Goo chak

This movie has so many loopholes that I shook my head in pity for the director's work. Below par. It did not make sense for residents to continue staying in a haunted house, without the question of the ghosts/spirits unsolved.

And it tried to pull a last minute trick to be a tear-jerker. Seriously? What did the movie tried to be? A ghost film or a sad movie?

The Lingering is a drama with mild horror influences and a very positive message. The story in three parts revolves around Dawa, a young boy who lives in an old family mansion with his caring mother Qingyi. One year, the family father doesn't come home for the New Year celebrations and the mansion gets haunted by a mysterious spirit instead. As a young adult, Dawa leaves his devastated mother and the creepy mansion behind to move to a bigger city and get rich and famous. As an adult in his thirties, Dawa returns home with his girlfriend when he must verify whether the body of a drowned woman is his mother's or not.

The first twenty-five minutes taking place in the eighties and the final fifty-five minutes taking place in present-day are connected through some flashbacks that show character development and the negative progression of a complicated mother-son relationship. These connections offer some great ideas but are often lacking fluidity as they pop up randomly and are sometimes unnecessarily repetitive.

The movie's greatest strength is its message about spending time with your loved ones that is much more precious than any career that might provide money and fame. The film quietly criticizes the alienation, greed and selfishness of the contemporary Chinese society. This becomes most obvious when observing characters such as Dawa's self-centered business partner who likes to insert random English vocabulary in his sentences or the obnoxious real estate agent who goes as far as manipulating Dawa in order to force him into selling his family mansion.

The movie has a few mild horror scenes but is overall rather a family drama. The opening twenty-five minutes are quite atmospheric and have an authentic vintage spirit. Another highlight is the present-day scene at a hotel when Dawa and his girlfriend seem to get attacked by an evil spirit. The creepy scene in the hospital restroom also manages to grab attention.

The film's weakest element however is the story that has quite a few holes. It's never explained for instance whose spirit is haunting the couple in the hotel room. The movie ends with a twist that is supposed to be tearjerking but feels completely exaggerated.

In the end, you should watch The Lingering if you are in the mood of watching a family drama with some mild social criticism and a few horror elements. If you were simply expecting a creepy Asian horror movie, you might get disappointed however and should rather explore the Taiwanese The Tag-Along franchise.

With my fondness for the Asian cinema and Hong Kong cinema in particular, of course I jumped at the chance to get to sit down and watch "The Lingering". As if there ever was any doubt.

What directors Ho Pong Mak and Derrick Tao thought made an effective horror movie, was apparently using loud and sudden noises constantly. But 90% of the times there was nothing following these loud sudden scare sounds, which meant that it became a nuisance to bear witness to, and it didn't work in favor of the movie.

I don't know what kind of stale tea writers Edmond Wong and Dong Zheng were drinking while writing the storyline, because the storyline and plot was just ludicrous. Towards the end of the movie, when it was revealed what was actually going on, nothing up to that point made any sense - the strange happenings, the apparitions, and so forth. It was all just a random mess of nonsense.

They had an adequate cast ensemble to perform in the movie, just a shame that they had next to nothing to work with in terms of script, storyline and plot.

There was nothing scary about "The Lingering", aside from the fact that it all felt like it was just made up as directors Ho Pong Mak and Derrick Tao went along.

If you enjoy Hong Kong horror movies, then there are far, far better choices readily available, and I can't really think of a single reason of recommending this movie.

Acting and camera work was good. Story however is full of holes.

This film feels reminiscent of a fan-made project, lacking the polish of a professional production. The CGI was notably low quality, which detracted from the overall effect, though it wasn't entirely unexpected given the budget constraints.

The makeup was particularly flawed, with the wigs standing out as particularly unconvincing and distracting. The production set appeared to be thrown together with minimal investment, lacking the detail and craftsmanship that would elevate the viewing experience.

The casting choices were disappointing; aside from the actress portraying the mother, whose performance had some redeeming qualities, the rest of the cast was largely unfamiliar to me and delivered lackluster performances that failed to engage the audience.

While the musical score had its moments of effectiveness, it was overshadowed by a storyline that was shockingly poor. There were no explanations provided for the events unfolding on screen, leaving viewers feeling lost and frustrated.

Overall, I cannot recommend this film due to its numerous shortcomings.