La guerre de la drogue à la frontière américano-mexicaine s'intensifie lorsque les cartels commencent un trafic de terroristes à travers la frontière américaine. Pour lutter contre cette gue... Tout lireLa guerre de la drogue à la frontière américano-mexicaine s'intensifie lorsque les cartels commencent un trafic de terroristes à travers la frontière américaine. Pour lutter contre cette guerre, l'agent fédéral Matt Graver fait équipe avec Alejandro.La guerre de la drogue à la frontière américano-mexicaine s'intensifie lorsque les cartels commencent un trafic de terroristes à travers la frontière américaine. Pour lutter contre cette guerre, l'agent fédéral Matt Graver fait équipe avec Alejandro.
- Prix
- 1 victoire et 8 nominations au total
Isabela Merced
- Isabel Reyes
- (as Isabela Moner)
David Castañeda
- Hector
- (as David Castaneda)
Raoul Max Trujillo
- Rafael
- (as Raoul Trujillo)
Avis en vedette
Okay, so this doesn't come close to the first movie in the series. But, it comes close enough to being close that it's much more than watchable. It's actually a very good movie. If it was a standalone movie and Sicario never happened, people would more appreciative. Del Toro is his usual badass self. The cartels and U.S. law enforcement are brutal, per the usual. I recommend this to anyone who enjoys fast action.
Not as good the the first one but held my attention throughout. If you can bear the plot holes and just go with it then definitely worth a watch.
Benicio as always is great to watch and most of the cast do a great job. I'd recommend it if you enjoyed the first one.
Where the original Sicario was carried by the suspence created by the contrasting naive FBI-agent Macy (Emily Blunt), the cynical CIA-agent Matt (Josh Brolin) and the vengeful
Alejandro (Benicio del Toro) as ruthless sicario turned against the drug carlets operating along the US-Mexico border, the sequal lacks this tension and becomes an analogue and rather predictable story. Decent acting performances, and attempts to recreate the original dark athmosphere cannot save the weak plot, where several interesting issues launched at the start are not followed through. This makes for a rather unfulfilling experience, despite hints of another sequal.
Sequels typically strive to go bigger and badder than the original. This sequel is no exception. This issue with attempting to up the ante is that it often causes sequels to lose sight of what made the original special. Again, this sequel is no exception.
For some reason that I still don't understand, 'Sicario: Day of the Soldado' opens with coverage of Somali pirates, Mexican-United States border crossings, and graphic scenes of ISIS suicide bombers that will leave you unsettled for an uncomfortably long time. Government agents presume that all these terrorist efforts are connected. They're not.
The film's inclusion of these scenes doesn't add layers to the complexity of anti-terrorist or anti-drug efforts (it's unclear if that was ever the intention). Instead, the scenes only serve to offer some of the BANG BANG moments that sequels seem to require.
There's an emptiness, a pointlessness to the violence-that should be the point of the film. "The war on drugs" is a war without an opponent, and the U.S. is fighting an unwinnable fight. The violence only begets greater violence, one immoral acts leads to dozens more like it, and everyone becomes dirty in the end. This film has no heroes.
I wish that's what this movie was about, but it misses the point. It lacks the perspective and awareness of the first 'Sicario' film. The action in this film is well shot and exciting, same as the first film, but all subtle yet crucial details that made the first film excellent are wrong in this one.
The acting saves the movie from failure. Josh Brolin is excellent once again as the smirking tough guy government agent, and Benicio Del Toro is award-worthy as Alejandro, the sicario. Though he has taken frustrating character development leaps since the first film, Del Toro is nonetheless commanding, angry and tactful. Mercifully, he also provides a few drops of humanity into a movie in desperate need of some. Most actors lack the versatility to successfully transition between all these emotions. But this is Benicio Del Toro.
If you're a huge fan of Del Toro, Brolin or this genre of film, consider seeing it in the theater. Otherwise, wait until you can watch it at home.
For some reason that I still don't understand, 'Sicario: Day of the Soldado' opens with coverage of Somali pirates, Mexican-United States border crossings, and graphic scenes of ISIS suicide bombers that will leave you unsettled for an uncomfortably long time. Government agents presume that all these terrorist efforts are connected. They're not.
The film's inclusion of these scenes doesn't add layers to the complexity of anti-terrorist or anti-drug efforts (it's unclear if that was ever the intention). Instead, the scenes only serve to offer some of the BANG BANG moments that sequels seem to require.
There's an emptiness, a pointlessness to the violence-that should be the point of the film. "The war on drugs" is a war without an opponent, and the U.S. is fighting an unwinnable fight. The violence only begets greater violence, one immoral acts leads to dozens more like it, and everyone becomes dirty in the end. This film has no heroes.
I wish that's what this movie was about, but it misses the point. It lacks the perspective and awareness of the first 'Sicario' film. The action in this film is well shot and exciting, same as the first film, but all subtle yet crucial details that made the first film excellent are wrong in this one.
The acting saves the movie from failure. Josh Brolin is excellent once again as the smirking tough guy government agent, and Benicio Del Toro is award-worthy as Alejandro, the sicario. Though he has taken frustrating character development leaps since the first film, Del Toro is nonetheless commanding, angry and tactful. Mercifully, he also provides a few drops of humanity into a movie in desperate need of some. Most actors lack the versatility to successfully transition between all these emotions. But this is Benicio Del Toro.
If you're a huge fan of Del Toro, Brolin or this genre of film, consider seeing it in the theater. Otherwise, wait until you can watch it at home.
Film starts really well. Gritty, violent, miltaristic. Relevant and exciting. Cool photography and sound. Interesting plot line. Seems like a solid follow-up to the excellent original. Helicopters, machine guns, explosions, mercenaries and black ops. But about halfway through it comes to a screeching halt that it never recovers from, even as there are some scenes that give you hope that the pace will resume.
But the film commits itself to going with a train of events that are not engaging or exciting. It never follows up with what could have been supremely interesting, the cartel war that the planned and executed event was supposed to trigger. Instead it undoes itself with the embarassingly obvious attempt to set that stage for another sequel. We get a lot of wasted time on the way, with story decisons that make no sense, and a convoluted and boring backward human-smuggling idea with political motivations.
The other major annoyance is the young gangster character. He does not act, at all, and his one-expression face alone is extremely unpleasant, not in a menacing way, but punchworthy. Highly ineffective and off-putting. Really bad casting.
First half was great. Second half was a joke.
But the film commits itself to going with a train of events that are not engaging or exciting. It never follows up with what could have been supremely interesting, the cartel war that the planned and executed event was supposed to trigger. Instead it undoes itself with the embarassingly obvious attempt to set that stage for another sequel. We get a lot of wasted time on the way, with story decisons that make no sense, and a convoluted and boring backward human-smuggling idea with political motivations.
The other major annoyance is the young gangster character. He does not act, at all, and his one-expression face alone is extremely unpleasant, not in a menacing way, but punchworthy. Highly ineffective and off-putting. Really bad casting.
First half was great. Second half was a joke.
Le saviez-vous
- AnecdotesEmily Blunt was originally attached to reprise her role in Sicario (2015) as FBI Agent Kate Macer. However, director Stefano Sollima ultimately decided not to use Blunt or her character in the film, noting that Macer represented the moral compass in Sicario (2015), whereas he did not want any character to serve as moral guidance in the sequel. Screenwriter Taylor Sheridan, who wrote the story and screenplay for both films, also stated in interviews that he could not think of a reason to keep Agent Macer in the second film, and that her character's story had already come full circle in the first installment.
- GaffesImmediately after Alejandro is shot, the helicopter pilot tells Matt that they are 2 minutes out. This scene takes place in complete darkness. However, when the helicopters catch up with the coyotes, it is broad daylight and the coyotes have been shown to drive a significant distance.
- Citations
Matt Graver: Fuck it all. Wipe it clean.
- Générique farfeluThere are no opening credits.
- Bandes originalesSe Sienten Menos
Written by Victor Daniel Federico Guerrero and Dante Edu Espinoza Sanchez
Performed by Under Side 821
Courtesy of Under Side 821
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Sicario: Day of the Soldado
- Lieux de tournage
- Avenida Santa Fe 485, Cuajimalpa, Ville de Mexico, Mexique(Alejandro says "Adiós")
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 50 072 235 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 007 566 $ US
- 1 juill. 2018
- Brut – à l'échelle mondiale
- 75 837 743 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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