Ajouter une intrigue dans votre langueSet in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.
- Prix
- 5 victoires et 14 nominations au total
- Sister Genevieve
- (as Lisa Stewart Seals)
- Cathleen Age 7
- (as Eliza Mason)
Avis en vedette
The film is about a group of young girls who pledge themselves to become nuns. The film takes place somewhere in the early 70's, so there were many taboo elements including discovering sexuality that were just frowned upon at the time, especially at a Catholic school. The mother superior in the film is stern and cold but times are changing and the students discover the tolls that their pledged lifestyle takes on them and find out who they really are.
Margaret Qualley and Melissa Leo are just stellar in this film. Leo is always consistently good and she is just born to play the roles such as the Reverend mother in this film. The set and costume design is sleek and seems authentic for the time period and religious backdrop. Its a film that questions religion and how much of ourselves we can give to God. I find it interesting that the filmmaker had such a creative effort and if there were any personal influences in making the picture.
There is a crisis of faith and exploring human sexuality, which directly interferes with the practices of the sisterhood in the film. Its a good watch, although I think the film could have been shorter. It doesn't always work and probably will fizzle out as the year goes on but for real film lovers like myself its something to check out and form an opinion for.
7/10
This is the story of a young girl raised by a non-religious divorced mother. In the absence of any male or female role model, she finds it hard to find peace and love. At her catholic school, she learns that God's love is unconditional & therefore, she decides that she wants to be the Bride of Christ. At the Convent, she faces a lot of challenges, personal as well as spiritual.
The story takes place around 1964, which was when Vatican II reforms were brought about. The movie very successfully highlights how the nuns were never involved in any of the decision making process and how their standing in the church was suddenly reduced due to the reforms. Thus, a lot of nuns felt dejected, abandoned by their God and faced spiritual crises. So great was their despair that many of them even left their vocation. To me, this aspect of the film was quite interesting and informative.
A great debut by the director, Maggie Betts!
As the movie progresses, I started to believe that her mother was right. Young women who want to love and serve Jesus are systematically brutalized and humiliated by the Reverend Mother (Melissa Leo). In fact, the Reverend Mother appears consumed by her desire not to allow the young women to think. She also makes it difficult for them to bond with each other. She demands total and absolute obedience from all the women--postulants, novitiates, and nuns.
Then, Vatican II ends, and the Catholic church wants to modernize and change. Whether this is good news or bad news for the nuns is an open question in the context of this movie.
You'll have to see the movie to learn what happens to Sister Cathleen and the other novitiates. We saw this film at Rochester's excellent Little Theatre, but it will work on the small screen. As I write this review, the movie has a anemic 6.7 IMDb rating. I think it's better than that.
Things start to go south towards the half of the movie: while there are beautiful depictions of relationships and conflicts between characters, on the other hand, there are others that are not deepen enough. For example, sister Mary Grace had a lot of potential, but she is dismissed too quickly. I did not have the chance to know her at all, and she was a key protagonist. There are here and there a few good scenes, but overall I am not really sure if the nun life represented in this movie was very accurate. I know that this kind of life is very hard and you need to earn your vows, and I am aware that there are orders stricter than others, but I felt that it was forced.
The acting is overall pretty decent, but I cannot say that I was astonished by it. I was definitely excepting more from Margaret Qualley, considering her successful career in recent years, but I was disappointed. There are a lot of cringey scenes, that I could not bare. At some point it seemed almost like a parody. I am aware that there are a lot of scenes that are very demanding in terms of acting, but unfortunately most of actresses did not deliver. Honestly, it is not a bad film, but considering the slow pace rhythm and its two hours length, they could come up with something better for sure.
On a whim Nora takes Cathleen to the local Catholic church, her mother is not religious in the least, but thinks Cathleen should at least have some exposure to church. Cathleen is immediately in awe of the church and it's teachings. When the opportunity to attend a Catholic school comes up, her mother is hesitant, but agrees to let her attend when she is told there are full scholarships available. Cathleen is a quiet, shy girl and makes few friends in the years that she attends. She immerses herself in her studies and her faith. When Cathleen announces to her mother she is entering the convent to become a nun her mother is aghast and begins to think Cathleen has lost her mind. Cathleen listens to her mother's rants, does not say a word in response, and then simply walks away.
Cathleen and nineteen others enter into the convent for a variety of reasons, but none as single minded as Cathleen. Just as she's entering the Sisters of the Beloved Rose convent, Vatican II (1962-1965) is underway which will forever change the Catholic church. Mother Superior (Melissa Lea) has spent forty years at the convent and believes there is no reason for the church to consider its relationship with society or other religions and continues to ignore the Vatican's new direction. She has spent her entire life within the walls of the convent and acknowledges she does not, nor does she want an identity outside of that.
Cathleen undergoes emotional, mental, physical, psychological, sexual, and spiritual self examination as do all who have entered the convent. In the end, only five of the twenty will become "brides of Christ" and become nuns. Her mother can only observe from the outside her daughter's journey and hopes to reunite with her one day soon.
Great movie for people who don't know much about the Catholic church and the changes they've made in attempt to be "more modern." One of the lesser know facts is over 90,000 nuns left their vocations during Vatican II due to those changes, one of which was nuns were no longer required to wear their habits. Word of caution: Not for younger viewers due to sex scenes.
Le saviez-vous
- AnecdotesShot in Tennessee.
- GaffesToward the end of the movie, as a nun undresses, she is completely nude under her habit. It would have been rare that any nun would not have on some sort of undergarments in the 1960's.
- Citations
Reverend Mother: I can feel you, right next to me, for so long. With me all that time, my darling husband. And now you've abandoned me! And you hoped that I would lose faith in you? You imagined that I would just walk out those gates? I cannot. I made a commitment forty years ago. And even if you choose to turn your light from me forever... I am yours. Oh, my darling husband.
- ConnexionsReferences Au risque de se perdre (1959)
- Bandes originalesPie Jesu
Written by Gabriel Fauré
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Novitiate
- Lieux de tournage
- Scarritt Bennett Center, Nashville, Tennessee, États-Unis(The convent of the Order of the Sisters of Blessed Rose)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 580 346 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 22 724 $ US
- 29 oct. 2017
- Brut – à l'échelle mondiale
- 580 346 $ US