Mob Town

If your in to learn about the history of the american mafia, this is unfortunately the wrong place to start. its inconsistent already from the start, and the story development feels like walking on starch to avoid drowning., the only positive to say about this flick is the collection of maity fine shining automobiles from the era.

the worst to say about this product must be the dialouges, they bark like john wayne and kirk douglas in their 1950's movies which means both how they say it and what they try to say. the cinematography are either standstill, or far too close up, and the fill in shoots of the environment are stolen from ''america in colours''.,

the grumpy old man felt stained by this doggybag product, i did think saban films knew better than this and its a no recommend from the flufilled north.

There's no drama, tension or action in this. It's goofy without being funny. There's no reason given why a group of mobsters should be arrested. It's explained later on what they charged with but... ugh. Lots of nice cars in this film though.

Interesting topic - the big meeting of mafia bosses in New York State back in the 50s. It is just hard not to laugh at how the police surveillance is portrayed.

I have a question so if you did so much research, why put the correct dates but in the movie is the middle of the summer?? Come on really?? Ever visited NY in November?? Is practically winter!! Jesus christ at least be accurate.

This is not bad enough to get only a 4 star. This is nowhere good enough to be a 7 star. This is a 5 or 6 star. Yes, it's low budget, but the cinematography is better than many with this kind of budget. Yes, they "steal" footage from old documentaries, but the imagery and colors from those pop in a nice way. The dialogue is good enough; not stellar, but not hardly too rough or clunky. The acting is good enough. The plot is already known, since it's based on history. To me, the biggest weakness is the over-long personal scenes that don't matter, like the fish-monger scene with tinges of Poor-Man's Tarantino. The love story and the domestic marriage scenes are extraneous too; they let the air out of what little tension this movie otherwise has.

This subject is tailor-made for a 20-30-million dollar project. This small project doesn't come close to exploiting that. Or even better -- a 3-episode limited series. Arquette isn't bad in it; it's hardly the worst perfomance of his career. Just don't go out of your way or pay any fees to watch this. It's not worth money to see.