billoneil2

The scripts are brilliant, I must say. Every one I have seen so far has a factor that makes you want to stop and think about what on Earth you just saw, but you also can't dare to stop watching because of how interesting the entire plot line is.

Most episodes are filled with plenty of sleaze and graphic violence,so fans of exploitation won't be disappointed.The murders are stylish and sometimes gory, and Martin has populated the series with several strikingly beautiful women. This is a fun show if you are not offended by adult themes.

The only thing missing is more time for development of some of the smaller characters. (It's a half hour show.) But there's always a good explanation given for the killers motives. Overall a surprisingly good achievement.

Although it is not a very good movie, there are a few things I actually like about this film.

First is the scene with the rattle snake. Believe it or not, this actually scared me the first time I saw it (I was about 40). I hate snakes anyway and a rattler finding its way into a parked car seemed very plausible and unnerving to me. Yikes.

Second is the music which immediately precedes the snake scene. As the Buick convertible pulls up to a Magnolia tree and parks, the students are playing the car radio. I don't know what the name of the song is or the artist, but I absolutely love it—late night mood music. The same recording turned up briefly in "Hideous Sun Demon."

Third is the music heard during the outdoor fraternity party the night the assignments are given out. Several tunes are heard, but this one is clearly the "B" side of the record used for the snake scene. It's by the same group and has the same sexy, late night jazziness about it. It's great.

Fourth is the ending with the ring. Perhaps, like the rest of the movie, it was crudely done. But nevertheless, when the student goes into the mortuary and is sweating it out removing the ring, I felt very tense, just waiting for something awful to happen. It worked for me.

Lastly is the fact that there are some fairly hot guys in the cast, which always brightens things up a bit. I won't name them, you can see for yourself.

Not a great film, but still a few things to like about it.

Sinister Cinema carries this title and like IMDb, they insist it contains "axe murders galore." In fact, there is not one single axe murder in the entire film. The first murder is by shotgun and the rest are by kitchen knife and filmed in such a tame and un-graphic way as to make it sometimes unclear whether the murder actually took place.

This is an extremely low budget and amateur attempt at a murder mystery. Probably due to budgetary limitations (and the film maker's inexperience) it is shot so thin one can easily see the difficulties the editor had putting it together.

While I can forgive the lack of funds it is harder to excuse the script. You will know who the guilty party is almost immediately. Throughout the film, clues are presented in such an obvious and over-stated manner as to leave no doubt in your mind. Consequently, there is no "big surprise" when the killer's identity is revealed.

Another problem is the premise itself. The movie is clearly aimed at skirt-chasing heterosexual males who presumably accept a virtually all-female cast constantly trying to seduce the male lead. The first 14 minutes of the film are a tedious exercise in redundancy and implausibility, as our hero is flirted with by no less than six wannabe vamps.

All these things aside, there are some pleasures to be had here. Lee Phillips, while completely wasted in such a poorly written role, nevertheless is talented enough to make his scenes plausible. A young James Farentino also shows promise in an early part as a thug. Although made in 1963, there is an abundance of late 1950s mood and style on display, which would completely evaporate by the following year when the producers made "Horror of Party Beach."

A roughly-hewn, crude movie likely to disappoint you if you're searching for a forgotten-gem type film.