Thriller haut de gamme, HANNA suit le parcours d'une jeune fille extraordinaire élevée dans la forêt, fuyant ainsi la poursuite incessante d'un agent de la CIA et essayant de découvrir la vé... Tout lireThriller haut de gamme, HANNA suit le parcours d'une jeune fille extraordinaire élevée dans la forêt, fuyant ainsi la poursuite incessante d'un agent de la CIA et essayant de découvrir la vérité sur elle-même.Thriller haut de gamme, HANNA suit le parcours d'une jeune fille extraordinaire élevée dans la forêt, fuyant ainsi la poursuite incessante d'un agent de la CIA et essayant de découvrir la vérité sur elle-même.
- Nommé pour 1 prix Primetime Emmy
- 6 nominations au total
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Reviewers say 'Hanna' is lauded for its strong performances, particularly by Esme Creed-Miles, Mireille Enos, and Joel Kinnaman, and its engaging storytelling. The series is appreciated for its exploration of Hanna's coming-of-age journey and the mysterious Utrax organization. However, some critics find the plot inconsistent and the action scenes variable. There's a divide regarding the series' deviation from the 2011 movie, with mixed reviews on character development and pacing in later seasons.
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It doesn't happen often, but this series gets a 9 from me while the 2011 movie gets an 8. And that's saying something since I'm a huge fan of Saoirse Ronan, who played Hanna in the film version. Esme Creed-Miles is very effective in the role of the highly-skilled yet "fish-out-of-water" Hanna, and the supporting cast are also quite convincing. Perhaps an obvious fact (given that there's much more time available) but I feel that this series fleshes out the various characters more than was possible in the movie, which allowed me to become more invested in them. My only complaint is minor, but the production team clearly spent less money by filming a lot of scenes at night, so I'd suggest watching in a dark room if you want to understand what's going on during those moments. Keep an eye out for future roles played by Esme as I predict she's got quite a career ahead of her. I was also captivated by Rhianne Barreto, who very believably plays Hanna's one true friend. The direction, scoring, location scenery, and cinematography (albeit a bit dark at times) are impressive. Highly-recommended binging material.
The casting is exceptional, the music is amazing. The cahracter development is great.
At the beggining i thought it will be a simple action show but it turned to be so much more. The base story is pretty simple but the combination of charater development, the direction and the music make some very unique moments that worth watching the series. Also the action is great too.
Im still in the 3rd season but this series won if from 2-3 episodes. So far 1st season is the best by far, mostly because it has my favorite part better: character development.
If you are into action, characters, women as the protagonist then you have to give this show a try.
At the beggining i thought it will be a simple action show but it turned to be so much more. The base story is pretty simple but the combination of charater development, the direction and the music make some very unique moments that worth watching the series. Also the action is great too.
Im still in the 3rd season but this series won if from 2-3 episodes. So far 1st season is the best by far, mostly because it has my favorite part better: character development.
If you are into action, characters, women as the protagonist then you have to give this show a try.
Season one was great. I was hooked with every episode and the character development was great. Season 2 seems to be pretty bad. Its very redundant and decisions are made that frustrate you beyond belief. Shame cause this series was so good it's first season.
Though I hoped that this season would be better than the first, as per my review about 5 months ago, I was kinda let down.
Again, I ask the producers, to give to series aim & purpose and squeeze it into a powerful beam for it to really deliver and shine.
Less "useless" characters and more of Hanna in action.
- The story is not better than season 1.
- We've got sort of 5 episodes of fillers and 3 more serious and better ones.
- We do not see Hanna more in action (aside the last 3 serious episodes). She should be more on the spotlight, with shininess and more crazy good performances. She is like a human "Bionic" girl with awesome abilities and amazing aiming. The producers & writers really need to understand that and give her increased brilliant spots to shine (martial arts and guns alike).
- Sandy (Áine Rose Daly) was one of the highlight of the season. She's a talented and beautiful actress who has the potential to become a really bad yet powerful smart girl in the series.
- Nothing of real interest for Marissa, aside adding mother-like behaviors to her collection in the show; Although, her personal style of handling guns are one of the best I saw in women and men alike.
Again, I ask the producers, to give to series aim & purpose and squeeze it into a powerful beam for it to really deliver and shine.
Less "useless" characters and more of Hanna in action.
I've reviewed each season of "Hanna", which can be found against the final episode of each run - but I thought I'd put something here too, so sum up my overall thoughts.
I haven't seen the film version of "Hanna", so came to the Amazon Prime series with a relatively clean slate. (I did watch the remake of "The Killing" so it was nice to see Enos and Kinnaman together again). Though I was concerned about what I thought the premise was, being extended into a show, I found an enjoyable series, with excellent music choices and good performances.
Erik Heller (Joel Kinnaman) rescues a baby and her mother from a covert military facility in Eastern Europe. Pursued by soldiers, they crash their car and the mother is killed, however, Erik and the baby escape into the woods. 15 years later, Erik has brought Hanna (Esme Creed-Miles) up in the wilderness, infusing survivalist skills with her already unnaturally heightened senses. However, she's frustrated at the limits of her life and a chance encounter leads the agency, led by Marissa (Mireille Enos), to resume their hunt.
There was lots I found I liked about this series. Coming off the back of watching "Treadstone" I worried that again the plot would prove overcomplicated, dealing as it does with a couple of different time periods and a country hopping story, but none of this was the case. I understood everyone's drives all the way through and though there is a little cross and double cross, all the motivations were explained to us ahead of time. Performances are strong, with Kinnaman and Enos standing out, along, of course with Esme Creed-Miles as the titular character. She plays Hanna wonderfully, like a fish out of water at times, but always on the cusp of snapping back into survivalist mode and killing everyone in the room. I really liked the stuff involving the family, and the excursion to Kent but oddly, my favourite part about the show was the music, lots of Karen O, and Yeah Yeah Yeahs, but the newly created score music was nice too.
I enjoyed the first season of "Hanna" more than I thought I might, with its strong performances and coherent plotting. The second season expands the universe a little, but without sacrificing any of it's core strengths. It's took me a while to get around to season three of "Hanna", around a year in fact since this final season arrived on Amazon Prime. It's through no fault of the show though, as I've enjoyed the previous two runs. This too, was a worthy season and rounds out a series that was much better than I thought it might be.
It surprisingly rare to see a series as consistent as "Hanna" with a true beginning, middle and end.
I haven't seen the film version of "Hanna", so came to the Amazon Prime series with a relatively clean slate. (I did watch the remake of "The Killing" so it was nice to see Enos and Kinnaman together again). Though I was concerned about what I thought the premise was, being extended into a show, I found an enjoyable series, with excellent music choices and good performances.
Erik Heller (Joel Kinnaman) rescues a baby and her mother from a covert military facility in Eastern Europe. Pursued by soldiers, they crash their car and the mother is killed, however, Erik and the baby escape into the woods. 15 years later, Erik has brought Hanna (Esme Creed-Miles) up in the wilderness, infusing survivalist skills with her already unnaturally heightened senses. However, she's frustrated at the limits of her life and a chance encounter leads the agency, led by Marissa (Mireille Enos), to resume their hunt.
There was lots I found I liked about this series. Coming off the back of watching "Treadstone" I worried that again the plot would prove overcomplicated, dealing as it does with a couple of different time periods and a country hopping story, but none of this was the case. I understood everyone's drives all the way through and though there is a little cross and double cross, all the motivations were explained to us ahead of time. Performances are strong, with Kinnaman and Enos standing out, along, of course with Esme Creed-Miles as the titular character. She plays Hanna wonderfully, like a fish out of water at times, but always on the cusp of snapping back into survivalist mode and killing everyone in the room. I really liked the stuff involving the family, and the excursion to Kent but oddly, my favourite part about the show was the music, lots of Karen O, and Yeah Yeah Yeahs, but the newly created score music was nice too.
I enjoyed the first season of "Hanna" more than I thought I might, with its strong performances and coherent plotting. The second season expands the universe a little, but without sacrificing any of it's core strengths. It's took me a while to get around to season three of "Hanna", around a year in fact since this final season arrived on Amazon Prime. It's through no fault of the show though, as I've enjoyed the previous two runs. This too, was a worthy season and rounds out a series that was much better than I thought it might be.
It surprisingly rare to see a series as consistent as "Hanna" with a true beginning, middle and end.
Le saviez-vous
- AnecdotesIn preparation for the title role, Esme Creed-Miles trained extensively with her dad Charlie Creed-Miles, a 20-year practitioner of martial arts.
- GaffesIn fact the number plates in Germany are Berlin plates which look very similar to some Rumanian plates. In Rumania the vehicles with German plates are CIA vehicles carrying Berlin plates because they're from Berlin station. The other Rumanian vehicles have Rumanian plates.
- ConnexionsFeatured in The IMDb Show: Take 5 With Mireille Enos (2019)
- Bandes originalesAnti-Lullaby
Performed by Karen O
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