Un monde d'illusions

This film is hard to watch for all the wrong reasons. The slow pace and general unfunniness represent a missed opportunity of such an amazing cast. If Charlie D. Is identifying as Charlie C. These day, he just needs to stop it. If Day put this project on hold to deliver this past season of Philadelphia, he has really just lost his way, and needs to surround himself with some new/fresh talent. Day's recent work (the past 5 years) is formulaic, as usual, but without the charm of his characters as their younger selves. The world seems to be maturing around Day, who struggles increasingly to make audiences laugh.

A mute John Doe (Charlie Day) is found in a mental institution with the capacity of a five year old. He is released into LA where he is picked up by a movie producer (Ray Liotta). The producer is tired of the star of his movie and intends to use our doppelganger John Doe as a stand-in to replace his star. Lenny (Ken Jeong) is a weasel "publicist" who mistakenly calls John Doe "Latte Pronto" due to the producer's coffee demands. Latte is on his way to becoming a big Hollywood star.

This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.

His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.

"Fool's Paradise" tries to be funny and entertaining. It tries. Charlie Day wrote & directed an homage to Buster Keaton and the Peter Sellers film "Being There," but he didn't deliver an entertaining film. It is meant to be a satire of who we make celebrities and how quickly our opinions can change. By the end, though, I just didn't care.

I love Charlie Day and thought he was perfectly cast to be the lead. His eyes portrayed his naivety perfectly, but he lacked the physical comedy and over expression that would have made this more entertaining.

What he needed was help. He needed a partner to help with both writing and directing duties. Someone to say "that's not funny" or "this scene makes no sense and needs a rewrite." I get what he was trying to accomplish and I hope it leads to more attempts by Charlie Day. But I hope the next attempts are better.

I've probably watched Always Sunny through 10 times and love satirical film, but the pacing was rough. Movie started out great, and then seemed to drag heavily in the last half. Some of the bits just got old and somethings just got played out. Plus, the film just kind of ended and didn't feel resolved at all.

I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.

This was like a very long, 98 minutes long and dragged out failed SNL sketch. I'm a fan of Charlie Day and he's a great comedian, but putting yourself in a funny film and choosing not to use your comedic trademark funny voice is what failed this film. And that's too bad, as it started out good, not laugh out loud good, but constant smiling and entertaining good. But you can only go so far on silent charm, and can only take so much satirical un-funny comedy. It was great to see the lovely Kate Beckinsale, and Jeong was his usual blast as well, and it was also great to see the late Ray Liotta doing his thing in what is probably the last film he made, but it's too bad this film was more of a flop than it was fun. The story was mostly long dragged out and incoherent nonsense that lacked any good comedy or sharp satire. It's a generous 4/10 for all the stars that I'm sure mostly donated their time for this mess.