you already knew about an understated important figure in black history, again this ain't it.
What you will get is a movie about an FBI informant who's motives are questionable at best, that happens to have Fred Hampton featured in it. If you're not versed in the names of people in Hampton's inner circle, you will be confused and have a hard time remembering who's who, as characters come and go constantly, with virtually no character development.
The movie is entertaining for the most part as the acting is quite good. But the story itself is all over the place and some scenes are longer than they need to be. You won't know much more about the great Fred Hampton, than you did before you watched this movie. It's too bad because I was waiting for this one.
People will trip over themselves to give this positive marks, but as a student of history and someone who loves a good drama in a period piece, this movie missed a great opportunity for sure.
Now for the bad. I really really wanted to love this movie. But...If you're looking for a biopic of Fred Hampton, this ain't it. Plain and simple. If you're looking for a movie that tells you more than you already knew about an understated important figure in black history, again this ain't it.
What you will get is a movie about an FBI informant who's motives are questionable at best, that happens to have Fred Hampton featured in it. If you're not versed in the names of people in Hampton's inner circle, you will be confused and have a hard time remembering who's who, as characters come and go constantly, with virtually no character development.
The movie is entertaining for the most part as the acting is quite good. But the story itself is all over the place and some scenes are longer than they need to be. You won't know much more about the great Fred Hampton, than you did before you watched this movie. It's too bad because I was waiting for this one.
People will trip over themselves to give this positive marks, but as a student of history and someone who loves a good drama in a period piece, this movie missed a great opportunity for sure.
Director Shaka King on 'Judas and the Black Messiah'
Director Shaka King on 'Judas and the Black Messiah'
IMDbPro teamed up with the Sundance Film Festival to spotlight some of the talented artists at the 2021 festival. Learn more about Judas and the Black Messiah and the artist behind the camera, Shaka King, in our spotlight interview series.
Le saviez-vous
- AnecdotesDirector Shaka King has described the initial idea for the film as "Agents troubles (2006) inside the world of COINTELPRO (Counter Intelligence Program)." He thought it was a clever way to "sort of Trojan-horse a Fred Hampton biopic and introduce the world, you know, a great segment of the world who is unaware of who he was, and is highly unaware of the Panthers' politics and ideology."
- GaffesThe movie's ending sequence includes an information card implying that William O'Neal committed suicide after his PBS interview aired, on 15 January 1990. That isn't accurate. The PBS series 'Eyes on the Prize' did debut on that date, but the O'Neal interview did not air until 9 February, three and a half weeks after O'Neal's suicide. No one knows why O'Neal chose kill himself on 15 January, and his family disputed that his traffic fatality was a suicide. They claimed it was an accident.
- Citations
Fred Hampton: Politics is war without bloodshed while war is politics with bloodshed
- Bandes originalesThe Inflated Tear
Written by Rahsaan Roland Kirk
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Judas y el mesías negro
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 478 009 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 027 076 $ US
- 14 févr. 2021
- Brut – à l'échelle mondiale
- 7 478 009 $ US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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