Tras un terrible terremoto en California, un piloto se embarca en un peligroso viaje a través del estado con su exmujer para rescatar a su hija.Tras un terrible terremoto en California, un piloto se embarca en un peligroso viaje a través del estado con su exmujer para rescatar a su hija.Tras un terrible terremoto en California, un piloto se embarca en un peligroso viaje a través del estado con su exmujer para rescatar a su hija.
- Premios
- 2 premios ganados y 10 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
Argumento
¿Sabías que…?
- TriviaDirector Brad Peyton brought in Thomas Jordan, USC professor and director of the Southern California Earthquake Center to fact check the script for plausibility. Though both Peyton and lead actor Dwayne Johnson contend that the science portrayed in the film is accurate, Thomas Jordan was quoted as saying "I gave them free advice, some of which they took... but much of which they didn't - magnitude 9's are too big for the San Andreas, and it can't produce a big tsunami."
- ErroresWhen Ray steals the truck, he has to hot-wire it to start, but when he gets to the crack, he turns off the engine using the key.
- Citas
Raymond Gaines: [upon landing with Emma in a baseball stadium by parachute] It's been a while since I got you to second base.
- Créditos curiososThe end credits scroll with a bend at the top and bottom of the screen, as though they are on a rotating seismograph drum. Seismic lines, increasing in intensity, can be seen on the left side of the frame.
- ConexionesEdited into The Green Fog (2017)
- Bandas sonorasStyle
Written by Ali Payami, Shellback (as Johan Schuster), Max Martin and Taylor Swift
Performed by Taylor Swift
Courtesy of Big Machine Records, LLC
Opinión destacada
My love of the disaster genre means that I can enjoy this type of movie despite the myriad problems with it, alongside the inherent cheesiness and the poor writing which makes it laughable in places. It pales in comparison to stuff from the 1970s like THE TOWERING INFERNO and EARTHQUAKE, but it's certainly better than modern SyFy Channel and Asylum offerings, even if that's just because of the massive budget alone.
The story is written so that the disaster scenes keep occurring throughout the movie. The CGI effects work is extensive, but it's also pretty good, and certainly better than in the awful 2012. Yes, you get all the flag-waving nonsense associated with this type of film, but you also get plenty of suspense scenes and depictions of post-earthquake devastation that you don't usually get to see in the movies.
Dwayne Johnson continues to be a hulking, mildly charismatic presence in the movies, although he's no Schwarzenegger. Alexandra Daddario is there for her looks and certainly succeeds in that respect. The rest of the cast don't fare so well, with Ioan Gruffudd virtually reprising his role from SANCTUM and Paul Giamatti on autopilot, although at least we get to find out what happened to Art Parkinson (the disappearing Rickon Stark from TV's GAME OF THRONES). SAN ANDREAS is certainly undemanding entertainment, and not a film I'm in any hurry to sit through again, but compared to other offerings in this packed sub-genre, it's not THAT bad.
The story is written so that the disaster scenes keep occurring throughout the movie. The CGI effects work is extensive, but it's also pretty good, and certainly better than in the awful 2012. Yes, you get all the flag-waving nonsense associated with this type of film, but you also get plenty of suspense scenes and depictions of post-earthquake devastation that you don't usually get to see in the movies.
Dwayne Johnson continues to be a hulking, mildly charismatic presence in the movies, although he's no Schwarzenegger. Alexandra Daddario is there for her looks and certainly succeeds in that respect. The rest of the cast don't fare so well, with Ioan Gruffudd virtually reprising his role from SANCTUM and Paul Giamatti on autopilot, although at least we get to find out what happened to Art Parkinson (the disappearing Rickon Stark from TV's GAME OF THRONES). SAN ANDREAS is certainly undemanding entertainment, and not a film I'm in any hurry to sit through again, but compared to other offerings in this packed sub-genre, it's not THAT bad.
- Leofwine_draca
- 26 abr 2016
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 110,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 155,190,832
- Fin de semana de estreno en EE. UU. y Canadá
- USD 54,588,173
- 31 may 2015
- Total a nivel mundial
- USD 474,609,154
- Tiempo de ejecución1 hora 54 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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