CALIFICACIÓN DE IMDb
6.6/10
85 k
TU CALIFICACIÓN
Padre e hijo se dan a la fuga perseguidos por el gobierno y por una secta que quiere los poderes del niño.Padre e hijo se dan a la fuga perseguidos por el gobierno y por una secta que quiere los poderes del niño.Padre e hijo se dan a la fuga perseguidos por el gobierno y por una secta que quiere los poderes del niño.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 14 nominaciones en total
Jaeden Martell
- Alton
- (as Jaeden Lieberher)
Allison Gabriel
- Hannah (Ranch Member)
- (as Allison King)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaBecause he wanted final cut, Jeff Nichols originally considered making the film with an independent film studio, rather than at Warner Bros Pictures. It wasn't until his last meeting with Warner Bros that he informed them of this requirement. However, the producers at the company still agreed to make the film, due to its relatively small budget.
- ErroresNear the end of the movie, after Roy breaks through the road blockade, the air bags are engaged. However, seconds later the vehicle is able to drive away without any sign of them. Air bags are designed to instantly inflate to cushion the people in the car against impact, but then to deflate straight away. Although there are many shots in which you cannot see the air bags, when the car flips over, it can be seen in its deflated state.
- Citas
Alton Meyer: Dad?
Roy: Yeah?
Alton Meyer: Are you scared?
Roy: Yes.
Alton Meyer: You don't have to worry about me.
Roy: I like worrying about you.
Alton Meyer: You don't have to anymore.
Roy: I'll always worry about you Alton. That's the deal.
- Bandas sonorasSunrise Mass
Written by Ola Gjeilo
Performed by Majorstua Chamber Choir / Kammerkoret Nova with String Orchestra
Conducted by Tore Erik Mohn
Courtesy of GIA Publications, Inc.
Opinión destacada
This reminded me of a couple of films, namely Close Encounters and Starman, but with everything good about them ripped out, thrown on the floor and stamped on.
What remained was an overall joyless experience as two sullen, largely monosyllabic mumbling men drove a kid with glowing eyes home for two hours. Of course they had a couple of hurdles to overcome but at no point do you think "Oh no, they're not going to get the glowing eyed kid home". Where previously films of this oeuvre have employed wit, humanity and a sense of wonder to fabulous effect the director of this sullen dross did little other than smash you repeatedly in the face shouting "I AM SERIOUS, I AM IMPORTANT" by making the repetitive turgid soundtrack blare progressively louder and louder. It was bombastic pseudo-intellectual rubbish masquerading as serious cinema.
Just because everyone looks miserable and hardly anyone says anything doesn't automatically make something good. You have to have talent to pull that off and make people care about your morose protagonists despite themselves. Whereas the only comparable thing this nonsense succeeded in doing was making me like a guy from the NSA, basically because he was the only one who seemed capable of speaking in entire sentences and looking slightly interested in what was going on.
I'd rather be forced to sit and watch E.T over and over again Clockwork Orange style for a week than expose myself to this inane garbage again. And I hate E.T.
What remained was an overall joyless experience as two sullen, largely monosyllabic mumbling men drove a kid with glowing eyes home for two hours. Of course they had a couple of hurdles to overcome but at no point do you think "Oh no, they're not going to get the glowing eyed kid home". Where previously films of this oeuvre have employed wit, humanity and a sense of wonder to fabulous effect the director of this sullen dross did little other than smash you repeatedly in the face shouting "I AM SERIOUS, I AM IMPORTANT" by making the repetitive turgid soundtrack blare progressively louder and louder. It was bombastic pseudo-intellectual rubbish masquerading as serious cinema.
Just because everyone looks miserable and hardly anyone says anything doesn't automatically make something good. You have to have talent to pull that off and make people care about your morose protagonists despite themselves. Whereas the only comparable thing this nonsense succeeded in doing was making me like a guy from the NSA, basically because he was the only one who seemed capable of speaking in entire sentences and looking slightly interested in what was going on.
I'd rather be forced to sit and watch E.T over and over again Clockwork Orange style for a week than expose myself to this inane garbage again. And I hate E.T.
- Scunner
- 9 may 2016
- Enlace permanente
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- How long is Midnight Special?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Untitled Jeff Nichols/Sci-Fi Project
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 18,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,712,282
- Fin de semana de estreno en EE. UU. y Canadá
- USD 190,012
- 20 mar 2016
- Total a nivel mundial
- USD 7,112,282
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What is the Hindi language plot outline for Midnight Special (2016)?
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