Un mundo en el que una operación obligatoria borra las diferencias físicas y hace que todo el mundo sea guapo.Un mundo en el que una operación obligatoria borra las diferencias físicas y hace que todo el mundo sea guapo.Un mundo en el que una operación obligatoria borra las diferencias físicas y hace que todo el mundo sea guapo.
- Premios
- 1 premio ganado en total
Opiniones destacadas
It's shocking how much nonsense they can pile up. The dialogues are painful, and the story is hard to watch. I only feel like it deserves a 2/10, not a 1, due to the fact that it's unintentionally funny, and you can't take it seriously.
Even though Netflix films are a constant letdown, you might feel tempted to give this one a chance. The visual effects are okay; it's clear they spent money on them. I just wish they had focused more on the storytelling. The forced plot goes in every direction except the one you wish. It makes you wonder if the actors felt awkward during filming...
I really don't recommend watching this movie-unless you're with a group of friends on edibles, looking for a laugh.
Even though Netflix films are a constant letdown, you might feel tempted to give this one a chance. The visual effects are okay; it's clear they spent money on them. I just wish they had focused more on the storytelling. The forced plot goes in every direction except the one you wish. It makes you wonder if the actors felt awkward during filming...
I really don't recommend watching this movie-unless you're with a group of friends on edibles, looking for a laugh.
This movie just became available and judging by some of the 'reviews' here many watched it (or didn't) just to leave a negative review.
While it cannot be considered a masterpiece it in fact is a fairly entertaining parody of modern society. The idea that people place an inappropriately high value on "how someone looks." When friends meet at an event or party a common greeting is "You look really good in that outfit." Or "I love your new hairstyle." I suspect being "pretty" or "handsome" helps people get jobs or elected for public office.
Some reviewers point out that the actors, including Joey King, aren't really ugly. That misses the point, in this society they are considered ugly because they are ordinary. When we see those who have turned 16 and undergone their transition, their beauty is about what you get when someone has a glamor makeup session. Or the usual makeup movie stars get for the role they are playing.
But that is only part of it, they also are brainwashed to believing that "Free thinking is a cancer" and conforming will make everyone happier. (Shades of 'Pleasantville.')
So Joey King plays 'Squint", she is about to turn 16, her mantra is "I want to be pretty." But there is a rogue world outside her city where rebels are living the old way, children with their parents, growing their own real food. And the movie ultimately gets the 'Rusties" as they are called pited against the establishment.
Movies like this are made to entertain and my wife and I were entertained, watching at home, streaming. As the movie went she said she thought maybe she had read the books some years past and later found out she did. They are considered 'Young Adult' books and that fits with the themes here.
While it cannot be considered a masterpiece it in fact is a fairly entertaining parody of modern society. The idea that people place an inappropriately high value on "how someone looks." When friends meet at an event or party a common greeting is "You look really good in that outfit." Or "I love your new hairstyle." I suspect being "pretty" or "handsome" helps people get jobs or elected for public office.
Some reviewers point out that the actors, including Joey King, aren't really ugly. That misses the point, in this society they are considered ugly because they are ordinary. When we see those who have turned 16 and undergone their transition, their beauty is about what you get when someone has a glamor makeup session. Or the usual makeup movie stars get for the role they are playing.
But that is only part of it, they also are brainwashed to believing that "Free thinking is a cancer" and conforming will make everyone happier. (Shades of 'Pleasantville.')
So Joey King plays 'Squint", she is about to turn 16, her mantra is "I want to be pretty." But there is a rogue world outside her city where rebels are living the old way, children with their parents, growing their own real food. And the movie ultimately gets the 'Rusties" as they are called pited against the establishment.
Movies like this are made to entertain and my wife and I were entertained, watching at home, streaming. As the movie went she said she thought maybe she had read the books some years past and later found out she did. They are considered 'Young Adult' books and that fits with the themes here.
You will not run into any surprises in this dystopian teen soap opera of a film. It contains a lot of tired tropes and cliched sci-fi scenarios, and doesn't really offer a new spin on anything. The plot is ripped straight out of the 1976 classic sci-fi film (and the novel that proceeded it) Logan's Run. Meanwhile, the main conceit of the film is straight out of a Twilight Zone episode: What would you do to fit in with the "pretty" crowd?
Of course, everyone is pretty in this world already, as the cast consists entirely of fresh-faced, fit young adults -- no one is overweight, disabled, or disfigured. The only blemish in the entire CGI-filled world is a scar on the hand. (The horror!) All of this would be forgivable if the acting and writing were on par with, say, The Hunger Games -- another YA series with a similar dystopian feel. Alas, that is not the case, as dramatic lines like, "Yup, I'm David." are the best that the film has to offer.
Plus, the unsatisfying conclusion seems to exist only to set up a sequel -- ugh! Netflix has a very mixed bag lately when it comes to sci-fi, the most underserved genre on the streaming service. On the one hand, they gave us the amazing first season of Three-Body Problem and Adam Sandler's underappreciated masterpiece, Spaceman. On the other hand, they waste a lot of time and money making hot garbage like this film or Zack Snyder's poorly conceived two-part Rebel Moon.
Netflix, not all sci-fi has to be super-cerebral, but it's definitely not about CGI and "pretty" characters. At its core, sci-fi exists to hold aa mirror up to us, exploring morality by posing the question of what humans would do in extraordinary circumstances. By taking the characters out of the everyday, it allows us to more closely examine what it truly means, at its core, to be human. But this movie falls far short of that goal, offering us only a generic story that we've seen far too often already. So, please, Netflix, do not greenlight the sequel to this movie.
Of course, everyone is pretty in this world already, as the cast consists entirely of fresh-faced, fit young adults -- no one is overweight, disabled, or disfigured. The only blemish in the entire CGI-filled world is a scar on the hand. (The horror!) All of this would be forgivable if the acting and writing were on par with, say, The Hunger Games -- another YA series with a similar dystopian feel. Alas, that is not the case, as dramatic lines like, "Yup, I'm David." are the best that the film has to offer.
Plus, the unsatisfying conclusion seems to exist only to set up a sequel -- ugh! Netflix has a very mixed bag lately when it comes to sci-fi, the most underserved genre on the streaming service. On the one hand, they gave us the amazing first season of Three-Body Problem and Adam Sandler's underappreciated masterpiece, Spaceman. On the other hand, they waste a lot of time and money making hot garbage like this film or Zack Snyder's poorly conceived two-part Rebel Moon.
Netflix, not all sci-fi has to be super-cerebral, but it's definitely not about CGI and "pretty" characters. At its core, sci-fi exists to hold aa mirror up to us, exploring morality by posing the question of what humans would do in extraordinary circumstances. By taking the characters out of the everyday, it allows us to more closely examine what it truly means, at its core, to be human. But this movie falls far short of that goal, offering us only a generic story that we've seen far too often already. So, please, Netflix, do not greenlight the sequel to this movie.
As many have pointed out, there wasn't enough run time to build the narrative and characters. The only character they slightly done justice was Shay, Brianne done really well in portraying her.
Whoever designed the set/Architecture WELL DONE, literally almost exactly how I have imagined it in my head for the last 10 years, even down to the constant fireworks.
1. "The uglies are not ugly enough" Surprisingly I disagree. I just think they haven't portrayed the pretties as radical enough, it lacked the outrageousness and complexity of the actual appearance and personality change. The uglies are meant to look NORMAL, eg. Literal models in old magazines didn't compare to pretties in the book. Although I do agree that Joey King doesn't quite suit the book perception of Squint, I can however, see their thought process (I'm looking at you people who keep calling her ugly)
2. "We never learn about the rest of the planet", yeah the readers didn't learn about that for a while either, and neither does the characters. It's actually a main plot line in one of the future books so be patient.
3. "How are they hoverboarding on water" This is where the narratives quickness and budget ruined the technology and dystopian aspect, I was looking forward to this part the most, however it all lacked clarity with too much action.
4. I've seen quite a few comments and social media posts mentioning that Tally and Shay have better chemistry than any of the others, this is the same in the books and is a really important aspect as they develop their friendship and platonic love. I really enjoyed that they adapted this aspect of the characters, however ended up lacking in others.
All in all I am not surprised it is quite cheesy, it is a dystopian movie with a plot written in the mid 2000s, I definitely think with a longer run time or series they could've smashed it, it would make the special effects appear less overwhelming and the narrative denser and consistent, not leading to confusion about the plot or meaning behind the movie. With our social media today, I think the adaption of this movie is more important now than ever, they just lacked the cinema substance.
Whoever designed the set/Architecture WELL DONE, literally almost exactly how I have imagined it in my head for the last 10 years, even down to the constant fireworks.
1. "The uglies are not ugly enough" Surprisingly I disagree. I just think they haven't portrayed the pretties as radical enough, it lacked the outrageousness and complexity of the actual appearance and personality change. The uglies are meant to look NORMAL, eg. Literal models in old magazines didn't compare to pretties in the book. Although I do agree that Joey King doesn't quite suit the book perception of Squint, I can however, see their thought process (I'm looking at you people who keep calling her ugly)
2. "We never learn about the rest of the planet", yeah the readers didn't learn about that for a while either, and neither does the characters. It's actually a main plot line in one of the future books so be patient.
3. "How are they hoverboarding on water" This is where the narratives quickness and budget ruined the technology and dystopian aspect, I was looking forward to this part the most, however it all lacked clarity with too much action.
4. I've seen quite a few comments and social media posts mentioning that Tally and Shay have better chemistry than any of the others, this is the same in the books and is a really important aspect as they develop their friendship and platonic love. I really enjoyed that they adapted this aspect of the characters, however ended up lacking in others.
All in all I am not surprised it is quite cheesy, it is a dystopian movie with a plot written in the mid 2000s, I definitely think with a longer run time or series they could've smashed it, it would make the special effects appear less overwhelming and the narrative denser and consistent, not leading to confusion about the plot or meaning behind the movie. With our social media today, I think the adaption of this movie is more important now than ever, they just lacked the cinema substance.
I grew up with the books and this way trash compared to the books. A lot of creative liberties and changes made that don't add anything to the actual storyline. The acting felt way overdone and forced.
Special effects seemed like they were completely overdone.
Do yourself a favor and just read the books.
I grew up with the books and this way trash compared to the books. A lot of creative liberties and changes made that don't add anything to the actual storyline. The acting felt way overdone and forced.
Special effects seemed like they were completely overdone.
Do yourself a favor and just read the books.
Special effects seemed like they were completely overdone.
Do yourself a favor and just read the books.
I grew up with the books and this way trash compared to the books. A lot of creative liberties and changes made that don't add anything to the actual storyline. The acting felt way overdone and forced.
Special effects seemed like they were completely overdone.
Do yourself a favor and just read the books.
¿Sabías que…?
- TriviaBased on the Scott Westerfeld series that spanned four books and a spinoff series.
- ErroresWhen they are pulling up the train tracks and saying they recycle the metal they call it the 'ties'. A railroad tie is not the metal part; it is the large wood block that goes perpendicular to the track that 'ties' the track together.
- ConexionesReferenced in Amanda the Jedi Show: Netflix's UGLIES Belongs in 2010 | Explained (2024)
- Bandas sonorasReal Thing
Written by Summer Joyner, Torrey Joyner, Joshua Silverberg, Charles Starling, Savage Sync House
Performed by JOYNER
Courtesy of Resin8 Music
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- How long is Uglies?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Uglies
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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