Modus

With the explosive blooming of Scandi Noir, this decade has seen several dozens of thrilling series where something bad is developed and solved/removed using suspense and uneasiness... Some concepts and approached are distinct, the others not, and even in a relatively big country like Sweden, there are many recurring actors-actresses having bigger or smaller roles in various thrillers, including here, that it takes some time to get used to it. Well, most performers are good at least, but in Modus, it often seemed that the leading characters or performances were more static and trivial that many supporting ones, Melinda Kinnaman and Henrik Norlén did not impress me too much.

As for the plot and it's entertainment level, Modus had a few twists only, and the basic reasons for the wrongdoer's actions were revealed too soon, with some excessive moralisation, and the gay topic was over- exploited in this context. The police work was oddly weak, the killer of foreign origin could easily advance openly, paving the way for protracted scenes and unnecessary cast. But still, the general atmosphere was OK - probably for those having some knowledge of Scandinavian way of living and attitudes; I can hardly imagine that the series in question could be an interesting fellow to viewers outside Nothern Europe.

The police work is laughable, which is a shame as the production is quite good. There are so many times when we had to laugh at how ridiculous the plot was, how unlikely the events, the total lack of police and security in what is a major crime of global proportion. The oh so bad opening song gives you a taste of what's to come.

This doesn't meet the higher standards I'm used to in watching Scandinavian shows (The Bridge, The Killing, Borgen, etc.). Frankly, it comes across as a a more lazy American version. Too bad.

Very enjoyable. 1st series was excellent. 2nd series has an interesting and bold plot. A little spoiled by the terrible acting of Greg Wise (a real 'ham' actor) and wholly unconvincing accent (a poor imitation of 'Dr House'). Good Nordic Noir

'The Killing' established a certain template for Scandinavian crime drama: dark, moody, intense, understated, and with a tough, and not conventionally feminine, leading female protagonist. The recipe was followed pretty much exactly in 'The Bridge'; and many of the same elements are also present in 'Modus'. But for my money, 'The Killing' was great because of brilliant acting (and occasionally writing), rather than because it unlocked inherently magic elements, and for me, 'Modus' falls a bit flat. It's one thing to tell a complex multi-part story of a criminal investigation, one which impacts upon the private lives of its characters; but it's another to make this into a cohesive story, one which makes intrinsic sense and makes the viewer care beyond the latest twist. And to my mind, any plot based upon the idea of the serial killer with the premeditated plan is at a disadvantage even before it starts. 'Modus' isn't awfully done, and maybe I'm just a bit Scandi'd out, but it certainly lacks the freshness that the first season of 'The Killing' such a success.