La mission

Tom Hanks is a 19th century newsman who reads newspaper stories to townsfolk in Texas. On his route of numerous locations, he comes across a young German-born girl who has been living under the care of native Americans who have been slaughtered. He takes it upon himself as her new guardian to escort her across the countryside to safety in the hope of finding her a new home. Along the way, they achieve an expected bond as two lonely souls in a treacherous world of danger of adversity.

Hanks is great as always, as the film is told from his weary, anguished eyes. But newcomer Helena Zengel steals the film from right underneath him with a mesmerizing performance as a young girl traumatized by personal tragedy, untrusting of the world around her and just beginning to learn her communication. Together, they bring this rugged journey to life. Director Paul Greengrass makes a vivid recreation of 19th century American wilderness, a land of difficult terrain and occasionally bitter climate. Through it all, it becomes a battle for survival for both the old man and the child he is protecting. An old school tale of American grit, this one is expertly crafted and highly recommended.

The plot to "News of the World" is pretty simple and it's a leisurely paced film...somewhat like Clint Eastwood's "Cry Macho". It is set in 1870 in the Reconstruction Era in Texas. Captain Kidd (Tom Hanks) is a Civil War veteran who happens upon a head man and a wild blonde girl in the wilderness. There are papers with the dead man's possessions indicating that the girl, Johanna, was abducted and raised by Kiowa Indians after her parents were killed. She was discovered with the Kiowa and the US Army sent her with an agent to return her to her extended family. But he's dead...and no one seems willing to help...so Kidd finally agrees to take her the 400 miles to Castroville, Texas (near San Antonio).

As you'd suspect, this won't be easy since the child really wants to be with the Kiowa and she doesn't understand English. Her family were German immigrants...so she understands some German...but Kidd only knows a few words of the language himself. The film shows them on their journey across the Plains to her family.

This is a most enjoyable film and a nice change of pace for Tom Hanks. It also talks about a seldom discussed problem which happened on rare occasions...white kids being abducted and raised by various tribes. Interesting and never dull.

I'm a big fan of Paul Greengrass and Tom Hanks, so I was looking forward to this 19th-century Western. Based on the book of the same name, it tells the story of a Civil War veteran, Capt. Kidd (Hanks) who now serves as a news-teller in Texas. He must bring a young girl, Johanna, to her aunt and uncle. The film is skillfully well-made and leisurely paced, as its tone feels almost lyrical. Its western setting is depicted as harsh and realistic, but still unique and powerful. The film's cinematography of 19th-century north Texas is absolutely impeccable. After "Nomadland," it's the best cinematography of the year. From gorgeous wide shots of prairies and canyons and mountains to detailed sets of important towns at the time such as Wichita Falls, the shots look sublime throughout the film.

While the film's pacing is slow, it never feels too slow by any means. In fact, such leisurely pacing feels appropriate to the more lyrical tone of the film--almost like a more gritty version of a ballad. Even though the film is obviously very tonally different from Greengrass' other films, such as the original Bourne trilogy and "Captain Phillips," Greengrass is still able to build up lots of suspense at appropriate times over the course of the film--such as a scene when Capt. Kidd and Johanna must out-maneuver a gang of outlaws, a bumpy and dangerous stagecoach ride, and a desert storm. The emotional core between Kidd and Johanna is very well done, and the performances are very strong. Hanks does a great job showing a range of both charisma and grit in the role, and the young actress who plays Johanna is superb. My only criticism of the film was that the film could have developed Kidd and Johanna better as characters, although the limited dialogue between the two of them (as Johanna does not speak English) may be one of the reasons why character development within the scenes they are both together in can sometimes be a bit limited. Otherwise, this is a gritty yet gorgeous Western made with passion and talent. Gladly recommended. 8/10

Greetings again from the darkness. Even in the midst of a pandemic, December is Oscar-qualifying time. And that means we get Tom Hanks' latest movie. This time out, the two-time Oscar winner reunites with his CAPTAIN PHILLIPS (2013) director Paul Greengrass (three "Bourne" movies, and Oscar nominated for UNITED 93, 2006) for Hanks' first ride into the western genre. Luke Davies (Oscar nominated for LION, 2016) adapted the screenplay from Paulette Jiles' 2016 novel.

The beloved Mr. Hanks stars as Captain Jefferson Kyle Kidd. We know his full name because he proudly announces it at each stop of his news-reading route. That's right, even in 1870, which is before television and radio and internet, a person could earn a living reading the news. OK, so it wasn't the millions that national anchors make these days, as he was dependent on the audience dropping a coin or two in the tin cup. For this they were treated to Captain Kidd's robust presentation of news and events (and some gossip) from around the nation ... straight from the news clippings he collected during his travels.

On the trail one day, Captain Kidd comes across a horrific scene of violence, and a 10 year old girl with a shock of blonde hair. She only speaks Kiowa, but the found paperwork lists her name as Johanna (the first American film for Helena Zengel). It turns out, tragic events in her family's home many years earlier left Johanna being raised by the Kiowa Indians. Captain Kidd is now on a mission to return her to her surviving relatives (an aunt and uncle), but there are at least three obstacles to his plan: it's a rigorous trip of about 400 miles, the girl doesn't want to go, and there remains much tension in the split among the post-war citizenry. So what we have here is a western road trip (trail ride) that's a blend of TRUE GRIT (minus the witty banter) and THE SEARCHERS.

It should be noted that Captain Jefferson Kyle Kidd has served in three wars, including the recently concluded Civil War. He may make his living wearing bifocals and reading newspapers, but Kidd is no nerd. He handles pressure quite naturally, as we witness in chase scene up a rocky hill. The resulting shootout not only creates the first bond between Kidd and Johanna, but also flashes the Captain's calming influence. This is a soulful and principled Tom Hanks (as usual), but this time he's riding a horse and his furrowed brow is working overtime.

The trip to Johanna's home coincidentally takes Kidd very close to where he once lived - a place that holds his best and worst memories. As viewers we see what Captain Kidd and Johanna don't. They are both headed back to a past they no longer belong to. Along the way, the two travelers cross paths with characters played by Elizabeth Marvel, Ray McKinnon, Mare Winningham, and the always great Bill Camp. There is nothing rushed about the story or these people. Fans of director Greengrass will be surprised to find an absence of his trademark rapid-cut action sequences, but he has delivered a sweeping epic with superb cinematography (Dariusz Wolski, "Pirates of the Caribbean" franchise), expert editing (Oscar winner William Goldenberg, ARGO), and a terrific score (8-time Oscar nominee James Newton Howard). Mr. Hanks delivers yet another stellar performance (of course), and young Ms. Zengel's assured performance likely means we will be treated to her work for years to come. It's a quasi-western period piece that is plenty interesting to watch, yet lacks the memorable moments to justify multiple watches or a place among the genre's best. Opens December 25, 2020

The combination of Tom Hanks in top form, as always, and director Paul Greengrass providing a visual delight and you have one of these joyous heartfelt films that often slip through the cracks. The story may be predictable but it is told with such warmth and feeling that I truthfully didn't want the film to end. A movie to gladden the heart in these difficult and depressing times.