Ajouter une intrigue dans votre langueA powerful drama and a fictional account of the night Kitty Genovese was murdered in 1964, Kew Gardens, Queens, where 37 neighbors witnessed the killing and did not intervene.A powerful drama and a fictional account of the night Kitty Genovese was murdered in 1964, Kew Gardens, Queens, where 37 neighbors witnessed the killing and did not intervene.A powerful drama and a fictional account of the night Kitty Genovese was murdered in 1964, Kew Gardens, Queens, where 37 neighbors witnessed the killing and did not intervene.
- Prix
- 1 victoire et 1 nomination au total
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I won't repeat all the justifiably outraged comments this film deserves by distorting not only the basic facts of the Genovese murder but also perpetrating misguided fiction. If you decide to make a movie based on any *real* case, at least do basic research. Even before "The Witness" (an amazing film) was released it was well-known that the Times had fluffed the apathy angle to stoke sales.
No, what makes Puk Grasten's film irredeemable is it's utter lack of a story or any compelling (strike that --- NON-repellent), even interesting characters. These fantasy "neighbors" are all given stereotypical bad-sitcom dilemmas and we watch them yell, kick, scream, and drag for the longest 85-minute run-time I've endured this year. None of the subplots has any bearing on the crime (you could be watching a really dull Law and Order) and Grasten falls back on primitive symbolism such as the innocent all-seeing nature of the child vs. jaded self-absorbed adulthood.
Maybe "37" is what it appears to be --- a glib, inauthentic, attention-seeking morality-play payday. But if "37" *is* a sincere attempt at making a meaningful or engaging film, its dismal failure doesn't make it any less a waste of anyone's time.
No, what makes Puk Grasten's film irredeemable is it's utter lack of a story or any compelling (strike that --- NON-repellent), even interesting characters. These fantasy "neighbors" are all given stereotypical bad-sitcom dilemmas and we watch them yell, kick, scream, and drag for the longest 85-minute run-time I've endured this year. None of the subplots has any bearing on the crime (you could be watching a really dull Law and Order) and Grasten falls back on primitive symbolism such as the innocent all-seeing nature of the child vs. jaded self-absorbed adulthood.
Maybe "37" is what it appears to be --- a glib, inauthentic, attention-seeking morality-play payday. But if "37" *is* a sincere attempt at making a meaningful or engaging film, its dismal failure doesn't make it any less a waste of anyone's time.
The story of Kitty Genovese has transcended time, and fascinated people for decades, like myself. Loving true crime stories and growing up in Queens, NY, this was a story that I've read and researched repeatedly. I had no idea a movie was made, and wish it had stayed that way. I watched this (April 2024) and could not believe how awful this movie was. My anticipation of my 2 favorite things combining (true crime and movies) led to absolute failure. Characters were not developed, there was no clear plot and Kitty was not featured as she deserved to be. There was so much potential here to tell her story and do it the justice it has deserved for 40 years now. Her story still remains shrouded in lies and ambiguity and it's a total shame. When Hollywood tries to sell you a "true" story, it's with a giant grain of salt. They have yet to get this story right and as always, they are only interested in profit, not people. There is still no justice for Kitty. If you watch this movie, you too will realize you spent 1 hour and 20 minutes of your life, that you will never get back, do anything else!
Historically inaccurate and terrible movie. Could have done without the whale music towards the end as well. It's so bad, I can't even bother to elaborate any further. Please don't waste your time.
I am glad I stopped it and read the reviews before wasting any more time on this movie that moves at a glacial pace and totally disrespects her life. Very upsetting. I love Samira Wiley, but even she couldn't save this.
I generally don't take the time to write reviews however having just watched the documentary The Witness and the agonizing investigation her brother did to bring peace to himself regarding his sister's tragic death, this movie was completely weird and did not make one iota of sense! How the children depicted in this film would be up at 2:00 AM having dysfunctional issues with their parents is beyond me. This movie is like a psychedelic bad acid trip. The murder itself is belittled and was so irrelevant to a bunch of meaningless circumstances that supposedly had all 37 characters preoccupied at the same time and in the same neighborhoods. It is just a pathetic epic fail to sell to the audience. I felt like an idiot to have kept my nose stuck to the screen for the agonizing amount of time it took for this movie to finally end.
Le saviez-vous
- AnecdotesSamira Wiley, Maria Dizzia and Christina Brucato all starred in Orange Is the New Black. Wiley was a main cast member (Poussey), Dizzia had a recurring role (Polly) and Brucato appeared in one episode in a different timeline as the younger version of character Lolly.
- ConnexionsRemake of 37 (2013)
- Bandes originalesWonderful Waltz
Written by Ken Morrison
Performed by The Morrie Morrison Orchestra
Courtesy of Crucial Music Corporation
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- How long is 37?Propulsé par Alexa
Détails
- Durée1 heure 25 minutes
- Couleur
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