Era el Cielo
- 2016
- 1h 42m
ÉVALUATION IMDb
6,5/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre langueShattered after the brutal assault by two rapists in her house, a young mother of two decides to keep her ordeal secret from her unsuspecting husband.Shattered after the brutal assault by two rapists in her house, a young mother of two decides to keep her ordeal secret from her unsuspecting husband.Shattered after the brutal assault by two rapists in her house, a young mother of two decides to keep her ordeal secret from her unsuspecting husband.
- Prix
- 7 victoires et 8 nominations au total
Carolina Dieckmmann
- Diana
- (as Carolina Dieckmann)
Dylan Cortés
- Julián
- (as Dylan Cortes)
Avis en vedette
A good story told at a leisurely pace but with little waste. Diana's reasons for keeping the rape from Mario become clear in a naturalistic way, rather than being served up on a plate. Likewise Mario's inaction and smoldering desire for revenge. The weaknesses of his amateur sleuthing and her inability to get rid of evidence of the rape are minor niggles. Highlights include a sports coach sitting on the sideline while Mario pours his resentment into his children's tennis lesson, suspense about his first revenge attempt as it is delayed repeatedly, and the redemptive final scene, demonstrating the couple's overriding love. My first experience of Uruguayan cinema, and what a treat it was.
This is a pretty decent suspenseful drama. I love Argentinian thrillers and have watched quite a few with Leonardo Sbaraglia on them. He's indeed a great actor, which is, in tandem, an asset and a downfall of this movie. Sbaraglia is so good that he completely outshines Brazilian actress Carolina Dieckmann, whose work I've seen many times in soap operas. I understand that she's playing a rape victim and that that experience can really traumatize a person. I also understand that this movie is about silence, about what we do not say, but Dieckmann's lack of depth did not strike me as part of the plot. Why so monotone, monosyllabic and, dare I say, monofacial? Is it because Spanish is not her native language? If so, being a Brazilian myself, I'm really surprised that she could not memorize longer lines in Spanish and did not dare to open a wider mouth in order to pronounce them. It is not that difficult for a Brazilian to learn Spanish. In the movie, it was established from the beginning that her character was not Uruguayan (where the story takes place), so there was no need to hide her accent. Then why speak so little? They even gave her a Brazilian co-worker so that Dieckmann could speak a little more, in Portuguese obviously. When Dieckmann substitutes Sbaraglia as the narrator (also in Portuguese), the movie almost runs off the tracks. I can only guess she had a lot of difficulty learning the lines in Spanish and delivering them convincingly. It's a pity. We've seen many actresses and actors learn a new language for a movie and almost master its accent. We've seen many professionals transform their entire bodies for a character. It seems to me that this is a matter of how seriously you're willing to take your job. Sbaraglia himself wasn't afraid to look hideous and to behave like a disgusting asshole in El Otro Hermano. So, Dieckmann has a gorgeous face, but in this movie she completely lacked a personality. I'm sorry to say that this could have been a great film, if they had cast a more suitable actress for the part of Diana. On a brighter note, very watchable, enjoyable and intelligent suspense/drama, that gets you thinking about fear, identity, relationships, sharing, trusting, hiding and the extreme measures one is capable of taking.
Here's what you should know: this movie is one of the tough ones. And I mean that in the best way possible.
It ended and I couldn't move. That's how hard it hit me. Couldn't move through the end credits, and even several minutes after. All that silence. That was powerful. Simple, and powerful. That, actually, may be the perfect way to describe the whole film.
Then all I could think about was that I needed to write a review for this one, doing my part and letting people know they should watch it.
Also, if I can give you a little tip: watch it alone. Allow yourself to feel this one.
Also, if I can give you a little tip: watch it alone. Allow yourself to feel this one.
Loved the background story telling and how the story revolves. Leonardo Sbaragila at his best.
This is a good movie. But it's the kind of movie you feel pity for, because it could have been a little masterpecie if it had a better direction and a better acting. Sbaraglia does a great job, but Carolina Dieckmann doesn't bring the complexity of her character and Chino Darín's role looks a bit stereotypical. Actually, the Uruguayan actress Mirella Paschoal, even in a much smaller role, has a much better performance than Dieckmann's.
Despite its flaws, The silence of the sky is a rather enjoyable film and keeps you connected to the story from beginning to the end.
Despite its flaws, The silence of the sky is a rather enjoyable film and keeps you connected to the story from beginning to the end.
Le saviez-vous
- AnecdotesThe film was released worldwide on Netflix in January 25th 2017.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Silence of the Sky
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 18 650 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Era el Cielo (2016) officially released in India in English?
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