Baby, el aprendiz del crimen

A very well choreographed film. Right from the driving sequences, the dance & music moves, the complete score of the film to even the sign language conversations between Baby and Joseph.

Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.

3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.

Overall a good one time watch.

Strong cast of actors.

Edgar Wright proved to be able to create a thrilling direction and more than capable script for our ensemble cast, led by a sympathetic Ansel Elgort. He certainly shines as this teen in a tough position who is a good guy being forced to do bad things. More than your average heist movie, with a killer soundtrack and fast pace driver you'll be on the edge of your seat during the most crazy moments.

I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.

Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.

Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.

If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.

Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.

In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.

There is never a dull moment in this action crime film about a getaway driver who has his own unlimited getaway soundtrack but who also wants to break free from the crime boss who owns his life.

There is enough style and visceral strut in this film that it neutralizes the one or two credibility gaps in the plot. Ansel Elgort is great as the title character, but Jamie Foxx steals the film with a lively performance as the loose cannon in the crew. Performances all around are solid and the dialogue is so rife with dueling wits, it's like watching a recurring display of verbal fireworks. These firecracker scenes of competitive criminals showing off their bravado are just as exciting as the chase scenes through downtown Atlanta.

The film also banks heavily on a heady, omnipresent soundtrack that keeps the tempo perpetually hyperactive. A word of caution: The action can be tough going at times; the film revels in its permanent state of anarchy before ultimately developing a mean streak. But for all the blistering gunfire and screeching tires, this is not a one-note film. It has its moments of quietly boiling tension and eerie backstory flashbacks. It's a film that wears its attitude on its sleeve and doesn't shrivel into conventionality. Not an absolute bull's eye, but recommended to everyone who wants a good rush.