ÉVALUATION IMDb
5,8/10
5,1 k
MA NOTE
Ajouter une intrigue dans votre langueSamantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.
- Prix
- 3 nominations au total
Katsiaryna Shulha
- Linda
- (as Caterina Shulha)
Histoire
Le saviez-vous
- AnecdotesIn this film and Donato Carrisi's previous film "Girl in the Fog" (2017) is the repetitive use of the number 23. The significance of the number 23, known as the "23 enigma" has been popularized by various books, movies, and conspiracy theories. Donato Carrisi's number 23 is used in his films as an unlucky number associated with murder, death, and danger. In Italian history, for example, the Roman general Julius Caesar was stabbed 23 times.
- GaffesWhen Genko goes and finds McInsky's van, there is a strong wind sweeping the front yard of the van. Looking at the right corner of the van, the bed sheets hanging on a rope are completely still.
- ConnexionsReferences Suspiria (1977)
Commentaire en vedette
A kidnapped girl is found 15 years after her abduction. A celebrated psychiatrist is trying to deal with her trauma and a retired detective who only has hours to live is ready to put it all on the line to find a vicious killer. Will he be able to succeed? And who is the real villain?
Donato Carrisi adapts his rather complex and at times convoluted plot to a film that makes surprising sense. That alone is an achievement. This is chronologically the third book in the series which makes it a particularly difficult adaptation. The good news - it works out well.
Writers rarely makes good directors. Carrisi is an exception. Choosing carefully his colour pallet he nods to the "giallo" sub-genre of the 80s and draws inspiration from the likes of Dario Argento (Suspiria). The whole movie feels like a dream-like sequence, although it is more procedural crime fiction than anything else.
What makes the movie feel focused is its great performances. Dustin Hoffman as Dr Green who is trying to get into the mind of a beautiful victim and Toni Servillo (THE GREAT BEAUTY) as a dying detective who has made it his life goal to catch the killer, carry the film on their shoulders. The story has an episodic structure and echoes heavily the SAW franchise, although, I am sure, Carrisi would be devastated to hear of the comparison. What he has been trying to create with his books (and films) is a serial killer cinematic universe. INTO THE LABYRINTH may not be the best start, but it definitely has the potential to becoming a mystery to remember.
Donato Carrisi adapts his rather complex and at times convoluted plot to a film that makes surprising sense. That alone is an achievement. This is chronologically the third book in the series which makes it a particularly difficult adaptation. The good news - it works out well.
Writers rarely makes good directors. Carrisi is an exception. Choosing carefully his colour pallet he nods to the "giallo" sub-genre of the 80s and draws inspiration from the likes of Dario Argento (Suspiria). The whole movie feels like a dream-like sequence, although it is more procedural crime fiction than anything else.
What makes the movie feel focused is its great performances. Dustin Hoffman as Dr Green who is trying to get into the mind of a beautiful victim and Toni Servillo (THE GREAT BEAUTY) as a dying detective who has made it his life goal to catch the killer, carry the film on their shoulders. The story has an episodic structure and echoes heavily the SAW franchise, although, I am sure, Carrisi would be devastated to hear of the comparison. What he has been trying to create with his books (and films) is a serial killer cinematic universe. INTO THE LABYRINTH may not be the best start, but it definitely has the potential to becoming a mystery to remember.
- mjfhhh
- 24 mars 2020
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- How long is Into the Labyrinth?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- L'uomo Del Labirinto
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 € (estimation)
- Brut – à l'échelle mondiale
- 2 517 731 $ US
- Durée2 heures 10 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What is the Canadian French language plot outline for L'uomo del labirinto (2019)?
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