Saat po long: Taam long
- 2017
- 1h 41m
ÉVALUATION IMDb
6,5/10
4,6 k
MA NOTE
Ajouter une intrigue dans votre langueA tough Hong Kong cop's 16 y.o. daughter disappears in Pattaya. He goes to Thailand to find her and must deal with corrupt cops but an honest one helps him track down culprits involved in il... Tout lireA tough Hong Kong cop's 16 y.o. daughter disappears in Pattaya. He goes to Thailand to find her and must deal with corrupt cops but an honest one helps him track down culprits involved in illegal organ trafficking.A tough Hong Kong cop's 16 y.o. daughter disappears in Pattaya. He goes to Thailand to find her and must deal with corrupt cops but an honest one helps him track down culprits involved in illegal organ trafficking.
- Prix
- 6 victoires et 10 nominations au total
Ka-Tung Lam
- Cheng Hon Shou
- (as Gordon Lam)
Wai-Kwong Lo
- Ban
- (as Ken Low)
Avis en vedette
The 'SPL: Sha Po Lang' brand in Hong Kong action cinema has come to stand for brutal, bone-crunching action in such memorable duels as Donnie Yen and Wu Jing's alleyway brawl in the 2005 original, Yen and Sammo Hung's mano-a-mano on a nightclub stage in the same, and more recently Wu Jing, Tony Jaa and Zhang Jin's fight-to-the-death in the 2015 sequel.
'Paradox', the third in the 'SPL' canon, continues that grand tradition with director Wilson Yip returning at the helm and Hung as action director. Both franchise veterans ensure that the fights are just as fast, furious and fierce as their first film, but only judiciously bloody, so that the bloodletting never comes off as excessive. Among the highlights here are a daytime scuffle in an open bar that is followed by a breathless chase down Bangkok's busy streets, a close-quarter skirmish in a flat that continues into the dilapilated apartment building's corridor and onto its crowded rooftop, and last but not least a no-holds-barred showdown in a meat depot that is also a front for a mortuary of an illegal organ trafficking business. Each one of these action set-pieces are meticulously choreographed and beautifully executed, which is also credit to its stars Louis Koo, Wu Yue, Chris Collins and Jaa.
Besides Jaa, the rest are not quite as well-known for their martial arts skills, but the training, practice and hard work that each one has put in is clearly evident. In particular, Koo's months of intensive training have paid off tremendously especially in the extended climax, which sees his character turn absolutely badass on tens of baddies successively in a vengeful rampage. Yue also proves quite the revelation; better known for his roles in Mainland TV drama serials than in movies (remember him in Police Story 2013?), the actor who holds a National Martial Arts Championship grade in wushu is less showy than his predecessors Yen and Wu but is no less precise or ferocious than them. Notwithstanding, you should know that Koo and Yue's top billing here isn't misleading; whereas Jaa took centrestage alongside his Chinese stars in the last movie, his presence here is no more than a glorified cameo – and it should also be said that his absence is sorely felt, given that his one-on-one rooftop fight with Collins is arguably the most breathtaking sequence in the entire movie.
To Yip's credit, as much as the fighting is the movie's top draw, it never becomes its raison d'être but in service of the overall narrative. In that regard, all three movies have been thematically related, based upon the Chinese title's astrological reference of three individuals whose position relative to one another signified death and destruction. Here, these three are Hong Kong detective Lee Chung-chi (Koo), who has arrived in Bangkok to search for his missing teenage daughter (Hanna Chan); local Thai-Chinese cop Chui Kit (Yue), who has a six-month pregnant wife and whose father-in-law is the police commissioner Chai (Vithaya Pansringarm); and political aide Cheng Hon-Sau (Gordon Lam), who will resort to any means necessary to get an urgent heart transplant for the ailing Bangkok mayor in order to sustain the latter's re-election bid. Caught up in the ensuing melee is Chui Kit's fellow police colleagues Kit (Jaa) and Ban (Ken Low) as well as the leader of an illegal organ trafficking syndicate Sacha (Collins).
It isn't hard to guess just how the characters are connected to one another, but returning series writer Jill Leung builds the story nicely to have us empathise with Chi's desperation, grief and vengeance as a single father at the loss of his beloved daughter. Just as visceral is the sense of powerlessness he feels against the corruption of those more powerful than him, so much so that despite responding in shockingly vicious ways, our sympathies remain firmly with him and his fists. More so than the earlier two movies, the storytelling here is a lot more fluid, confident and propulsive, good enough at least for us to overlook some of the obvious coincidences (like how Chui Kit and Tak's vehicles seem to agree not to start one after another so both can end up at the same place at the same time).
So really, 'Paradox' is as solid an hard-boiled action thriller as it gets. The plotting is not just functional, endeavouring and largely succeeding to tell a story about karma, retribution and reconciliation. The acting is solid, each one of the performances a strong emotional anchor for the flawed characters whose relationships next to one another are defined by their respective choices and consequences. And perhaps most importantly to its fans, the action is as awesome as its predecessors, the fisticuffs often white-knuckle intense. This is as raw and real as it gets, set entirely against appropriately grimy backdrops in Thailand. As far as the 'SPL' canon is concerned, 'Paradox' is as fitting and satisfying an entry as it deserves, demonstrating not only that there is life yet to the series but that it is very much alive, kicking and definitive to Hong Kong action cinema itself.
'Paradox', the third in the 'SPL' canon, continues that grand tradition with director Wilson Yip returning at the helm and Hung as action director. Both franchise veterans ensure that the fights are just as fast, furious and fierce as their first film, but only judiciously bloody, so that the bloodletting never comes off as excessive. Among the highlights here are a daytime scuffle in an open bar that is followed by a breathless chase down Bangkok's busy streets, a close-quarter skirmish in a flat that continues into the dilapilated apartment building's corridor and onto its crowded rooftop, and last but not least a no-holds-barred showdown in a meat depot that is also a front for a mortuary of an illegal organ trafficking business. Each one of these action set-pieces are meticulously choreographed and beautifully executed, which is also credit to its stars Louis Koo, Wu Yue, Chris Collins and Jaa.
Besides Jaa, the rest are not quite as well-known for their martial arts skills, but the training, practice and hard work that each one has put in is clearly evident. In particular, Koo's months of intensive training have paid off tremendously especially in the extended climax, which sees his character turn absolutely badass on tens of baddies successively in a vengeful rampage. Yue also proves quite the revelation; better known for his roles in Mainland TV drama serials than in movies (remember him in Police Story 2013?), the actor who holds a National Martial Arts Championship grade in wushu is less showy than his predecessors Yen and Wu but is no less precise or ferocious than them. Notwithstanding, you should know that Koo and Yue's top billing here isn't misleading; whereas Jaa took centrestage alongside his Chinese stars in the last movie, his presence here is no more than a glorified cameo – and it should also be said that his absence is sorely felt, given that his one-on-one rooftop fight with Collins is arguably the most breathtaking sequence in the entire movie.
To Yip's credit, as much as the fighting is the movie's top draw, it never becomes its raison d'être but in service of the overall narrative. In that regard, all three movies have been thematically related, based upon the Chinese title's astrological reference of three individuals whose position relative to one another signified death and destruction. Here, these three are Hong Kong detective Lee Chung-chi (Koo), who has arrived in Bangkok to search for his missing teenage daughter (Hanna Chan); local Thai-Chinese cop Chui Kit (Yue), who has a six-month pregnant wife and whose father-in-law is the police commissioner Chai (Vithaya Pansringarm); and political aide Cheng Hon-Sau (Gordon Lam), who will resort to any means necessary to get an urgent heart transplant for the ailing Bangkok mayor in order to sustain the latter's re-election bid. Caught up in the ensuing melee is Chui Kit's fellow police colleagues Kit (Jaa) and Ban (Ken Low) as well as the leader of an illegal organ trafficking syndicate Sacha (Collins).
It isn't hard to guess just how the characters are connected to one another, but returning series writer Jill Leung builds the story nicely to have us empathise with Chi's desperation, grief and vengeance as a single father at the loss of his beloved daughter. Just as visceral is the sense of powerlessness he feels against the corruption of those more powerful than him, so much so that despite responding in shockingly vicious ways, our sympathies remain firmly with him and his fists. More so than the earlier two movies, the storytelling here is a lot more fluid, confident and propulsive, good enough at least for us to overlook some of the obvious coincidences (like how Chui Kit and Tak's vehicles seem to agree not to start one after another so both can end up at the same place at the same time).
So really, 'Paradox' is as solid an hard-boiled action thriller as it gets. The plotting is not just functional, endeavouring and largely succeeding to tell a story about karma, retribution and reconciliation. The acting is solid, each one of the performances a strong emotional anchor for the flawed characters whose relationships next to one another are defined by their respective choices and consequences. And perhaps most importantly to its fans, the action is as awesome as its predecessors, the fisticuffs often white-knuckle intense. This is as raw and real as it gets, set entirely against appropriately grimy backdrops in Thailand. As far as the 'SPL' canon is concerned, 'Paradox' is as fitting and satisfying an entry as it deserves, demonstrating not only that there is life yet to the series but that it is very much alive, kicking and definitive to Hong Kong action cinema itself.
Directed by Wilson Yip the man behind Ip Man and action choreographed by the legendary Sammo Hung you will know this movie gonna be good.Kill Zone:Paradox almost like a recreation of the last movie with the same actors but with different background and motivation.Louis Koo now as the new main character team up with Yue Wu to rescue his daughter and busting a illegal organ trafficking in Thailand.Tony Jaa for some reason starring in this movie too but his role is small and i guess the movie need his imagine to draw viewers but the action scene with him is quite nice so i'm not complaining.Apart from the top notch action as usual the movie is very depressing with one of the best performance by Louis Koo this year.The pacing is better and more easy to follow than Kill Zone 2 so fan of the series will have a blast while watching this movie
I had the opportunity to sit down to watch the 2017 Hong Kong movie "Paradox" (aka "Saat po long: Taam long") here in 2021. Needless to say that with my fascination and love of the Hong Kong cinema, then I needed no persuasion to do so.
And I must admit that I am glad that I did, because "Paradox" turned out to be a very enjoyable and entertaining movie. The storyline written by Nick Cheuk and Lai-Yin Leung was really good and interesting. The story had be spellbound from the very beginning, and I never lost interest in the movie, nor did it feel like the movie ever lost its speed and momentum. So thumbs up to director Wilson Yip on that account.
The storyline told in "Paradox" is a little bit rough, so it might not be overly suitable for everyone, so viewer discretion should be considered. But trust me, this is a very compelling story, and an entertaining one too. Without giving away anything of the storyline, I can say that it is a movie that deals with kidnapping and organ trafficking.
Now, the storyline is a good combination of genres, that included drama, crime, thriller, action and martial arts. And director Wilson Yip was good at managing to incorporate all the different genres and elements into the blend, making a greatly entertaining movie in the process.
"Paradox" has a rather impressive cast ensemble, with the likes of Louis Koo, Yue Wu, Ka Tung Lam, Tony Jaa and Ken Lo. So if you are familiar with the Hong Kong cinema, then you know you are in for some stellar performances here. And I must say that this 2017 movie has the most amazing performance by Louis Koo that I have ever witnessed; he was nothing short of phenomenal in this movie. Tony Jaa was also in the movie, but as a minor support role only, a shame really, because he is always great in his movies. Now, this movie was the first time I saw Hanna Chan act, and she is definitely an actress worth taking notice of.
Visually then this movie is nice to watch. The action scenes and sequences are vivid and filled with adrenaline, making it feel like you are right there in the chaos. And the dramatic scenes are very nicely set up and executed, making the movie feel very realistic and makes you care about the characters and events.
I found "Paradox" to be a huge surprise of an entertaining movie, and I can warmly recommend that you take the time to sit down to watch this movie if you have the chance. It is really well-worth the time, money and effort.
My rating of the 2017 movie "Paradox" lands on a very well-deserved eight out of ten stars.
And I must admit that I am glad that I did, because "Paradox" turned out to be a very enjoyable and entertaining movie. The storyline written by Nick Cheuk and Lai-Yin Leung was really good and interesting. The story had be spellbound from the very beginning, and I never lost interest in the movie, nor did it feel like the movie ever lost its speed and momentum. So thumbs up to director Wilson Yip on that account.
The storyline told in "Paradox" is a little bit rough, so it might not be overly suitable for everyone, so viewer discretion should be considered. But trust me, this is a very compelling story, and an entertaining one too. Without giving away anything of the storyline, I can say that it is a movie that deals with kidnapping and organ trafficking.
Now, the storyline is a good combination of genres, that included drama, crime, thriller, action and martial arts. And director Wilson Yip was good at managing to incorporate all the different genres and elements into the blend, making a greatly entertaining movie in the process.
"Paradox" has a rather impressive cast ensemble, with the likes of Louis Koo, Yue Wu, Ka Tung Lam, Tony Jaa and Ken Lo. So if you are familiar with the Hong Kong cinema, then you know you are in for some stellar performances here. And I must say that this 2017 movie has the most amazing performance by Louis Koo that I have ever witnessed; he was nothing short of phenomenal in this movie. Tony Jaa was also in the movie, but as a minor support role only, a shame really, because he is always great in his movies. Now, this movie was the first time I saw Hanna Chan act, and she is definitely an actress worth taking notice of.
Visually then this movie is nice to watch. The action scenes and sequences are vivid and filled with adrenaline, making it feel like you are right there in the chaos. And the dramatic scenes are very nicely set up and executed, making the movie feel very realistic and makes you care about the characters and events.
I found "Paradox" to be a huge surprise of an entertaining movie, and I can warmly recommend that you take the time to sit down to watch this movie if you have the chance. It is really well-worth the time, money and effort.
My rating of the 2017 movie "Paradox" lands on a very well-deserved eight out of ten stars.
Movie about a Hong Kong cop who tries to find his by an organ trafficking gang kidnapped daughter in Thailand.
The father had to fight not only against the gang but also against the corrupt government in Pattaya (Thailand). Government and gang work together.
There are many good exaggerated action scenes - this is an action thriller from Hong Kong!
The actors especially the father perform fine. Cinematography is very well also.
Although there's a lot of action the basic mood is hard boiled, dark and sad. Don't expect a happy ending!
There are many good exaggerated action scenes - this is an action thriller from Hong Kong!
The actors especially the father perform fine. Cinematography is very well also.
Although there's a lot of action the basic mood is hard boiled, dark and sad. Don't expect a happy ending!
Another SPL, even if the english title does not suggest it. Now you may not be too involved when it comes to the story, but the action of the movie is amazing. There are quite some amazing stunts this can boost. It may be mostly predictable with at least one thing/twist most will not expect at all, which is able to break the movie or rather your perception of it - so there is that.
Tony Jaa may be referred as Guest appearance or something along those lines, but he has quite an extended role in the movie. And quite a few stunts to go with that screen time. If you like action movies and don't mind certain flaws the genre generally brings with it, you'll be thoroughly entertained
Tony Jaa may be referred as Guest appearance or something along those lines, but he has quite an extended role in the movie. And quite a few stunts to go with that screen time. If you like action movies and don't mind certain flaws the genre generally brings with it, you'll be thoroughly entertained
Le saviez-vous
- AnecdotesLouis Koo did most of his own stunts and doesn't have formal martial arts training.
- ConnexionsFollows SPL: Kill Zone (2005)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Paradox
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 79 226 860 $ US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Saat po long: Taam long (2017) officially released in Canada in English?
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