Lorsque Meyer Lansky fait l'objet d'une dernière enquête par les autorités fédérales, le gangster à la retraite raconte une histoire révélant la vérité sur sa vie en tant que patron de Murde... Tout lireLorsque Meyer Lansky fait l'objet d'une dernière enquête par les autorités fédérales, le gangster à la retraite raconte une histoire révélant la vérité sur sa vie en tant que patron de Murder Inc. et le Syndicat national du crime.Lorsque Meyer Lansky fait l'objet d'une dernière enquête par les autorités fédérales, le gangster à la retraite raconte une histoire révélant la vérité sur sa vie en tant que patron de Murder Inc. et le Syndicat national du crime.
- Frank Rivers
- (as David Elliott)
- Al Capone
- (as Robert Walker-Branchaud)
Avis en vedette
When the aging Meyer Lansky is investigated by the Feds, who suspect he has stashed away millions of dollars over half a century, the retired gangster reveals the untold truth about his life as the boss of the National Crime Syndicate.
I love a gangster film but they have to have something a little different about them for me to really enjoy them . This does and doesn't.
The scenes with Keitel and to a certain extent Sam Worthington are really watchable ( even though there are too many words of wisdom ) but the problem is , because Lansky is telling his life story to David Stone , the film is interspersed with flashback scenes of when he was a young man and to be brutally honest they aren't any good . The Director makes the mistake of doing the gangster scenes like painting by numbers . Every cliche in book is used and it's just dull .
Thankfully Harvey Keitel turns a sows ear into a silk purse and makes the film enjoyable although I couldn't stop looking at the prosthetic nose they gave him which was very distracting.
To confuse people for some weird reason the the movie company changed the name from lansky to A Righteous man - a much duller title . Why do they do things like that ?
Having said that, the movie could have done with a bit more money. It may aim a bit higher than it eventually can reach. So certain things fall a bit flat I reckon. Not any of the actors though. Or the (violent) murders and killings that can be witnessed - no pun intended.
Never heard of Lansky and went into this completely unaware of any backstory. This still was able to "entertain" me or rather have me on the edge of my seat. Suspense was high and there are a few twists that work quite well. Maybe you have a few characters too many overall, but it did work and was not too messy or incoherent for my taste.
Certain editing and camera angle choices were weird even for me, but I assume it was time and money restraints. Still this works, if you let it.
Sam Worthington (AVATAR, 2009) stars as David Stone, a writer who had some success a few years back with his Kennedy biography. Since then, he's struggled in both his personal and professional life. In 1981 when an elderly Meyer Lansky (Harvey Keitel) contacts him to write the true Lansky story, David jumps at the opportunity, seeing it as a solution to his many problems. The two men meet at a Miami diner that Lansky frequents. These diner meetings form the structure of the story, and director Rockaway uses flashbacks to the 1940's to "show" us what Lansky is telling his biographer from the booth.
John Magaro plays the younger Lansky, a man who is remarkably good with numbers and calm, yet forceful, in his demeanor. Lansky has partnered with Ben "Bugsy" Siegel (David Cade), who provides some muscle and flamboyance that Lansky lacks. We see the development of their business, and how Lansky's shrewd business acumen leads to a connection with Lucky Luciano, as well as providing the government with intelligence during the war. Lansky's story to David glosses over the bootlegging and other revenue streams to concentrate on gaming, which of course, is now legal in many states.
The supporting cast includes Minka Kelly as David's fling at the motel, AnnaSophia Robb as Lansky's wife Anne, Shane McRae as Lucky Luciano, and David James Elliott as the FBI Agent obsessed with solving the long-dead Lansky case and locating the $350 million supposedly hidden away. As you might expect, the story bounces from Miami to New York City to Cuba (a stunning Colonial Hotel in Havana) to Vegas to Geneva and even Israel, where Lansky attempted, unsuccessfully, to live out his life.
Lansky's biggest impact was facilitating the connection between the Italian, Irish, and Jewish mafia at a time when so such bond existed. We twice hear him answer, "I have no knowledge on the subject", when questioned about organized crime. On his death in 1983, Lansky had no convictions - all charges had been dropped. A doctor's diagnosis of terminal lung cancer led him to reach out to an author so that his story could be told. We don't learn much about "Murder, Inc." but we do understand Lansky's commitment to "control the game". Rockaway has delivered an intriguing profile of an enigma from inside the mafia ... and screen vet Keitel makes it all believable.
In Select Theaters & On Demand June 25, 2021.
Le saviez-vous
- AnecdotesThis is the second biographical portrayal of Meyer Lansky--the first being Lansky (1998), played by Richard Dreyfuss. In it, he also tells a tale of his life to a journalist.
- GaffesAharon Yariv, who later went on to be head of the IDF Intelligence Directorate and a cabinet minister, shows Lansky a concentration camp tattoo. Yariv served in the Haganah and the British Army and was never an inmate.
- Citations
Meyer Lansky: When you lose your money, you lose nothing. When you lose your health, you lose something. When you lose your character, you lose everything.
- ConnexionsFeatured in The Late Show with Stephen Colbert: Harvey Keitel/Randall Otis (2021)
- Bandes originalesKeep This Going
Written by Jonathan Murrill, Lee Richardson, Tom Ford, James Cocozza (as James Carlo Giorgio Cocozza), Sarah Jane Norman
Courtesy of Extreme Music
Meilleurs choix
- How long is Lansky?Propulsé par Alexa
Détails
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 61 030 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 27 474 $ US
- 27 juin 2021
- Brut – à l'échelle mondiale
- 136 579 $ US
- Durée1 heure 59 minutes
- Couleur
- Rapport de forme
- 2.35 : 1