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Marlowe

  • 2022
  • 14A
  • 1h 49m
ÉVALUATION IMDb
5,4/10
14 k
MA NOTE
Liam Neeson, Alan Cumming, Jessica Lange, Adewale Akinnuoye-Agbaje, Danny Huston, Diane Kruger, and François Arnaud in Marlowe (2022)
In late 1930's Bay City, a brooding, down on his luck detective is hired to find the ex-lover of a glamorous heiress.
Liretrailer2 min 13 s
3 vidéos
99+ photos
Hard-boiled DetectiveSuspense MysteryWhodunnitCrimeDramaMysteryThriller

Dans les années 30, un détective obsédant et infortuné est engagé pour retrouver l'ex-amant d'une riche héritière.Dans les années 30, un détective obsédant et infortuné est engagé pour retrouver l'ex-amant d'une riche héritière.Dans les années 30, un détective obsédant et infortuné est engagé pour retrouver l'ex-amant d'une riche héritière.

  • Director
    • Neil Jordan
  • Writers
    • William Monahan
    • Neil Jordan
    • John Banville
  • Stars
    • Liam Neeson
    • Diane Kruger
    • Jessica Lange
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,4/10
    14 k
    MA NOTE
    • Director
      • Neil Jordan
    • Writers
      • William Monahan
      • Neil Jordan
      • John Banville
    • Stars
      • Liam Neeson
      • Diane Kruger
      • Jessica Lange
    • 148Commentaires d'utilisateurs
    • 106Commentaires de critiques
    • 41Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 nominations au total

    Vidéos3

    Official Trailer
    Trailer 2:13
    Official Trailer
    Marlowe: La Rencontre (French Subtitled)
    Clip 1:02
    Marlowe: La Rencontre (French Subtitled)
    Marlowe: La Rencontre (French Subtitled)
    Clip 1:02
    Marlowe: La Rencontre (French Subtitled)
    Marlowe: L'enquete (French Subtitled)
    Clip 0:50
    Marlowe: L'enquete (French Subtitled)

    Photos121

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    Rôles principaux36

    Modifier
    Liam Neeson
    Liam Neeson
    • Philip Marlowe
    Diane Kruger
    Diane Kruger
    • Clare Cavendish
    Jessica Lange
    Jessica Lange
    • Dorothy Quincannon
    Brenda Rawn
    • Office Secretary
    Alan Moloney
    Alan Moloney
    • Office Boss
    Stella Stocker
    Stella Stocker
    • Hilda
    François Arnaud
    François Arnaud
    • Nico Peterson
    Darrell D'Silva
    Darrell D'Silva
    • Old Man
    Ian Hart
    Ian Hart
    • Det. Joe Green
    Kim DeLonghi
    Kim DeLonghi
    • Broad with the Cigarette
    • (as Kimberly Delonghi)
    Stephan Wiks
    • Security Guard
    Tony Corvillo
    Tony Corvillo
    • Gardener
    • (as Toni Corvillo)
    Mitchell Mullen
    Mitchell Mullen
    • The Ambassador
    Patrick Muldoon
    Patrick Muldoon
    • Richard Cavendish
    Daniela Melchior
    Daniela Melchior
    • Lynn Peterson
    Roberto Peralta
    Roberto Peralta
    • Gomez
    J.M. Maciá
    • López
    • (as Jose M. Maciá)
    Michael Garvey
    • Pat the Bartender
    • Director
      • Neil Jordan
    • Writers
      • William Monahan
      • Neil Jordan
      • John Banville
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs148

    5,413.9K
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    Avis en vedette

    5gerrgrady-86307

    This was a lifeless and disappointing movie

    We were disappointed from the beginning of the film. The dialog was stilted and awkward. As the movie progressed, the plot was murky and the characters undeveloped. The best part for me was the arrival of Colm Meaney's character - he absolutely brought life and color to an otherwise dull and lifeless film. A total waste of an excellent cast. Withint the first ten minutes, we considered leaving but decided to stick with it. I fell asleep after 20 minutes and woke up in time to enjoy Meaney's performance. Also, the actor playing Cedric did a great job and I look forward to seeing more of him in the future. I recommend that if you're looking for a movie to watch, give this one a pass. Not the Marlowe that I was looking for.
    6bostonct

    Pretty Decent Gum Shoe LA background Film Noire

    I lot of people have compared this to the original Marlowe character and series and it is not the case. Maybe that's why people have trashed this movie as it's being judged on an existing franchise. To begin, Liam is not Marlowe but more a lower level PI. He hasn't been at it that long. If you want to compare, I would say this was more Ezekiel Rawlins in The Devil in a Blue Dress. Easy has street connects, Marlowe has cop connections. Overall, the entire supporting cast was steady and complemented the story line well. No Oscar performances but OK for the film. I'm a bit biased as I do enjoy the LA police, Hollywood and the rich-and-powerful subculture of the '40's and 50's and the banter that comes with it. The storyline itself was a bit thin but passable. In short, if you can judge this movie on its own merits and forget the "Marlowe" connect, this is a pretty good movie night out.
    5steveinadelaide

    Disappointing and forgettable

    Marlowe attempts to pay homage to the classic detective tales of Raymond Chandler but ultimately falls short of its promise, lacking the originality and creativity needed to truly captivate. The movie centres around Philip Marlowe, a private investigator hired by a mysterious woman to locate her missing husband. Throughout his journey, Marlowe becomes entangled in a web of corruption, murder, and betrayal, prompting introspection into his moral compass and identity.

    Though the film boasts a few commendable elements, such as its stylish cinematography that effectively captures the dark and gritty atmosphere of 1940s Los Angeles and a score that aptly conveys the genre's mood, these aspects alone are insufficient to redeem it from its numerous weaknesses.

    The primary issue with Marlowe lies in its lack of originality and innovation. Rather than introducing fresh perspectives or intriguing ideas to the genre, the movie heavily borrows from the existing source material and other noir films without contributing new or interesting concepts. The plot falls victim to predictability and clichés, offering twists and turns that are either glaringly obvious or illogical. The dialogue, too, is uninspiring, burdened by excessive exposition and cheesy one-liners. The characters remain one-dimensional and stereotypical, devoid of depth or meaningful development. The performances range from mediocre to exaggerated or wooden, failing to elicit genuine emotion or connection.

    Another major shortcoming of the film lies in its portrayal of Philip Marlowe. Marlowe is one of the most iconic and intricately crafted characters in literature, yet the movie reduces him to a generic and unremarkable hero. It neglects the wit, charm, and moral ambiguity that made him so compelling. The film misses opportunities to delve into Marlowe's psychology, motivations, and worldview, robbing the character of any meaningful exploration or growth. As a result, Marlowe becomes a mere action figure, merely transitioning from one scene to the next without leaving an emotional impact or resonance.

    Marlowe is disappointing; it will fade into obscurity, never having done justice to its source material or the noir genre. It squanders the chance to breathe new life into and reinvent the tradition of noir and fails to provide a memorable and engaging cinematic experience. I would recommend enthusiasts of noir or detective stories or those seeking more profound and substantial contributions from the world of cinema to stay away! Marlowe is shallow and superficial, and you'll forget it as soon as you leave the cinema.
    5steve-valliere

    Marlow is not an action figure

    Everyone has their interpretation of Philip Marlowe. As for the books that Raymond Chandler gave us, Marlowe is most often more interesting than the characters he encounters, and more interesting than the plot. He is a loner by nature, he's articulate and funny. He plays chess puzzles and reads. He is also tough. His character is what makes you want to come back for more. The movie is fair, but it would be much better if Marlowe were actually in it. This is the eleventh interpretation of this character and it would be such a novelty if at least one would give us the character as he was created by Raymond Chandler.
    4dmansel

    Easily forgotten

    Set in the 1930s during the rise of the Hollywood studio system, Phillip Marlowe, a private investigator, is hired to find Nico Peterson, the ex lover of Claire Cavendish, the daughter of a former Hollywood icon. As Marlowe digs deeper into the case, he unravels more threads that lead to a bigger organization operating under the noses of everyone in Tinseltown.

    Marlowe could've been a great movie. Long gone are the conventional, time-honored noir films that dominated the 1940s and 50s. A genre populated with cynical, down-on-their-luck rumpled detectives, beautiful but deadly women, double and triple crosses, and a case far further reaching than the detective initially conceived of, the noir made use of all these elements to create mysteries and whodunits that have stood the test of time. All of that is present here in Marlowe and yet somehow almost none of it works. Adapted from the 2014 novel The Black-Eyed Blonde, Marlowe took all the best bits of the genre and found a way to ensure that little of it made sense. Claire Cavendish is stunningly beautiful. Marlowe looks tired and untrustworthy of almost everyone throughout. Cigarette smoke hangs in the air just right, playing across the character's faces. It's all there and none of it is worth anything because the story itself doesn't make a lick of sense. A film that blows past convoluted and catapults into absurd, both the plot and the screenplay feel like a high schooler read a few Raymond Chandler novels, recognized what made them cool, and regurgitated it into their own thing, forgetting that all these pieces only work when paired up with a genuine mystery that will keep audiences engaged and guessing. Marlowe unfortunately doesn't and with its sometimes cringeworthy lines mixed with story beats that feel like darts thrown at a board, the real mystery is how this script got greenlit in the first place.

    Thankfully starring Liam Neeson in something other than a washed-out action role, Marlowe sees the veteran actor in a noir setting for the first time. Surprisingly, Neeson is good in the role of Phillip Marlowe, portraying an aging private investigator attempting (and failing) to stay a step ahead of as many people as possible. Neeson's world weary countenance conveys the look of a man who's tired of dealing with the nonsense he encounters on a daily basis. While his scenes with Diane Kruger are excellent at capturing the tones of a traditional noir, it's his scenes with Jessica Lange that stand out. For his part, Neeson does his best to carry the anemic story and were he to return to the role with a stronger writer, another chance would be merited.

    Diane Kruger as Claire Cavendish fills the second necessary component of a classic noir story: the femme fatale. Kruger is great in the role as both the character who kicks off the events of the story and as the character you don't know if you can fully trust. Kruger plays to that strength, as both timid and helpless at times while confidently holding all the cards at others. Radiantly beautiful, she's a modern model for the fatale trope, and thanks in large part to the costuming department, Kruger wears her role well.

    Jessica Lange is having a ball in this film. Regardless of the hokey lines or clunky exposition scenes, Lange is there to remind audiences she hasn't gone anywhere and still has plenty of gas left in the tank. Her screen time with Neeson is delightful, delivering her lines with the most cheeky and mischievous of manners with many a wink and nod and twinkle in the eye. While appearing infrequently throughout the movie, she's a joy every time she's on screen, whether its supplying Marlowe with information or fanning the flames of confusion. Either way, Lange's Dorothy Cavendish is the film's MVP.

    Neil Jordan did the best he could with Marlowe. The man who directed classics such as The Crying Game and Interview with the Vampire (back to back bangers) retains his eye for style and flair as he and cinematographer Xavi Giménez attempt different ways to retain the audience's confusion. At 109 minutes, the movie is paced wonderfully, with answers that only reveal more questions sprinkled throughout the course of the story. As nonsensical, anticlimactic, or just downright absurd as those answers may be falls to screenwriter William Monahan. Responsible for the screenplay behind the hallowed Kingdom of Heaven and the Scorsese classic The Departed, every decision Monahan takes in the plotting of Marlowe is truly baffling. It's surprising that with as much literature is discussed or referenced in the film (Alice in Wonderland, Elements of Style, references to writer James Joyce), the literature of the script falls so short of the mark.

    Overall, Marlowe will be a film that's easily forgotten by the beginning of March. A convoluted story, presented to the audience in such a confoundingly bad manner, is only minimally saved by Neil Jordan's direction and the production design. Neeson, Kruger, and Lange do the best they can with the milquetoast screenplay, but thanks in large part to William Monahan what could've been a sumptuous feast of a story ends up being little more than cold broth. A poor excuse for a neo noir, most of the usual trappings are present without a framework to make effective use of them.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is based upon the 2014 novel "The Black-Eyed Blonde" by Benjamin Black, not one of Raymond Chandler's original Marlowe works.
    • Gaffes
      After Liam Neeson's Marlowe is knocked unconscious by the thugs, he tells Ian Hart's police detective that the thugs took his .38 caliber pistol when it was a .45 automatic in the previous scene. Hart hands Marlowe what he calls "another .38," which is a .32 caliber revolver.
    • Citations

      Philip Marlowe: [after beating up two thugs] Fuck it!

      [grabs a chair and hits one of them in the head]

      Philip Marlowe: I'm too old for this shit!

    • Connexions
      Referenced in OWV Updates: The Seventh OWV Awards - Last Update of 2022 (2022)
    • Bandes originales
      Coubanakan
      Music by Moïse Simons

      Lyrics by Louis Sauvat and Robert Champfleury

      Published by S.E.M.I., Paris (France) administered by peermusic (UK) Ltd.

      Performed by Los Lecuona Cuban Boys

      Courtesy of Ceiba World Music SL

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    FAQ18

    • How long is Marlowe?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 février 2023 (Canada)
    • Pays d’origine
      • Ireland
      • Spain
      • France
      • United States
    • Sites officiels
      • Open Road Films (United States)
      • Storyboard Media (United States)
    • Langue
      • English
    • Aussi connu sous le nom de
      • Sombras De Un Crimen
    • Lieux de tournage
      • Hotel la Gavina, S'Agaró, Gerona, Espagne
    • sociétés de production
      • Parallel Film Productions
      • Hills Productions AIE
      • Davis Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 22 300 000 € (estimation)
    • Brut – États-Unis et Canada
      • 4 350 243 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 1 814 094 $ US
      • 19 févr. 2023
    • Brut – à l'échelle mondiale
      • 6 377 603 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 49 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39:1

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    Liam Neeson, Alan Cumming, Jessica Lange, Adewale Akinnuoye-Agbaje, Danny Huston, Diane Kruger, and François Arnaud in Marlowe (2022)
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