ÉVALUATION IMDb
6,4/10
3,6 k
MA NOTE
Rebeca et Marc font un voyage pour découvrir leur passé familial commun dans la maison des grands-parents de Rebeca.Rebeca et Marc font un voyage pour découvrir leur passé familial commun dans la maison des grands-parents de Rebeca.Rebeca et Marc font un voyage pour découvrir leur passé familial commun dans la maison des grands-parents de Rebeca.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Josep Maria Pou
- Jacinto
- (as José María Pou)
Avis en vedette
I understand some people found it too slow but I am spanish and I am used to this dramas.
The acting is good, the story is good but it develops slow. I did enjoy it.
Let me put it this way, did you like..."all about my mother...". If yes, then this is a film for you. Otherwise you may dont like it
At first sight, the main good point is the title. Near the effort to offer a family story in its details, dramas, tensions, loves and secrets.
But, without can define the motif, the story remains beautiful but less convincing.
A story of roots, a house and a tree in countryside, two young people composing the stories of their parents in a large, fascinating in essence , puzzle.
The result a not bad Spanish film , with touches of soap opera and few scenes just lovely. I desired to define it as a great film. Unfortunately , I saw it only as a decent one, not ignoring my high expectations. But, sure, a reasonable work.
But, without can define the motif, the story remains beautiful but less convincing.
A story of roots, a house and a tree in countryside, two young people composing the stories of their parents in a large, fascinating in essence , puzzle.
The result a not bad Spanish film , with touches of soap opera and few scenes just lovely. I desired to define it as a great film. Unfortunately , I saw it only as a decent one, not ignoring my high expectations. But, sure, a reasonable work.
This gripping tale moves with fast intensity to weave a complex story, uncoiling to reveal the details that allow the joining of dots, just as the characters themselves unearth and share the family secrets which create the big picture. Vivid characters are played to the core with operatic emotion in their playful journey of self and mutual discovery. Story, settings, languages and and stunning fiming cover distinct regions of Spain to ultimately unite them in their viscerally connected way. This film is larger than life, totally gripping and needs several rewatches to gather up all the whirlwind strands - a carefully crafted and unique offering.
With a lot of branches and a lot of secrets ... and a lot of timelines too. You may wonder from time to time or start the guessing game (as to where this is heading), but it will still have surprises along the way. It will also have nudity and violence on full display.
So if any of this is offensive to you - you might want to stear clear from this. Certain things have to happen and the going back and forth (no pun intended) serves the story well. The acting is good and if you are into mystery you will cherish what this tries and achieves to do. Solid as a rock and another example of a good thriller coming from Spain
So if any of this is offensive to you - you might want to stear clear from this. Certain things have to happen and the going back and forth (no pun intended) serves the story well. The acting is good and if you are into mystery you will cherish what this tries and achieves to do. Solid as a rock and another example of a good thriller coming from Spain
This is very well acted, filmed, and produced, but disruptively structured, with a plot weakness and too much left unsaid. And call me a naïve idealist, but I was unhappy that the ending leaves Justice imperfectly satisfied. Or rather, that the main characters seem to have no problem with the final status quo.
And so, "The Tree of Blood" is difficult to rate. I wanted to know, what was the big secret of Rebeca's and Marc's relationship? Getting there was an interesting pain in the rear. Interesting, because a great deal is going on; the film is full of intrigue, action, love, lust, and betrayal; the main characters win our sympathy. A pain because of shifts back and forth in time, the necessarily large number of inter-related characters to track, and the short shrift given to a few details.
The setting shifts repeatedly between past and present, and in several scenes, characters of the present are shown standing in the action of the past, watching but not interacting. This disrupts the flow, yes, but not horribly so. Where the structure fails is that it falsely implies that Rebeca's and Marc's storytelling - the wrapper around the events of the past - are a fact-finding mission. You realize in the end that she had all the facts before they began, and only one key event was unknown to him.
The presence of Russian and Ukrainian mafias in Basque Country, and especially why they should happen to conflict with the other characters, was unclear. Perhaps - although I doubt it - events such as these are so taken for granted in Spain that they literally need no introduction. The rest of us could have used some clarity.
As symbology, the tree itself fell flat.
Julio Medem also directed "Sex and Lucia", which had a somewhat less convoluted plot structure and which worked much better in the end. And his "Room in Rome" was almost purely linear, but still spellbinding. "The Tree of Blood" just doesn't quite measure up to those works.
And so, "The Tree of Blood" is difficult to rate. I wanted to know, what was the big secret of Rebeca's and Marc's relationship? Getting there was an interesting pain in the rear. Interesting, because a great deal is going on; the film is full of intrigue, action, love, lust, and betrayal; the main characters win our sympathy. A pain because of shifts back and forth in time, the necessarily large number of inter-related characters to track, and the short shrift given to a few details.
The setting shifts repeatedly between past and present, and in several scenes, characters of the present are shown standing in the action of the past, watching but not interacting. This disrupts the flow, yes, but not horribly so. Where the structure fails is that it falsely implies that Rebeca's and Marc's storytelling - the wrapper around the events of the past - are a fact-finding mission. You realize in the end that she had all the facts before they began, and only one key event was unknown to him.
The presence of Russian and Ukrainian mafias in Basque Country, and especially why they should happen to conflict with the other characters, was unclear. Perhaps - although I doubt it - events such as these are so taken for granted in Spain that they literally need no introduction. The rest of us could have used some clarity.
As symbology, the tree itself fell flat.
Julio Medem also directed "Sex and Lucia", which had a somewhat less convoluted plot structure and which worked much better in the end. And his "Room in Rome" was almost purely linear, but still spellbinding. "The Tree of Blood" just doesn't quite measure up to those works.
Le saviez-vous
- AnecdotesÚrsula Corberó, Najwa Nimri, and Luka Peros are all in Money Heist (La Casa de Papel).
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Détails
Box-office
- Brut – à l'échelle mondiale
- 315 750 $ US
- Durée2 heures 10 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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