Bedoone Tarikh, Bedoone Emza

A mirror of Iranian cinema that reflects the personality of the protagonist from the point of view of the doubt of existence.

This movie showed that Small mistakes can end in a tragedy. This movie was compelling and thrilling. It felt like an actual movie 🎥 . The acting was great and so was the directing 10/10.

No Date, No Sign (2017) is an Iranian movie co-written and directed by Vahid Jalilvand.

Amir Aghaee portrays Kaveh Nariman, a respected forensic pathologist. One evening he has a traffic accident in which no one appears to be seriously injured. However, three days later, a dead child is brought to the pathology department. Dr. Nariman realizes that this boy is the child who had been slightly hurt in the accident.

Leila (Zakieh Behbahani), a skilled colleague and friend of Dr. Nariman, performs the autopsy. The real plot starts at that point.

Navid Mohammadzadeh portrays Moosa, the father of the young boy. He's a powerful actor, and is truly the lead actor in the film.

In fact, all three actors are extraordinarily talented. Vahid Jalilvand is a brilliant director. Director and actors have combined to give us an extraordinary movie. The film will hold your interest in every scene. It will work well on the small screen. No Date, No Signature has a solid IMDb rating of 7.3. I think it's even better than that.

This has to be one of the most powerful movies I've ever seen. The acting is excellent, and the plot is, overall, uncomfortably believable.

In terms of plot and theme, it made me think of Thomas Hardy and Marcel Pagnol. I won't say any more...

This is an intense and complicated Iranian drama starring Amir Aghaee as Dr. Kaveh Nariman, who one night driving on the highway accidentally hits a family of four riding on a motor scooter. As details emerge from all parties involved, the consequences of this incident will become enormous.

The movie, directed by Vahid Jalilvand, who also co-wrote the screenplay with Ali Zarnegar, kept me engaged and interested throughout. Aside from Aghaee, look for fine performances from Hediyeh Tehrani, Navid Mohammadzadeh, and Zakieh Behbahani.

Overall, this is a powerful film with loads of realism. I did think the surprise ending was somewhat implausible but for those that like intense foreign films, this one may very well be to your liking.